Wednesday, March 23, 2016

OLD COMICS WEDNESDAY: BATMAN VERSUS...
In two days The Dark Knight takes the fight to The Man of Steel in Batman v Superman: Dawn of Justice! March 25th will mark the first shared theatrical outing for the World's Finest pairing. Earlier in the month we looked back at the storied comic book rivalry, and featured some of Superman's other hero-on-hero battles during weekly Friday Fight Night features.

This Old Comics Wednesday we're finally delving into the darkness of the criminal underworld and its fabled scourge -- honing in on the fight history of Batman!

As the #1 ranked combatant on Secret Wars on Infinite Earths, Batman's fighting chops have been demonstrated against many more opponents than just Superman! By hitting the covers below, you'll be transported to featured fights involving: The Joker, Bane, Catwoman, Scarecrow, Killer Croc, Hush, Two-Face, Mr. Zsasz, Amazo, Dr. Light, Slam Bradley and even Marvel's Captain America!





Monday, March 21, 2016

HERO OF THE WEEK: DAREDEVIL (Marvel)
Real Name: Matt Murdock
First Appearance: Daredevil #1 (April, 1964)
Fight Club Ranking: #9

Featured Fights:
- vs BULLSEYE: Daredevil #132 (Apr 1976)
- vs HULK: Daredevil #163 (Mar 1980)
- vs PUNISHER: Daredevil #257 (Aug 1988)
- vs TURK: Marvel Comics Presents #19 (May 1989)
- vs SCOPE: Marvel Comics Presents #49 (May 1990)
- vs SLADE: Daredevil: Man Without Fear #2 (Nov 1993)
- vs DEADPOOL: Contest of Champions II #4 (Nov 1999)
- vs BULLSEYE: Daredevil #49 (Sep 2003)
- vs PUNISHER: Daredevil #65 (Nov 2004)
- vs WOLVERINE: Wolverine #24 (Mar 2005)
- vs SINISTER TWELVE: Marvel Knights: Spider-man #11 (Apr 2005)
- vs JESTER: Daredevil #75 (Sep 2005)
- vs BULLSEYE: Daredevil #79 (Jan 2006)
- vs IRON FIST: Daredevil #87 (Sep 2006)
- vs TOMBSTONE: Daredevil #90 (Dec 2006)
- vs TOMBSTONE & MATADOR: Daredevil #91 (Jan 2007)

There are a whole lot of properties vying for your attention right now, but the one with the most cut through in the last seven days is by far: Daredevil!

The sonar-sighted superhero returned to Netflix, March 18th, for a second series of thirteen hard hitting episodes -- unlucky, for some! If you were here earlier in the year [1/11/2016], you know former Hero of the Week The Punisher is Daredevil's arch-rival in the sequel series, which also introduces Elektra.

The arrival of Marvel's murderously militant vigilante has upped the stakes for the streets of Marvel Netflix, and fuelled a level of intrigue that defies mixed reviews, and the slightly cheap and nasty Netflix style. Which is to say, like a lot of praised comic book television of the moment, I tend to think the show is awaiting a harsher rethink from habitual binge viewers still soaking up the novelty.


A theme of this year's Hero of the Week has been design in live-action, which may be among the softest targets for the Daredevil show. Punisher gets the look right, remembering the death's head emblem omitted from earlier adaptations. Anyone with color trademarks is subject to compromise.

In the late nineties, fans rallied around mutual agreement that black armor was antithetical to the Daredevil character -- a sin of the time. Restoration of the iconic red look coincided with the very Daredevil renaissance that made TV a viable, exciting prospect. Armored DD was consigned to cultural regret - a touchstone for what-not-to-do. The binary costume/no costume dynamic of Frank Miller's milestone work gave superior options, ending with Miller's desire to make comics less cinematic. Fans of the time had no idea where things were going...

The 2003 feature film grappled with similar concerns of colour and proportion. They shied away from literal body armor, but arrived at a conceit of protective leather that isn't worlds apart. Both examples challenge the acrobatic nature of the character. Why hasn't he worn armor for the majority of fifty years? Because that would severely impede the skilful mobility that is his greatest strength.

