MASTERS OF EVIL versus AVENGERS

A Gathering of Evil! (Marvel)
Where: Avengers #222 When: August 1982
Why: Jim Shooter & Steve Grant How: Greg LaRocque

The Story So Far...
While Wasp and The Avengers welcome their newest recruit to the halls of Avengers Mansion -- one of their old adversaries begins drawing plans for recruitment of his own for a new team of Masters of Evil!

Egghead begins his scheme by sending a missile to Atlantis, destroying the prison that holds Todd Arlis aka; Tiger Shark. From there, the first recruit attacks the super-villain prison facility at Ryker's, freeing Whirlwind, Scorpion, and Moonstone.

In exchange for their freedom, the team agrees to serve Egghead in his scheme for power & fortune, but old grudges die hard, and Whirlwind can't help but take a day trip to Avengers Mansion to seek revenge against The Wasp. A decision that forces The Masters of Evil to make their presence known ahead of schedule!

Tale of the Tape...
Strength: Thor 6 (Invincible)
Intelligence: Hawkeye 4 (Tactician)
Speed: Moonstone 4 (Olympian)
Stamina: Thor 6 (Generator)
Agility: Scorpion 3 (Acrobat)
Fighting: Thor 6 (Warrior)
Energy: Thor 5 (Lasers)
Total: Thor 32 (Super)

The Masters of Evil are: Moonstone, Tiger Shark, Whirlwind, and Scorpion.

This powerhouse foursome is acting under the direction of Egghead, but a lack of cohesion is evident from the very outset. Whirlwind goes rogue looking for payback, but he'll get more than he bargained for once Avengers assemble!

The Avengers are: Wasp, Hawkeye, Thor, and She-Hulk.

Thor tops several categories of The Tape with godly might, but on average these Masters of Evil outpace at least half of The Avengers here, and there's a pretty compelling case for their path to victory.

Moonstone gained cosmic might from a Kree gravity stone that grants her super-human strength, durability, flight, energy blasts, and various other tricks. She could probably occupy Thor alone, as we saw when she battled the Asgardian-powered Bulldozer and Piledriver during Thunderbolts #1.

Either Tiger Shark or Scorpion could run interference on She-Hulk, with the former's history of battling the Sub-Mariner making the most compelling case. His ability to withstand the ocean depths, and Namor's strongest blows, as in Marvel Team-Up #14, spells an underrated powerhouse of the Marvel Universe.

That would free up Scorpion to try swapping his hatred of Spider-Man for the Wasp. She doesn't have the strength to cause an abrupt upset, but as we've seen before, her speed, agility, and bio-electric stingers can beat big opponents.

Whirlwind might be best suited to blowing Wasp off course, but she's always seemed to have his number. He might have better luck disrupting the flight of Hawkeye's arrows. His armor has gone head-to-head with Iron Man, and his fast twirling could probably deflect most standard trick arrows. Let's find out...

The Tape: Masters of Evil Ranking: Thor (#20)

What Went Down...

When Janet Van Dyne jumps into her town car for home, she finds faithful driver Carrothers replaced by arch-nemesis David Cannon -- aka; Whirlwind!

Like his namesake, Whirlwind whips around to grab hold of his intended target, but he's left holding a designer shall as Wasp activates the Pym Particles in her suit that cause her to shrink to insect size -- and bio-electric blast Cannon in the face!

On his way back to Avengers Mansion -- Hawkeye notices something amiss in the stationary vehicle and slips his bow to the ready.

Before he can finish producing an arrow from his quiver -- the archer is suddenly hit with a powerful beam of energy fired from overhead!

The voice that follows turns its ire not toward the downed Avenger, but rather the helmeted Whirlwind now fleeing from the vehicle. Moonstone lands on the street, joined by her fellow new Masters of Evil -- furious at their teammate for going rogue against The Avengers!

Wasp comes to Hawkeye's aid, buzzing through the air only to be swatted by Tiger Shark!

Recognizing the motley crew of villains and their superior powers, Hawkeye uses Wasp's distraction to quickly fire off a signal flare arrow before being blasted again by Moonstone!

Fortunately for Hawkeye -- the signal reached an Avenger capable of evening the score! His mighty hammer preceding him as it flies through the villainous foursome, scattering them like skittles!

