BATMAN versus SOFIA GIGANTE FALCONE

Peace (DC)
Where: Batman: Dark Victory #13 When: December 2000 Why: Jeph Loeb How: Tim Sale

The Story So Far...
The mystery of a new killer grips Gotham City in the wake of The Holiday murders. The months melt away as The Hang Man stalks the ranks of law enforcement, pinning a crude scribbling of the children's word game to their victims, written on documents taken from the desk of Harvey Dent.

The scarred former District Attorney has gone underground as the walls of suspicion and his enemies begin to close in around him. Former ally, Batman, is on his trail, but the man now dubbed "Two-Face" is busy with his own investigation, and the pair will inevitably reach the same conclusion, leading to a showdown with Sofia Gigante Falcone!

Tale of the Tape...
Strength: Draw 3 (Athlete)
Intelligence: Batman 5 (Professor)
Speed: Batman 3 (Athlete)
Stamina: Batman 5 (Marathoner)
Agility: Batman 4 (Gymnast)
Fighting: Batman 5 (Martial Artist)
Energy: Batman 4 (Arsenal)
Total: Batman 29 (Metahuman)

The Batman has had no shortage of run-ins with organized crime figures, but finding a comparison for the heiress to the Falcone Crime Family is no mean feat.

Sofia Gigante Falcone is one of a kind. The daughter of notorious Gotham City crime boss Carmine Falcone, she was much closer to her father than her mother, Luisa. Sofia inherited The Roman's cunning and determination, navigating mob rank with the benefit of a physically imposing stature and demeanor.

It's difficult to do Sofia Falcone's domineering size and aura justice. She is a truly powerful woman in every sense of the word -- but by the time of Batman: Dark Victory, she is carrying the literal & figurative scars of The Long Halloween.

The Holiday Killer's campaign against organized crime pushed Sofia to extremes and ended with her shocking plunge from the balcony of the Falcone Penthouse.

Catwoman's bola inadvertently saved Sofia from falling to her death, but in doing so, swung her uncontrollably through plate glass windows that sheered the right side of her face off, and left her wheelchair bound -- or so it seemed.

Cosmetic surgery, wigs, and a steel frame rebuilt Sofia's appearance, but rumors of her crippling physical injuries were greatly exaggerated. In fact, the wheelchair is a mere cover for her campaign as The Hang Man Killer: a serial murderer whose hanging modus operandi speaks to the physical strength of Sofia Falcone.

She isn't enhanced to the degree of Bane - who combined stratagem, training, and Venom augmentation to famously break the bat - but certainly possesses the natural physical attributes to give Batman a run for his money.

We know he can handle himself against the likes of a Venom-enhanced Riddler, Killer Croc, Fatman & Little Boy, and even Marvel's peak physical specimen, the super-soldier Captain America. How will he handle Falcone? Let's find out!

The Tape: Batman Ranking: Batman (#1)

What Went Down...

Gotham City burns from the inside out as the gas lines ignite, and Harvey "Two-Face" Dent crawls desperately through the labyrinthine sewers beneath.

Dent pulls himself across the stone, emerging from a metal hatch without noticing the dark figure hidden in the flames. A noose drops around his throat and yanks him toward the pipes overhead. On the other end of the rope - a hulking shadow, emerging through the flames as it sheds the metal frame around its head.

His executioner steps into the light -- Sofia Gigante Falcone, The Hang Man Killer.

The seemingly crippled crime boss almost fooled them all. They never suspected the woman in the wheelchair. She towers, completely capable and unencumbered, strong enough to hold a grown man off the ground by a rope around his throat.

Dent spits in Sofia's face. She yanks the rope and buries her right fist in his gut.

A razor-sharp batarang cuts the air and slices the rope. Two-Face drops.

The Dark Knight descends into the burning sewer tunnel, gliding over Sofia Falcone. A short uppercut knocks her back as he works through all the clues in his mind, unravelling and revising the inevitability of her guilt.

The powerful crime boss is disgusted that Batman would protect the Two-Faced former District Attorney. Falcone is more than able to match his blows, scuffling with a leading left that becomes an upward strike.

The Batman delivers a straight kick to her chest to wind the giant.

He follows rapidly with a precision nerve strike delivered with straightened hand.

A stiff uppercut completes the combination to end the Falcone Crime Family.

The Batman appears triumphant, but then --

Suddenly -- a gunshot rings out in the tight sewer tunnel and Sofia Gigante Falcone's grimace goes limp. Her eyes widen, dumbstruck, as blood bursts from her forehead. The Hang Man has been hit.