2002's Spider-man gave costumed heroes permission to be bold on screen, but the Daredevil film makers were intimidated by possibility of comparisons. They shied away from vibrant reds and a clean anatomy. Zips, clips and a detached mask were the solution to breaking up the outline. Even in comics, DD had been known as the poor man's Spidey from time to time, but it's such a shame to see success be the reasoning behind a fearful decision. At that time, the black pleather of X-Men was already looking dated. A different costume likely wouldn't have improved the legacy of Mark Steven Johnson's monetarily successful movie, but as one of several better decisions - who knows?

Proposing a man walk on screen in a bright red, spandex onesie is never gonna work -- but it doesn't have to. Spider-man films are the standard barer for embellishing the human form in figure hugging costumes. Flair is the solution to giving texture to an otherwise simplistic design. It's amazing how little visual style exists in an era dominated by comic book properties! Daredevil's red should pop against thick blacks. Lighting contrast and cinematography wouldn't just elevate the classic costume, but the works in general. It should inspire composition. Film is missing romance! A study in human anatomy in motion is something I'd love to see. Life after Nolan has been too often defined by choices of what can't be done. Superheroes can do anything. They're amazing.

That mask remains a surprisingly tricky one. The tall dimensions of Ben Affleck's head provided the opposite obstacle faced by Charlie Cox. The Netflix cowl is improving, but depending on the angle, it can still look like the top half is an avalanche threatening to consume his face. Do you cast an actor for their cranium, or their art form? I'm not sure I'm really convinced by the ofay Brit the Matt Murdock I think of, but he serves his purpose in anchoring the show.

I've got mixed feelings about their slow burn approach, which chose to make a plot of the iconic DD costume, which is at least undergoing slight modification in Series 2. On the one hand, I appreciate the economy of storytelling and sense of ceremonial gravitas. On the other hand, spreading the simple things thin reminds that budget has a commanding role, and there's still a long way to go before live-action matches comics for content.

Fortunately, there's plenty of comics goodness to go around! If you're digging Daredevil you can get a choice range of past entries via last week's Old Comics Wednesday. You can find more from the Netflix heroes by following links to Punisher, Jessica Jones, Luke Cage and Iron Fist!

Friday, March 18, 2016

CAPTAIN MARVEL & HAWKMAN versus SUPERMAN & BATMAN
Public Enemies Part Four: Battle On (DC)
Where:
Superman/Batman #4 When: January 2004
Why: Jeph Loeb How: Ed McGuinness

The Story So Far...
A giant piece of the destroyed planet Krypton is hurtling towards the Earth! The humongous meteorite threatens all life on Earth, but President of the United States Lex Luthor has a plan to thwart what his government claims is a proven attack orchestrated by Superman!
 
Uniting with Batman; Metropolis' Man of Tomorrow helps devise a plan to stop the celestial threat, and undo Lex Luthor's corrupt political scheme once and for all -- becoming a wanted fugitive in the process!
 
With a bounty on their heads, the World's Finest evade attacks from some of the most notorious figures in the criminal underworld, before fending off a team of government enlisted heroes. When an accident during the fight causes mass destruction in Tokyo, the big guns of the Justice Society of America finally agree to step in to take the pair down safely and quietly at the rest of Wonder Woman. Enter the JSA's hand-picked heroes for a showdown in the snowy mountains of Japan: Captain Marvel & Hawkman!

Tale of the Tape...
Strength: Captain Marvel 6 (Invincible)
Intelligence: Batman 5 (Professor)
Speed: Superman 6 (Mach Speeds)
Stamina: Superman 6 (Generator)
Agility: Batman 4 (Gymnast)
Fighting: Hawkman 6 (Warrior)
Energy: Superman 5 (Lasers)


Over the past month we've seen instances of The Man of Steel getting the better of Captain Marvel [Kingdom Come #4] and Hawkman [Justice League of America #200] individually. So what happens when the battle escalates to titanic tag team proportions? That's what we aim to find out today as the JSA deploy their two most perfectly suited enforcers for an explosive two-on-two encounter with the JLA's finest: Superman & Batman!


Captain Marvel and Hawkman know each other relatively well, but the edge of familiarity likely has to go to the defending team.