Thor descends from the sky with hammer now in hand -- bringing it slamming into the road with enough force to topple the Masters of Evil again!

The thunderous shockwave is enough to stir a sleeping Avenger, who hears the commotion of Moonstone taking to the skies and firing her beams at Thor.

Scorpion seizes upon the opportunity of a staggered thunder god, charging in to smack Thor violently through the air with a powerful tail swipe!

That's all She-Hulk needs to see to smash through her Avengers Mansion window and race into battle!

Tiger Shark is sent flying back-first into the perimeter wall as She-Hulk reaches the gate, but it's Wasp who meets her on the street to stop the gamma-irradiated Avenger from entering the struggle -- lest she ruin the designer outfit borrowed from Janet Van Dyne's personal wardrobe.

Shulkie scrambles to carefully remove her borrowed garments while Thor swings his hammer to deflect more beams from Moonstone -- and Tiger Shark turns Wasp's abandoned town car into an airborne projectile!

The car finds its target, reduced to twisted metal and broken glass as it collides with Thor in a car-on-man traffic accident!

Wasp unleashes her stinging bio-electric blast while flying around the back of Scorpion's neck, shouting a wellness check to her godly teammate.

Relatively unharmed; Thor shrugs off the wreck and returns his ire to the direction of the villains, but Tiger Shark insists The Masters of Evil should fear nothing from the thunder god's strength.

The sub-aquatic scourge insists a coordinated effort can reduce the lone powerhouse to hamburger meat, but his focus fails to take into account She-Hulk -- who catches Tiger Shark by surprise with a knockdown blow from behind!

Hawkeye rejoins the group, firing an exploding arrow at the twirling tornado of Whirlwind -- knocking the swirling villain out of orbit as The Avengers square off with the newly outnumbered Masters of Evil!

Moonstone calls for evasive actions, but is cut-off as Wasp buzzes around the floating villain and blasts her with a bio-electric sting!

She-Hulk is ready to wallop Moonstone as she drops out of the air -- and is sent careening into a flat-footed Scorpion!

Thor makes sure Scorpion and Moonstone aren't getting up as The Avengers celebrate the victory with their newest recruit, and an armored NYPD truck arrives to cart the villains off.

The Hammer...
A triumphant team effort is capped off by She-Hulk as she proves the value of having extra muscle -- even on a team that boasts the Asgardian might of Thor, God of Thunder!

The Avengers all had their parts to play, but it's obviously an action-packed welcome to the team for She-Hulk in particular, who was their newest recruit as of a roster drive in Avengers #221. You probably know it: the red cover with white grid of prospective new members.

She-Hulk is a Wasp find -- the only one to accept admission from a meeting to bring another woman into the Avengers fold that also included: Invisible Girl, Black Widow, Spider-Woman, and Dazzler. All candidates who find their ways to other versions of the Avengers (assuming you include Dazzler with A-Force).

Hawkeye rejoined at the invitation of Captain America & Iron Man as well, and the skirmish outside Avengers Mansion in #222 serves as a chance to smooth things over with She-Hulk, whose pink Cadillac he fried with an electric impulse arrow after she cut off his cab in traffic, in the previous issue.

Hawkeye is obviously at home with the Avengers after a couple of decades of association, and despite the initial friction, it turns out She-Hulk is a perfect fit too.

Typically the less volatile counterpart to Hulk, she thrives in the social dynamic of the Avengers, pairing instantly well with fashion-conscious Wasp as a character in need of a more permanent costume.

That may be a precarious premise for pairing a couple of female characters, but you know I enjoy Wasp the fashionista and the modern sensibility of She-Hulk matches it well. A case where the conceited push to balance the Avengers line-up with additional femininity pays off a treat, benefitting from She-Hulk's tenure as a solo hero, and perhaps the keen intuition of plotter & then-Editor in Chief, Jim Shooter.

As a piece of Avengers history this is all very interesting, but the thing that made the cover -- and really gets me jazzed -- is the oddball grouping of villains who formed this short-lived new Masters of Evil.

Long time readers will know I have a particular taste for good quality second-tier villains, and this one-time gathering brings Scorpion into the super-villain big leagues, seeing him bat at Thor in a brief detour away from his usual sparring with arch-nemesis Spider-Man.