A noose drops around her neck, pulling the corpse away from Batman and toward those pipes running along the top of the sewer tunnel.

Falcone's body provides counterweight as Two-Face leaps to a lower level of the tunnel system, dangling from the other end of the rope in escape.

"You wanted it to end, Bats. So did I."

The pipe bursts as chunks of the old sewer system begin to collapse and fall away. Fire engulfs the underground. The Hang Man has been stopped, but it's not over. Not yet. Two-Face is still on the loose and The Batman has a cave to defend.

The Hammer...

It's been a while since I've revisited Dark Victory, but I remember a lot of it quite well. Not just through the ripples of its influence in the adaptations of Christopher Nolan, or the recent HBO live-action Penguin series streaming to MAX, but from the impact of that very first read some twenty-plus years ago.

The Long Halloween had passed me by, but I read vicariously through the pages of Wizard Magazine, where the hottest Batman story of the mid-late nineties was the source of much speculation and excitement. It got me excited, too!

Jeph Loeb and Tim Sale quickly became a must-read partnership as I reinvested myself in DC's Dark Knight -- a lapsed favourite from earlier childhood. Naturally, a collected edition of The Long Halloween became an instant favourite. I cherish it still. It's on top of a tall stack of comics on my desk right at this moment.

I still consider the two maxi-series to be among the very best Batman stories on offer. Individually, or together, they address the greatest aspects of the character, and his surrounding world. Masterworks ripe for study and enjoyment.

There is the thrilling tour through the iconic rogue's gallery that offers instant amusement and all the action you could want. Commissioner Gordon and Harvey Dent intersect with the conflict between organized crime and these new "freaks" in Gotham City. Dent's fateful transformation into Two-Face is retold, becoming an actualized transition between the two paradigms, nestled within an unfolding crime caper that fulfills the old fashioned pulp fiction of Detective Comics, while also addressing the oft-neglected mystery-solving of The Dark Knight Detective.

Loeb & Sale's work builds directly on a foundation of Year One, but surpasses it in a great many ways, better reflecting a definitive version of the superhero, while adapting the montage technique of Frank Miller and David Mazzucchelli's four issue classic to create a monthly timeline that plays directly into the story.

The overarching threat of "The Long Halloween" is a veiled antagonist, The Holiday Killer, who strikes but once a month -- just like comic books. In Dark Victory, it's the mysterious Hang Man who terrorizes Gotham by calendar.

The layers are many, and that doesn't even begin to address the immediate appeal of Tim Sale's artwork, complimented beautifully by the colours of Gregory Wright. The collaboration with Sale is impeccable, creating an unrivaled mood for Gotham City and its many haunts. You see it in every gloomy night, grand interior, and stone-walled sewer tunnel.

The penciler's layouts, designs, and expressive characters are on another level. Cinematic, beyond merest reality, yet believably grounded in it.

I recall listening to an interview with Fanboy Radio, where Sale waxed romantically about his real-world inspiration for Catwoman -- a character he and Loeb revisited with the sequel mini-series, Catwoman: When In Rome.

I wouldn't ordinarily skip straight to the conclusion of the second series, but I settled on today's featured fight for its reflection of all of Sale's skills. In particular, I wanted an entry that captured the grandeur of his vision for Sofia Gigante Falcone, who seems underserved by the recent live-action casting of diminutive, slight, and conventionally glamorous, 5'2" Cristin Milioti.

I've already expressed misgivings about the entirety of The Penguin spin-off and its origins in The Batman. Not having seen the show, I wouldn't want to be too outwardly venomous towards Milioti's portrayal, but I think the panels included in today's entry speak to the vast disparity between the originating comic book character, and Hollywood's all too typical choice for females in these projects.

Towering and scarred, wearing that heavy trench coat, there's obviously a lot of dramatic exaggeration going on in this final chapter of Dark Victory, but for anyone who has read both series throughout, you will recognise Sofia Falcone as an archetype that exists in life. A powerful, physically imposing Italian woman, with strong features. A distinct and appropriate choice for the character, whose domineering presence looms literally & figuratively over both stories.

With so much of contemporary cinema caught up in social concerns, it's a little dismaying to see female characters with unique characteristics, be they body-type or age, regularly supplanted in live-action with more standard types.

Marisa Tomei as Aunt May might be the most egregious example of this time, but I also think of DC's Amanda Waller, who is yet to have the robust physicality of "The Wall" seen in classic comics in any of her live-action portrayals.

Put simply: Sofia Gigante Falcone would crush her live-action counterpart in much the way she squeezed Riddler's head to the point of bleeding.