Superman & Batman don't always see eye to eye, and the reason their occasionally bitter rivalry gets so volatile isn't just rooted in difference -- but because they know each other so darn well! When they're fighting on the same side that spells bad news for any opponents! Just take a look at past skirmishes with: Darkseid [Superman/Batman #42], Atomic Skull [Superman/Batman #21], Mongul [Infinite Crisis #1], and inhabitants of a universe where they conquered the world: Green Arrow [Superman/Batman #14] and Freedom Fighters [Superman/Batman #15]!

They haven't conquered the world in today's feature, but their fellow heroes are operating under the instruction that it's a possible goal. This means Captain Marvel & Hawkman can put some of their reluctance aside when fighting. An argument can be made that this allows them to fully exploit key advantages they hold over their counterparts.

As we saw in Superman #216: Captain Marvel & Superman match-up pretty well, but the magic strength of Hercules and power of Zeus gives Cap the slight strength advantage needed when employing his ruthless lightning ambush. Nth metal enhancements ensure Hawkman has a decided strength advantage over The Batman, as well. If he can use his medieval arsenal with impunity, even the ever-resourceful Batman could quickly find himself at a deadly disadvantage!

Switch it up and things get even worse for Batman, who won't have kryptonite to fall back on fighting the magic of Shazam, the way he usually does against Superman. Play that scenario out and the best Superman can hope for is a drag out one-on-one fight with the big red cheese. With a kryptonite meteor heading for the Earth, that's not an ideal place to be.

The Tape stats noted above show Superman & Batman have versatility over the specialist skills of their opponents, but the only way to know for sure is to let the fight play out! Let's see how it went...

The Tape: Superman & Batman Ranking: Batman (#1)

What Went Down...
Touching down with Powergirl & Katana en tow; Superman & Batman draw their plans to save a world they've been accused of threatening. Knowing the battle is far from over, they charge their juniors with a vital mission. They will not be able to execute it. A streaking red blur confirms it.


A weighted net ensnares The Batman, followed by the descending shadow of the winged Hawkman! He commands the outlaw heroes to honor their past and make it easy. Standing boldly over his fallen target, Captain Marvel echoes the sentiment -- reminding Superman he's beaten him before and will do so again.

Superman chooses non-compliance, blasting Captain Marvel in the face with an explosion of heat vision! His words scold as harshly as the heat, challenging the Captain for accepting President Luthor's orders!


While the super-powers collide, Batman gets to freeing himself from his netted prison. A cutting tool makes light work of the snare. Hawkman warns him to stay down. An interesting choice of words.

Superman and Captain Marvel come to super-human blows. The Man of Steel reviews his opponent's innate advantages. Toe-to-toe his magic power gives Captain Marvel the edge. A straight right to the jaw punctuates the point, before a stinging left follows directly at Superman's face!


Meanwhile, Batman observes Hawkman's obvious advantage: flight. As the winged warrior swoops with trademark fixed mace in hand, Batman attempts to turn the tables - firing his grappling cable around his flying foe!

The Bat succeeds in grounding Hawkman for a moment, but any advantage is short-lived -- the power of his mighty wings too great for the tensile strength of the chord! The recoil sends Batman flying!


Clearly struggling against their respective opponents: Batman calls for a "castling" strategy - a switch of King and Rook.

To facilitate the exchange, Superman catches Captain Marvel's next blow and uses the leverage to toss him in the direction of Batman! The Bat gets a kick in, directing Marvel's careening body into the snow -- while in the blink of an eye Superman goes airborne, collecting Hawkman at mach speed!

The Man of Steel heads for the Earth's upper atmosphere with a note of regret, intending for Hawkman to blackout. The veteran scoffs his target's arrogance, knowing full well what Superman & Batman are attempting. Far from done, he introduces Superman to his glove: The Claw of Horus!


The Claw draws its power from the Earth's magnetic core -- allowing Hawkman to hit Superman with the force of the entire planet! The blow sends Superman plummeting back down to Earth with extreme prejudice!

While below, Batman investigates Captain Marvel's impact. Instead he discovers young Billy Batson in the snow with a cut on his forehead. The Dark Knight checks on his opponent's mortal counterpart. When Batson whispers the magic word "Shazam" a magic bolt of lightning strikes the Earth to transform him back into the big red cheese Captain Marvel!