Scorpion'll be back menacing the web-slinger in his next printed appearance, but in a couple of decades he'll team with Moonstone again, under the guise of Venom, as members of the Thunderbolts and Dark Avengers [see; Thunderbolts #111, Nova #3, and Incredible Hercules #128]. An interesting relationship branch for a couple of characters who don't otherwise have much to do with each other.

Moonstone and Tiger Shark stick around with Egghead in the short term, joining the next Masters of Evil line-up in Avengers #228. That one continues the brief advancement a spider-villain as well, but those are details for another day.

Tiger Shark is another bad guy I get a kick out of seeing, especially when he's out of the water away from his usual issues with Sub-Mariner. What can I say? This is the fun of long-running superhero comic books!

If you agree that this is fun -- you can find more from your favourite heroes and villains by following links throughout this post, or by diving into the Secret Archive for a complete index of featured fights in order of publisher, series, and issue!

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Winners: She-Hulk, Wasp, Thor, and Hawkeye
#17 (+3) Thor
#39 (+14) Wasp
#87 (+69) She-Hulk
#88 (+70) Hawkeye
#413 (-61) Moonstone
#434 (--) Scorpion
#980 (-193) Whirlwind
#981 (-294) Tiger Shark

FLASH, MAX MERCURY & JOHNNY QUICK versus REVERSE-FLASH

Suicide Run (DC)
Where: Flash #77 When: June 1993
Why: Mark Waid How: Greg LaRocque

The Story So Far...
When the multiverse was in crisis, The Flash laid it all on the line to defend infinite Earths from The Anti-Monitor's plans for cosmic annihilation. The only evidence of his heroic sacrifice was an empty costume collected by his protégée Kid Flash.

Adopting the mantle in honor of the missing hero; Wally West never imagined he would see his mentor again - but the sudden return of Barry Allen challenges everything he thought he knew about his uncle!

Joy turns to anguish when The Flash lashes out at those who carried on his legacy in Central City. Having left Wally West for dead, the scarlet speedster sets out on a warpath to punish those who embraced the new Flash -- forcing veteran speedsters Jay Garrick, Johnny Quick, and Max Mercury to step in!

Tale of the Tape...
Strength: Draw 3 (Athlete)
Intelligence: Professor Zoom 5 (Professor)
Speed: Professor Zoom 7 (Light Speed)
Stamina: Draw 6 (Generator)
Agility: Max Mercury 3 (Acrobat)
Fighting: Draw 3 (Street Wise)
Energy: Max Mercury 3 (Explosives)
Total: Max Mercury 30 (Super)

It's three speedsters against one, but don't think for a minute that means an advantage! The Flash, Max Mercury, and Johnny Quick are acting under the misapprehension that the opponent they're facing is their friend: Barry Allen!

In truth, the trio are pulling their punches against a chronologically confused super-villain of the highest order: Professor Zoom, better known as the yellow clad Reverse-Flash!

Eobard Thawne came from the 25th century to assume the mantle of the Silver Age Flash, who we know sacrificed his life to save the multiverse in Crisis on Infinite Earths #8. The makeover is so convincing, he successfully fooled Barry's best friend Hal Jordan in Green Lantern #40 -- and even himself!

The miraculous return of the fallen Flash may seem too good to be true, but the heroes aren't foolish for believing their lost friend could return. Their knowledge of his demise is uncertain, and as we now know, he will return in Final Crisis and Flash: Rebirth, revealing he'd actually spent years lost in the Speed Force.

Rebirth was where we saw Professor Zoom demonstrate the destructive power of his polarized Speed Force against the living Barry Allen, and Max Mercury, earning a vicious victory in Flash: Rebirth #4!

In today's battle Max is fighting beside the original Flash from the Golden Age: Jay Garrick! We've seen him grapple with the nightmares of Sand in JSA #64, and the horror of Morgauth in JSA Strange Adventures #1. He's a hero of true grit and great experience, but it's Max Mercury who has the distinction of being known as the "Zen Master of Speed" -- a mentor to Garrick and Johnny Quick!

In some ways Max Mercury is Professor Zoom's opposite, with origins dating back to the 1800s. His speed was supplied through Native American mysticism, and although he isn't as fast as Zoom or Jay Garrick, his study of speed, and disciplined approach allows him to be a powerful force for justice!