A fantastic character, who like other key figures in The Long Halloween and Dark Victory, is irreversibly corrupted by Gotham City and her own obsessions, driven to becoming one of the very "freaks" her family so detests. Thus, The Hang Man Killer is hung by her own noose. A perfect, ironic end, punctuated with a gunshot to the head to seemingly rule out another miraculous return from the dead.

Of course, this isn't actually the end. There was The Long Halloween Special in 2021, and now Jeph Loeb has collaborated with another excellent Batman artist, Eduardo Risso, to begin Batman: The Long Halloween - The Last Halloween. A final chapter that pays homage to Tim Sale, who passed away in June, 2022.

It still hits me pretty hard to think about that.

I didn't know the man personally, but his work has been tremendously important to me. Having neglected talking about these favourite series all these years, I finally started working on an entry for Halloween 2021, but when I couldn't confidently describe a detail in the story, I wanted to seek clarification from the source. Just over half a year later, I understood how poor my timing must have been. That entry, or any others, just became a little too hard to think about.

We're blessed to have Sale's work adorn Last Halloween covers. His unmistakable hand still a part of the project. I think fondly not just of his work on The Long Halloween and Dark Victory, but also his covers for Detective Comics, which were as exciting at times as the interior issue itself.

One day I will return to that unfinished 2021 entry, and other memorable moments from The Long Halloween and Dark Victory, but for now I'm taking a break.

You can find relevant entries, past and future, by following links throughout this article, or by diving in to the Secret Archive. That's where every featured fight is filed in order of publisher, series, and issue number. Starting with DC, you'll be able to find plenty of Batman right near the top, but I also recommend following the Tim Sale label for some of his other fantastic works, at DC and elsewhere.

If you'd like to see me return to this subject sooner than later, or any other topic that strikes your fancy, you might like to become a supporter on Patreon. This is a fine way to get my ear, but also just help keep us all in the fight. With over 700 battles detailed, and many more subjects covered, Secret Wars on Infinite Earths is determined to be a free resource to anyone who might have use for it.

Get daily links to fights inspired by the topics of the day by following on X (aka; Twitter)! Don't forget to smash that like, fave, and share -- and keep your eyes peeled for the week's top trending battles every Sunday on X & Discord! The lively Discord chat is one of the bonuses of becoming a Patreon subscriber!

Winner: Two-Face & Batman
#152 (+297) Two-Face [+1 kill]
#1 (--) Batman
#1032 (new) Sofia Gigante Falcone

QUICK FIX DOUBLE FEATURE: Silent Knight!
BATMAN versus SCARECROW
Toys (DC)
Where: Batman: Dark Victory #3 When: February 2000 Why: Jeph Loeb How: Tim Sale

Quick Fix...
Dark Victory was the welcomed gritty sequel to the mid-nineties thriller maxi-series, Batman: The Long Halloween. Long Halloween was an instant classic, bringing together the oft overlooked mystery writing techniques that compliment the Dark Knight Detective; combining them with the world of Gotham City in an unofficial sequel to Miller's Year One.

Dark Victory is an equally revered piece of Batman fiction, but why should the Infinite Wars happen upon these issues now? As is often the case, there's a simple, if veiled explanation!

On the one hand, the Loeb/Sale maxi-series' have both been incredibly influencial to the Christopher Nolan directed feature film(s); with Nolan, [co-writer; David] Goyer, and cast members regularly quoting both stories as invaluable references. Empire magazine, (along with various websites), have featured the first official promotional shots of The Dark Knight's Heath Ledger in full Joker regalia, making now as good a time as any to delve into DK countdown mode!

That, and also, we're featuring an single issue spotlight on reviews from the past twenty-five years in weekly Cover to Cover features. If you're inclined to scour the back issues based on printed year, then you'll already realise that 2000 was a slow year for me. So, just to make sure there aren't any gaps, I'm ramming a couple of 2000 reviews in for four week's time. Haw!

Of course, just to lift the curtain to spoil the magic, in the time it took to start this post, to reach this point, we've also seen the release of a fantastic Dark Knight poster [alluding to the Joker with a dripping red bat isnignia] -- and I've also bumped this entry back several days, making room for another.

So, while a shred of the original intention remains, we should get this show on the road to make way for other entries of immediate interest.

A killer is following in the footsteps of the Holiday killer who terrorized the Gotham crime families with a murder for every month. Now the game is Hangman, and the new killer is eliminating corrupt cops, following a similar seasonal modus operandi as the supposed original Holiday.