With Batman slumped over his shoulder, Marvel re-joins Hawkman - who stands over an unconscious and wounded Superman! Victorious!

The Hammer...
Did you see it happening? Our winners are very much Captain Marvel & Hawkman, but there's more to this story than meets the eye...

If you followed the recap, you may have noticed the absence of Powergirl and Katana - who exited just as the fight started.
 
This was the real key to victory, as Superman and Batman's ultimate goal in the fight was to ensure they were left unhindered. It's all part of a larger plot to avert the disaster President Lex Luthor has accused Superman of causing. The very reason they were in remote Japan - home to the industrious Toyman.

Fans of the Public Enemies story will know Captain Marvel & Hawkman's victory is short-lived. Somewhere between the end of the fight and Superman/Batman #5, the title duo blindsided their opponents while their guards were down, in order to steal their identities. This allows the fugitive Superman & Batman to confront Luthor at close proximity, and rescue their protégés, who had responded to premature news of their capture.

It's a contrivance almost purely for the reader's sake -- just barely functional enough in the bigger picture to make its convincing execution worth the while. It got us a kickass fight between rival heroes, and gave half a subsequent issue to a fun group of young heroes. Not bad!
 
It doesn't hurt that the whole affair is deliciously rendered by a master team of artists. I'm a big fan of the world according to Ed McGuinness. He was a natural fit for Superman, and I think a surprisingly effective and maybe underrated Batman artist, as well. He doesn't do it alone, of course. He's brought to his very best by inker Dexter Vines, with perfect, wet paint colors from Dave Stewart. The end result is big, bold, powerful and wonderful to look at.
 
It's easy to forget that a Superman/Batman team-up book was a slightly sketchy proposal in 2003, especially on the back of Jeph Loeb's instrumental rekindling of the Batman v Superman rivalry that same year [Batman #612]. McGuinness played a big part in successfully selling the dynamic of character examination under big action frivolity that underscored much of Loeb's run. There's positive and negative, but it gave something back to the introspective superhero comics of the time. If DC's upcoming Rebirth intends to address things that are missing - this balance of elements, characters, fun, stakes, and Ed McGuinness' pencils are all good places to start!
 
Ironically, some of McGuinness' least effective pages take place during the Captain Marvel/Hawkman fight. The intention of certain action sequences aren't as clear as they should be. These panels leave a lot of vague, uninteresting, dead space. Some of this seems to be in service of not calling attention to Hawkman's trump card - The Claw of Horus. It works, giving the reveal impact without obviously holding his hand behind his arm, but it may've pressured the Captain Marvel "Castling" sequence into some flat panels.
 
Something I do like about the Superman/Hawkman sequence is how well it plays off the fight in Justice League of America #200. That time Hawkman was left for dead floating unconscious in space. This time he was prepared!
 
Some may argue the surprise twist in Superman/Batman #5 invalidates the victory demonstrated in today's feature, but the result is never explicitly disputed. The outcome is merely overturned by a second, unseen skirmish. By hook or by crook, Captain Marvel & Hawkman did defeat Superman & Batman as we saw. Secret Wars on Infinite Earths bylaws typically dictate results should be determined by issue cut-off. The facts of the case just so happen to support the result, either way.
 
Which pretty much takes care of that! It also wraps up our run of Superman's battles with heroes for this month! It won't be the last time we take inspiration from the March 25th release of Superman v Batman: Dawn of Justice, though! There's a third hero set to play a feature role and they'll be tag teaming with one of the other most talked about heroes coming soon to theatres. If you guess this unlikely pairing -- you'll deserve a no prize! 'Nuff said!
 
As always, you can find more Superman & Batman battles by following the links, or checking out the Issue Index Archive.

Stay tuned for more Hero of the Week and Old Comics Wednesday portal picks, too! Wanna read the comics you've seen here yourself? Use Amazon purchase links provided to support the site! Be sure to tell your friends, too!