Professor Zoom has the benefit of hindsight, with the full exploits of Barry Allen and his knowledge made public knowledge in the 25th Century. He's suffering from traumatic amnesia and genuinely believes he's The Flash, but will that in any way diminish his ability to cause mayhem and destruction? Let's find out...

The Tape: Flash, Max Mercury & Johnny Quick Ranking: Reverse-Flash (#149)

What Went Down...
Construction scaffold begins to tremble violently as The Flash sends super-fast vibrations up its supports. It looks like certain death for the construction workers above -- until a blur of red & blue dashes upward to make the save!

Jay Garrick, Johnny Quick, and Max Mercury defy gravity - running so fast along the edge of the structure they can catch the tumbling men, and race back down to safety without falling. A heroic act before they confront the cause!

The original Flash leads the charge as they confront the scarlet speedster they believe to be their wayward comrade. Garrick makes it clear they won't let Barry Allen run the city ragged any longer. He doesn't take it to heart.

Johnny Quick is the first to make a run for battle -- darting at the disguised Reverse-Flash when he's singled out. He isn't quick enough, taking a vicious elbow to the back of the head as the target easily side-steps him!

Though rattled, Quick keeps up chase with his much faster opponent, providing a target for derisive mockery and distraction. Reverse-Flash notices the brick wall he's running toward, and arrogantly laughs it off, relying on the super-fast vibration of his molecules to easily pass through it...

The presumption allows Flash and Max Mercury to spring the real trap, catching their opponent unawares on the other side of the wall with a devastating right cross and double-fisted uppercut!

The blow sends Zoom hurtling across the construction site into a mound of gravel. He recovers and scoops fistfuls of the stones at super-speed, sending a hail of projectiles streaking across the battlefield and into Johnny Quick!

The gravel rips through Quick like buckshot, but his dramatic fall is dampened when the classic Flash zips ahead to make the save. Max Mercury volunteers to take up the fight while Jay tends to their injured ally.

The phony Flash lunges for Max, but quickly finds the old timer is much faster than Johnny Quick! Mercury slips under the villain's grip and leaps straight at him to deliver a stinging knee to the face!

Zoom resumes chase with confidence he can outpace Max Mercury now that the element of surprise is gone, but he still under estimates the Zen Master of Speed. Max makes a beeline for the towering steel structure where Zoom finds it difficult to maintain top speed along narrow girders. An even playing field!

Mercury proves a far more agile speedster, springing nimbly across the girders to deliver a flying kick, before restoring distance on the other side of a void.

The false Flash looks to mitigate range by snatching a rivet gun and opening fire, but the streaming projectiles are easily avoided by a leaping Mercury!

Max dives into the open air, catching a sagging cable that swings him up and over one of the higher girders -- and back down to once again tag Reverse-Flash with an acrobatic kick!

The blow sends the phony scarlet speedster plummeting to the ground below. He lands near startled construction workers, which inspires a fiendish idea. He races back up the framework, carrying a few innocent bystanders to be hurled from up on the rig! Max Mercury has no choice but to leap to save them!

He succeeds, but the act of heroism gives Zoom the distraction he needs to reclaim the advantage. He barges through the preoccupied hero like a freight train -- but fails to notice Jay Garrick atop the build with a girder in hand!

Reverse-Flash runs straight into the barrier, taking a full impact directly to the body! He drops to his knees for a moment, but quickly recovers to stomp the girder and send a compassionate Garrick launching into the air!

The Golden Ager spins his hands to create enough down thrust to slow his descent, but also allows the evil Flash to run to meet him on the ground!

The phony Flash meets him with brutal, super-fast ground and pound! He spews disdain for Barry Allen's replacement, and forgotten legacy in Central City, while the furious flurry of punches pummels the senior Flash deep into the dirt.

Searching for new headlines for the forgotten Flash; Zoom sets his sights on news helicopters closing in to film. He starts running in a continuous circle, kicking up sand from the construction site and sucking it skyward via vortex.

The false Flash then challenges his bloodied precursor to chase him, knowing full well the legendary hero will put rescuing reporters ahead of stopping his escape.

The elder Flash scrambles to reach them, desperately trying to outrun the threat of their seizing helicopter steering straight toward the construction site. The hero is engulfed in the ensuing explosion as he races the reporters to safety, with only his metal helmet emerging from the smoke.