The Batman, unclear as to who is responsible, interrogates all available sources, arriving at Boss Zucco, who failed to fullfil his usual routine of receipt collecting from one of the fine establishments owned by the Maroni family. The Cheetah Room gentleman's club was manned by Arnold John Flass - former marine and disgraced police Detective - with all the motive in the world to go after Commissioner Jim Gordon, and Harvey "Two-Face" Dent, for bringing him down under affiliation with criminal activity. Too bad he's not the guy.

Zucco gives up the Scarecrow as the catalyst for variation in his operations: and a potential suspect, or witness, for the Hangman murders. Batman tracks Scarecrow to the abandoned Gotham Toy Factory, where Scarecrow is hatching a plan to release his fear toxin through children's dolls.

Scarecrow proves less than cooperative, attacking Batman with a cloud of his sickly green gas that masks his gangling escape from the Dark Knight's clutches. The weight of a pulley proves vital, swinging like a pendulum through the muck to strike the Batman in the head.

Far more physical a foe than the gawky Jonathan Crane; Batman finds his way outside to the snow, where he lands atop the Scarecrow's getaway truck.

Reciting lines from nursery rhymes to the very end; the Scarecrow opts to plunge his vehicle into the icey depths of a Gotham River. He cuts loose from the noose that binds him to the man crouching atop his caboose; leaving him on the pier to suffer the effects of terror and fear.

See what I did there? Yeah, well, before we spiral down into the abyss of my apparent fixation with alliteration and/or rhyming, let us steer this train back to the rails of a valued entry. Actually, it's probably worth noting that we very nearly discussed this earlier as part of our Halloween spillover!

While the Scarecrow has roughly fifty years of history, it's his depiction in this series (and Long Halloween) that comes right to mind when I think of the character. It's almost contradictory to go from talking so much about pseudo-realism [New Avengers #35], to talking about preferring this fairly outlandish visual take on the Scarecrow character, but that's a surface observation.

These are really points coming at the same rules from different ends of the spectrum, and therefore opposite references. For me, it's the fusion of fiction with inspiration taken from reality that makes these sorts of urban characters so wonderful and enduring.

Scarecrow is famously one of the characters they struggled to totally come to terms with in the much beloved animated series. In my opinion, while the final visual of a bulky man who may or may not be something supernatural is quite neat, it actually gets too far away from the heart of the character.

If I could envision my ultimate interpretation of the Scarecrow it would be very specifically referenced in this contemporary tales. It would be the eerie but stylized appearance of Tim Sale's character; with shades of Loeb's distanced insanity, and Geoff Johns' deranged motivation and desensitization [as seen in Batman: Gotham Knights #49].

Scarecrow is already confirmed for an appearance in the upcoming Batman Begins sequel, and while sources close to the film downplay the cameo as being comparable to Willem Dafoe's returning role in Spider-man 3, one still can't help but imagine how a reference point like Dark Victory might come to play. Will the fractured remains of Jonathan Crane, last seen screaming into the night in Begins, be a silent observer of crimes in the new chapter, or could the Scarecrow and his toxins even be tied to the emergence of a new version of the Joker?

Mmm, me thinks that might just be discussion for another time... Now!

The Fix: 3 The Issue: 6.5
Winner: Draw

It seems a great many comics reader missed out on the experience of the Long Halloween, only to catch up by immediately diving into the 2000 sequel. If you haven't had the opportunity to read either of these modern masterpieces, I strongly recommend them as great Christmas gifts. That said, I would suggest you stay tuned for links to the original, if you're only going to seek out one, because it's there that the intrigue begins, that is inadvertently spoiled if reading Dark Victory first. Note efforts to avoid giving any clues to the final identity of either Holiday, or The Hangman!

---

THE JOKER versus HARVEY DENT
Christmas (DC)
Where: Batman: The Long Halloween #3 When: February 1997 Why: Jeph Loeb How: Tim Sale

So, this is the kind of thing that happens when you bounce your entries around. I did scan and upload the next issue of Dark Victory, which is a Solomon Grundy story I've been trying to shoe-horn onto the site since it's very inception!
However, with measured enthusiasm I must declare that I am but a humble servant of a higher power, and that is creative logics. It was just too tempting an offer to do an all Christmas Bat-entry, given the date, and all.

So, here we are, doing it in reverse order!
I stress again for the uninitiated or for anyone who skims over the names and dates at the beginning of entries -- Batman: The Long Halloween is the story to which Batman: Dark Victory is a sequel!

So, here we are, three years before the last entry.
This is a very different time. Movie goers will have recognised the Dark Victory mention of ex-Detective Flass. The man you know as an overweight vision of corruption actually began life in the pages of Frank Miller's Batman: Year One, as a tall and deadly peroxide blonde with special forces combat training. The visions you're having of Bridgette Nielsen are actually reasonably accurate, substituting silicon implants for Miller's standard olive trenchcoat.