Winners: Captain Marvel & Hawkman
(--) #1 Batman
(--) #4 Superman
(+8) #27 Hawkman
(+222) #100 Captain Marvel

Wednesday, March 16, 2016

OLD COMICS WEDNESDAY: DAREDEVIL SEASON TWO!
A Dark Knight looms over the superhero movie landscape this month, but justice is blind on Netflix when Daredevil returns for a second season - March 18th! Causing trouble for Charlie Cox' blind lawyer turned vigilante in Season 2 is a darker edge of unlicensed law enforcement: The Punisher!

Marvel's Man Without Fear has been a perennial favourite on Secret Wars on Infinite Earths, so it only makes sense we cast our senses back to some classic confrontations for this week's Old Comics Wednesday! By clicking covers below, you'll find Daredevil locked in mortal combat with the likes of: Punisher, Wolverine, Iron Fist, Bullseye, Tombstone and The Jester!

Look closely and you'll also find some Daredevil Season 2 inspired bonus battles featuring The Punisher, Elektra, Kingpin and the nefarious ninja clan The Hand!





Monday, March 14, 2016

HERO OF THE WEEK: SPIDER-MAN (Marvel)
Real Name: Peter Parker
First Appearance: Amazing Fantasy #15 (August, 1962)
Fight Club Ranking: #2

Featured Fights:
- vs WIZARD & MYSTERIO: Amazing Spider-man Annual #4 (1967)
- vs DR. DORCAS & TIGERSHARK: Marvel Team-Up #14 (Oct 1973)
- vs TRAPSTER: Marvel Team-Up #58 (Jun 1977)
- vs GREEN GOBLIN: Amazing Spider-man #176 (Jan 1978)
- vs HULK: Marvel Treasury Edition #25 (1980)
- vs JUGGERNAUT: Amazing Spider-man #230 (Jul 1982)
- vs BLACKLASH: Marvel Team-Up #145 (Sep 1984)
- vs TOMBSTONE: Spectacular Spider-man #142 (Sep 1988)
- vs MAGNETO: Amazing Spider-man #327 (Dec 1989)
- vs TRI-SENTINEL: Amazing Spider-man #329 (Feb 1990)
- vs ELECTRO: Marvel Holiday Special '92 (Jan 1993)
- vs DOPPELGANGER & SHRIEK: Spider-man Unlimited #1 (May 1993)
- vs CARNAGE: Spider-man Unlimited #2 (Aug 1993)
- vs MEPHISTO: Marvel Holiday Special '93 (Jan 1994)
- vs SCORPION: Spectacular Spider-man #215 (Aug 1994)
- vs GREY GARGOYLE: Marvel: Heroes & Legends #1 (Oct 1996)
- vs RHINO: Spider-man: Blue #2 (Aug 2002)
- vs GREEN GOBLIN: Marvel Knights: Spider-man #1 (Jun 2004)
- vs SINISTER TWELVE: Marvel Knights: Spider-man #11 (Apr 2005)
- vs SECRET AVENGERS: Civil War #3 (Sep 2006)
- vs MAN-APE: Black Panther #18 (Sep 2006)
- vs HUMAN TORCH: Amazing Spider-man #543 (Jan 2007)
- vs THE HAND: New Avengers #27 (Apr 2007)
- vs SANDMAN: Spider-man Family #1 (Apr 2007)
- vs VENOM: Spider-man Family #2 (Jun 2007)
- vs GOMDULLA: Spider-man Family #3 (Aug 2007)
- vs MIGHTY AVENGERS: New Avengers #36 (Jan 2008)
- vs MENACE: Amazing Spider-man #585 (Apr 2009)
- vs SPOT: Amazing Spider-man #589 (May 2009)
- vs THE HOOD & DORMAMMU: New Avengers #54 (Aug 2009)
- vs DR. OCTOPUS: Amazing Spider-man #600 (Sep 2009)

Could there possibly be any doubts about the Hero of the Week of the last seven days? You'd have to have been living under a rock to have avoided the first-look at Marvel's co-produced revamp of Spider-man -- appearing in the latest trailer for Captain America: Civil War!

It's the long awaited introduction of 19 year old actor Tom Holland, who takes up the role from departing star Andrew Garfield, in the first partnership between Marvel Studios and Spider-movie license holders: Sony Pictures.