The Hammer...
A rejuvenated Wally West arrives just in time to dramatically collect the helmet of the Golden Age Flash as it hits the ground smoldering. Professor Zoom wins the battle, but we'll find out in the next issue that everybody made it out okay!

Flash #77 is part of the larger arc that's since been collected as The Return of Barry Allen. The story's reputation has continued to grow in esteem, recently appearing as #1 on Newsarama's 10 Greatest Flash Stories of All Time. Marvel Editor Tom Brevoort also featured its concluding chapter on his blog, calling it the best single issue of The Flash's entire eighty year run. High praise!

I'm not sure I hold the story in quite the same high regard, but it is a highlight from the Wally West years, and there's certainly a lot to like.

On the surface, it's a cruel tale that challenges Wally's post-Crisis tenure as the main Flash. As it unfolds, it becomes a celebration of the legacy of Barry Allen, and a confirmation of Wally West as the scarlet speedster for the modern era.

While the trio of classic heroes challenges the returning Reverse-Flash; Wally is out doing some soul searching after seemingly being betrayed by his beloved uncle, and mentor. The revelation of Eobard Thawne's post-Crisis return to canon is itself a pleasure, as is Wally's redoubling of self-belief and honor.

The arc is effectively a distillation of modern Flash, replete with a shining example of the multi-generational status quo I'd like to take for granted.

I have a real fondness for Golden Age characters, and love seeing Jay Garrick as a supporting player and statesman in the world of The Flash. I don't necessarily need to see the helmeted hero in every issue, but his availability to stories like this really enriches the world of The Flash, and the DC Universe in general. Max Mercury was a nice addition for world building, too.

Now that the Justice Society are being reinstated in the modern DCU, and there's talk of their big screen potential, I'd like to think we can all agree it was a terrible mistake to erase them from DC history in the first place.

The New 52 was generally an unnecessary attack on DC Comics' own brand and strengths, overreaching in its marketing goals, and flawed in concept & construction. Of course, by actually bringing Barry Allen back in 2009 - DC really created its problem before rebooting. If Barry is back, where does Wally fit?

Departing DC Publisher Dan Didio had a well documented belief that the third-generation heroes aged their iconic seniors beyond function. He isn't really wrong. As long as third-generation heroes like Wally West reach adulthood, they require a choice to commit to moving the universe forward -- or halting it.

With stories like the one featured today, DC created an exceptionally compelling case for moving forward. Wally West was very easy to accept as the Flash: one of the greatest legacy heroes on record. They even did a serviceable job with a new Green Lantern, and Green Arrow. That was when they made comic books, though. Now they make movies - and nobody wants to skip the true icons.

Going from black & white reprints of Barry Allen stories to early post-Crisis Wally West adventures was never very difficult. As a young reader, I found Wally very easy to accept. But I also don't think DC should be burning its icons for the sake of advancing to a new generation. Even if that would be interesting.

I like the balance of three active generations co-existing. Grandfather, father, and son, for want of a better analogy. Jay Garrick, Barry Allen, and Wally West. I think perceiving them relative to one another, without placing them in time, is the best way to tell comic book stories. It's the same suspension of disbelief that allows us all to continue enjoying Bruce Wayne stories after eight years.

Sliding timescales and other complex rationalizations aren't really all that helpful. Stories just need to live in the present and adapt their backstory to fit, where necessary. That's what Mark Waid and company did in 1993, and that's probably a big part of why it's held up as such a modern classic.

If you want to get the full story, there are two collected editions you can investigate: Flash: The Return of Barry Allen and The Flash by Mark Waid Volume 2. By shopping using the Amazon links provided, you'll get yourself a good deal delivered to your door -- and support the site at no extra cost! That's a Flash Fact!

You can also discover more of the DCU and beyond by following links throughout this post, or by diving into the Secret Archive. That's where you'll find every featured fight indexed by publisher, series, and issue number!

Subscribe to Secret Wars on Infinite Earths via Twitter and Facebook to get daily links to superhero smackdown inspired by the topics of the day. Don't forget to like and share the best battles! If you enjoy what we're about, and the archive of thousands of articles, you can connect with Patreon. Patrons can influence upcoming features and get involved with the schedule, voting, and more.