Batman: The Long Halloween, like various stories that have followed, serves as a sort of unofficial sequel to Year One. While it provides inspiration for the big screen Batman Begins, it's worth noting that Year One serves more as a vignette of concepts, than a vivid depiction of the early rise of the Dark Knight Detective.
It's this fact that leads Loeb and Sale to quite successfully begin a tradition of telling tales early in hero's careers, elaborating on the Gotham criminal underworld, the corruption that facilitates the existance of a Batman, and the rise of the community of "freaks" and their costumed gimmickery.

While the period of transition (from conventional crook, to freaks) is more specifically explored in Dark Victory, the underpinnings are certainly quite well conceived in Long Halloween. In fact, one of the most vivid analogies of this transition of crime in Gotham is the transformation of Harvey Dent into Two-Face, which was apparently a wise tip from Miller himself, who recognised Two-Face as one of the under utilized gems of the Bat rogues gallery.

Actually, the story does well to further enhance Two-Face's motivations and character, differentiating him from the cooky insanity of his predecessors by drawing on his driven life as a District Attorney. It is no doubt this characterization that will steer Aaron Eckhart's depiction of the character in The Dark Knight; and it's here, in the Long Halloween, that we get a glimpse of the speculated relationship between Two-Face and Joker.

The popular bet is that it will be the clown prince of crime who scars Harvey Dent in this new big screen canon; but in the Long Halloween that is an honor reserved for a vastly different character (who is also rumored to appear) -- I won't spoil it for those of you making eagerly making Christmas purchases.

Having had his home previously destroyed by gang violence; Harvey Dent surprises his chair-bound wife, Gilda, with a bow wrapped cottage on Christmas Eve. Having carried his excited bride across the threshold, the DA encourages his wife to explore the upstairs, having observed unsolicited footprints in his home.

Lurking around the Christmas tree stirs a grinning Joker.

Dent charges the Joker, exploding in a furious delivery of fists that smack the jester's twisted grin left and right of his face. Though the blows might have shaken an average man, the Joker will forever be remembered as anything but average.

Investigating the Holiday murders in his own bizarre way, Joker swiftly puts chief-suspect Harvey Dent down with a swift kick to the crotch.
The uncermonious maneuver sufficiently floors the Distict Attorney, and gives the Joker the opportunity to examine him beneath his magnifying glass.

The Joker notes that Harvey is not Batman; as suspected by some citizens of Gotham; but remains uncertain of his potential as the killer called Holiday. Discontent with the presence of another themed maniac, Joker leaves Dent with a stern warning that should he indeed turn out to be the killer, he will return with intentions far less "forgiving" than this visit.

Joker disappears into the night, leaving Dent to be discovered beside the toppled Christmas tree in a quivering heap. A humiliation the District Attorney will not soon forget.

Boy! Wasn't that a cheery Christmas tale?
Alright, so it might not leave you warm and fuzzy before the jolly fatman slides down the chimney, but it's none the less a piece of a fantastic puzzle! A puzzle in both the story itself, and as a piece of The Dark Knight to come.

As both a fan of play-along mysteries, and Batman and his cast of supporting characters, I fall in that massive category of fans who regard these tales with reverence and awe. Say what you will about Loeb's lesser outings, but undeniable is the stoic execution of this gritty, urban mystery.

Often on the Infinite Wars we've discussed the typical divide of what a fanboy regards as their penultimate Batman. If such a thing is seen in print, for me, it may just be in the pages of The Long Halloween and Dark Victory.
Tim Sale's visuals deserve all the credit in the world for enhancing what is a relatively well constructed story. It is mind boggling that Sale, colour blind, can be so deft at laying down the perfect greys, blues and greens.
I think ultimately the visuals and written execution deserves more kudos than the mystery itself, which I find gets a little muddy, and maybe hides behind the safety net of being coy, just a little too much.

This is historic Batman, and if not for it's connected relevance, it would be a must-have perhaps only surpassed by The Dark Knight Returns; another Frank Miller inspiration for the big screen (re; The Dark Knight).

The Fix: 3 The Issue: 6.5
Winner: Joker

If you can't wait six months for The Dark Knight, or have a loved one who loves Batman and doesn't already own this, then it's the ultimate Christmas gift! If they're really special, you can't go past the oversized Absolute Edition with hardcover, slip case, and tonnes of extras. For everyone else, the complete collected trade isn't a bad way to go, at all! Actually, I kinda think the matte paper stock has a special charm!