Holland has one line in the trailer after Tony Stark summons him to steal Cap's shield: "Hey, guys". Reactions to the character's new voice have been a bigger talking point than the line itself, but the real feature of the trailer is Spidey's latest film design [seen below], and the animation of the character.


For the most part it's the classic Spider-man attire you know and love - which is always good to see! I like that they've deviated from Sony's approach to the webbing motif, making it part of the costume, as opposed to separate three-dimensional piping. The challenge will be how well the exceptionally thin lines read on film. The vertical array of the classic webbed motif is actually two sets of thin lines meeting side-by-side. I wonder if that's to help the visual consistency in longer shots. I do wonder if thicker black lines might have been better, but it's no real complaint.

The biggest change is probably the eye lenses, which appear to have some range of movement in the black frame! It's always been a stylistic conceit of the comics that the expressionless mask would be allowed to emote for the reader. I'm surprised to see an attempt to translate the idea to the reality of live-action film. It seems unnecessary, even if it's visually interesting. On closer inspection, it seems mechanical layered shutters create the effect, rather than actual emoting.

Given Spidey's position on Team Iron Man, and Peter Parker's interest in photography, you could speculate about an innovative explanation that builds the relationship. In the comics, Civil War's Spidey/Iron Man team-up gave us red and gold "Iron Spider" armor. Hi-tech lenses pale in comparison, but I'm not sure how I feel yet. It seems early in the life of the character, who's effectively starting over, to establish a relationship. The visual feels John Romita accurate. Smaller than the giant eyes of the eighties and nineties that I slightly prefer, but clean and visually appealing.

About the only real complaint I could register based on the brief preview are the go-faster stripes. The inclusion of thick blue bars that break-up the red sections of the classic costume seems odd, to me. The kind of arbitrary flourish Hollywood likes. A reason for somebody to feel like they did their job "designing" the new look? I don't know. It seems counter-productive to finally deliver a more comic accurate design, only to add an arbitrary new element. It gives it a look of off-the-shelf sports gear. That played into the last generation of the film origin. Maybe it will play in the third, too.

What ever the case: the trailer has given me things to think about, and shown me enough to know I want to see more. Which is generally the purpose of a trailer...

For every unqualified raving lunatic with an axe to grind, there is the inevitable equal opposite, who insists nothing can be gleaned from a three minute clip.

It pays to remember trailers are released for public scrutiny, and are by definition there to be judged. Previews are usually arranged carefully and released by the studio to garner interest in purchasing the movie. Established licenses and properties give studios built-in interest to work with (or against), but this self-perpetuating fan culture should never extinguish the need for film makers to impress, excite, or entice. If you're following pre-release material, but leaving all critical thinking until the moment you've left the theatre, you may want to reconsider brain function linked to basic human survival.

Of course, there's no denying the Sony/Marvel deal makes reality most fanboy's dreams to see the comics come to life.

It feels right to see the company mascot at home in the middle of the action. His original Civil War role seems largely unnecessary for a successful adaptation, but it hardly even seems to be about that.

It's another phase in the unprecedented assembly of a live-action universe. One still brimming with promise: to be tapped next July (2017) in the first Spider-man solo movie under the studio partnership. Where things go after that is anyone's guess!

I'd love to see the classic Spidey/Daredevil New York dynamic explored, but tonally the two properties seem incompatible in their current states. Re-casting Tom Holland as the young Peter Parker seems limiting in ways Andrew Garfield avoided, but with news he successfully auditioned opposite Marvel's newest Punisher - Jon Bernthal [HOTW 01/11/2016] -- anything seems possible!

Bernthal says the Spidey/Punisher tapes exist, and it's hard not to get a buzz out of the thought Marvel executives have a reference for their chemistry on film. Punisher's expected to get his own Netflix series spinning out of the Daredevil Season 2 appearance, but the idea of a touring character doing guest spots in various projects is a twist yet to be fully broached. A frontier Spidey opens.

Captain America: Civil War is officially in wide theatrical release May 6, 2016. Rest assured there'll be plenty of action inspired by the movie right here in May! March belongs to another hero-on-hero rivalry, but be here during the week for more from the Marvel House of Ideas!