Winner: The Flash (Professor Zoom)
#87 (+62) Professor Zoom (Eobard Thawne)
#391 (-49) Flash (Jay Garrick)
#907 (new) Johnny Quick
#921 (-54) Max Mercury

IRON MAN & SPIDER-MAN versus BLACKLASH
Hometown Boy (Marvel comics)
Where: Marvel Team-Up #145 When: September, 1984
Why: Tony Isabella How: Greg LaRocque

The story so far...
"I love New York! So why am I going to Cleveland?!"
It's a fair question to open any comic with, but in this case Spidey has his own answer.

After embarassing photos of J. Jonah Jameson taken by Peter Parker were published by the paper, Petey boy took the wrap, getting assigned to cover the 26th Annual Convention of Electronics Engineers and Innovators Cleveland, Ohio.

Little does Parker know, another industrious young fellow is looking for a break amongst the industry leaders. A fellow named Mark Scarlotti -- aka, Blacklash!
Unfortunately for convention goers, Scarlotti isn't havin a great life, and when an offer comes in from the Maggia, he can't resist the temptation to return to a life of crime.

Previous form:
Amazing Spider-man #329: Charged with the cosmic power of Captain Universe, Spider-man dukes it out with the mystically charged Tri-Sentinel.
DC versus Marvel #4: In posession of the black symbiote, Eddie Brock made a brief appearance fighting Quicksilver and the Flash.
War Machine and Blacklash have not yet been featured on Secret Wars on Infinite Earths.

Tale of the tape...
Strength: War Machine 6 (Invincible)
Intelligence: Spider-man 5 (Professor)
Speed: Spider-man 4 (Olympic Sprinter)
Stamina: War Machine 5 (Marathon Runner)
Agility: Spider-man 5 (Average)
Fighting Ability: War Machine 4 (Trained Fighter)
Energy Powers: War Machine 5 (Lasers)

Hmmm.. I don't want to say we have another clear cut situation on our hands, but even without the green ponytail, Blacklash doesn't exactly strike fear in the hearts of men.

As you might have estimated by way of the identifying mugshot above, the Iron Man we have on our hands here is not Tony Stark, but rather his best bud, Jim "Rhodey" Rhodes.
I guess, for that reason, you might knock him down a few notches for inexperience, and while it's genesis began with a plotline, there does seem to be a vulnerability about a Jim Rhodes Iron Man that knocks hist staminda a rank lower. Even if he has recovered from his jealousy headaches.

Still, Blacklash has been punked plenty of times by the original shellhead, and this circumstance has few reasons to be an exception. Despite various weapons upgrades over the years, Blacklash remains a B-lister, at best. The technological nature of his weapons generally ensure Iron Man a well prepared victory.

Toss the symbiote baring Spidey into the mix, and you have yourself a pretty comprehensive one-sider. Blacklash's best bet against a black costume Spidey would be using his technology to spark some kind fire, and weaken the symbiote, but otherwise, this is a bout won before it began.

What went down...
WHAM!
After Blacklash electrocutes a security guard, causes mass damage, and generally raises some hell - Iron Man makes a none too subtle entrance, laying a big left hook on the vicious villain!

Now, either Stark wasn't sharing his notes, or Rhodey didn't study, because as Blacklash notes, he seems blissfully unaware that the Blacklash costume absorbs blunt force. A feature he's presumably lost since upgrading to leather straps...

Blacklash reckons that if IM's forgotten about his defensive measures, he might be able to sneak by with a few classic offensives. Like lashing his whip around Iron Man's wrist, before disconnecting the handle and letting fly a concussive electric charge!

With Iron Man down, it's about now that Spidey takes the opportunity to use the distraction, and switch his symbiote from casual clothes to superhero spandex!

Spidey leaps in and attempts to web his foe up, but Blacklash is able to use his whip to propel the web back in Spidey's direction. Timing his successive attack well, he utilizes bolas to tie Spidey up with a heavy gravity field generated by the device.

Having used the time to recover, Iron Man jumps back into the frey, and blasts Blacklash with a uni-beam!
The blow is enough to stun the villain, but as Iron Man struggles with the gravity manipulating device attached to his ally and his phrasing [innuendo!], Blacklash looms to his feet.

Slipping out a necro-lash from it's encasement within his gauntlet, Blacklash strikes down across Iron Man's exposed back with full power coursing through the weapon.

Spidey, freed from his shackles, keeps Blacklash busy with some creative maneuvering, while Rhodey's pal Morley tunes into the IM FM via the suit's headset.
Morley directs shellhead's direction to the sparking of Blacklash's gloves, and speculates a potential malfunction.

IM redirects his uni-beam assault, granting the heroes the front footing.
With Blacklash reeling, Spider-man swoops in for finish licks. He tears the costume from Blacklash's chest, leaving him powerless, and exposing not only his flesh, but also his fragile state of mind.

"This isn't something we can handle, Iron Man. We better wait here until they come for him."

The hammer...
Alright, I kinda cheated with the pre-Civil War team-up theme, but never the less, it is Iron Man and Spider-man who emerge victorious.

This was an issue I'd had in mind for a while now, and I was glad to finally get it onto the site. It's got a few things going for it.
First of all, it's a fun comic from twenty years ago, and it's great fun to go back there, and deviate from the earlier direction of the site, which focused more on crisper releases.

The other great thing is that it's an issue with an interesting dichotomy. On the one hand it's pure Secret Earths with a very black and white fight scenario between heroes and villain, but at the same time, as we're informed quite early on, "... This is a story, an examination, if you will, of the super-hero's opposite number... the Super-Villain." From there, we stumble into a hamfisted attempt at some kind of analysis of the motivation and psychological frailty of a second stringer villain like Blacklash.

I haven't really seen much of Blacklash since the nineties, but I'm aware that he's developed a taste for bondage, acquired a female partner in crime, and updated his look to be a little less ridiculous, even if it is essentially a BDSM outfit. [New look reflected in the Tale of the Tape. - Mistress Mike]

I don't know how the psychological profiling has changed with his sub/dom relationship, but I suppose it probably relates well to this story.
While it's not poetry, Tony Isabella at least tries to unveil some of the pathos behind the character, and deliver a fairly relatable, base motivation for what is essentially a crazy villain.

What we're essentially presnted with is a depressive individual who continues a cycle of poor decision making, and denial of his problems. Rather than actually address his situation, he deflects responsibility, and seeks others to solve his problems for him.
It's a hard fall for Scarlotti when, in the story's conclusion, he has suffered another humiliating defeat at the hands of Iron Man, and has been abandoned by everyone around him. Even his parents, who supported him through many failings, deny his existence, as Blacklash is forced to face jailtime and personal solitude.

Personal tragedy and abandonment aren't new to super villains, but it's just interesting to see the way Mark Scarlotti sabotages himself during his effort to break through in what is legitimately a difficult situation. There's an empathy to be found for what was previously, as I interpret it, a pretty two-dimensional, unsympathetic, green ponytailed super villain.

Through this issue we see him for his insecurities, his frustrations, and his neurosis. We see the way his actions could even be the result of misguided reaction to a lifetime of disappointment, even though that could maybe be a crass justification for his efforts.
Never the less, in a scene where, after being rejected by his doting mother, Mark arrives in a bar, we can see just how responsible he is, despite his sympathetic situation.

In spite of his known failings, an old friend offers him a job as a security guard, and a homecooked meal at his house.
When some, for lack of a better term, bullys, harrass him out of the bar after pouring a drink on his head, all the good flies out the window. He obsesses over his inadquacy to deal with personal conflicts, and turns back to the costume, and lashing out.

At the end of the issue when he sits alone with a city appointed lawyer, he's a weak and sympathetic character again. A character who has hit rock bottom so hard, you might even wonder if he might find solace in a padded cell.

I'd like to assume, however, that his path ultimately led to the role of sub in his relationship with Whiplash. In this strong female character, he could potentially thrive, absolved of responsibility or the necessity to think, and yet, at the same time, could potentially feel secure enough to act out his frustrations in a controlled environment.

Where am I going with this? I think it's another one of those aimless summaries that little purpose beyond discussing what is an interesting moment in a character's history, and an interesting comic in the annals.

Incidentally this issue does include two other interesting points of history - James Rhodes as Iron Man, and Spider-man wearing the black symbiote.
With Iron Man and black costume Spidery hitting theatres in the future, I figure there's plenty of time to talk about those guys.

Now it's late, my computer's dying, and I'm tired.
Never the less, the race to get up-to-date continues today, October 16.

The Fight: 3 The Issue: 4

NEXT: Stay tuned! It's round one: Captain America versus Iron Man!