SPIDER-MAN versus OMEGA RED

(Marvel)
Where: Ultimate Comics Spider-Man #7 When: April 2012 Why: Brian Michael Bendis How: Chris Samnee

The Story So Far...
Miles Morales' life was changed forever when a secret visit puts him in the path of a genetically enhanced spider accidentally collected when his uncle robbed disgraced corporation Osborn Industries.

For a second time the Oz Formula transfers the physiology of a spider unto a young man! Miles gains incredible super-human abilities, but desires only normalcy, leaving the heroics to the web-slinging Spider-Man -- until his untimely demise!

Burdened by his decision to not help Peter Parker -- Miles adopts the dead boy's creed of great power bringing great responsibility. Thus, when an explosion abruptly ends a test of his skills, Miles boldly rushes to the source of danger!

Tale of the Tape...
Strength: Omega Red 5 (Super-Human)
Intelligence: Omega Red 4 (Tactician)
Speed: Spider-Man 4 (Olympian)
Stamina: Omega Red 6 (Generator)
Agility: Spider-Man 5 (Cat-Like)
Fighting: Omega Red 4 (Training)
Energy: Spider-Man 3 (Explosives)
Total: Draw 25 (Champion)

Miles Morales isn't your father's Spider-Man -- and that means more than just his taste in super-hero fashion!

Similar to Peter Parker; the Oz-enhanced spider bite grants Miles super-human strength, speed, stamina, agility, ability to cling to walls, and an uncanny danger-warning spider-sense -- but that's not all!

He also develops the power to discharge bio-electricity as "Venom Blasts" for a variety of offensive and defensive uses, and spider-camouflage that allows him to blend in with his surroundings -- appearing almost invisible!

These extra skills come in handy for a rookie Spider-Man who lacks Peter Parker's know-how for constructing web-shooters, which he eventually received as a gift from May Parker, but will use inconsistently, developing instead organic electro-static webs as an extension of his Venom Blasts.

Miles Morales started out as a creation of the Ultimate Marvel Universe, which means he's inherited the enemies of "Ultimate Spider-Man", including an original take on the villainous Omega Red.

The Ultimate universe version of Arkady Rossovich underwent experimentation while in a Russian prison, but lacking the Soviet ambitions of the original, took to using his mutant tendrils and toxin-emissions as a human-hating mercenary.

He developed an arch-rivalry with Spider-Man and J Jonah Jameson when bad press after an impromptu defeat cost him work. Not knowing that a change in colour scheme means a different wall-crawler, he transfers his hatred to a brand-new wise-cracking Spidey.

This Omega Red isn't nearly as terrifying as the classic who's fought Wolverine across multiple mediums, but will still pose a significant challenge for the rookie Spider-Man. How did it all go down? Let's take a look!

The Tape: Draw Ranking: Omega Red (#976)

What Went Down...

The new Spider-Man jumps from an apartment building balcony and bounds across the rooftops, nimbly leaping and springing his way towards the source of a plume of smoke rising from the heart of the city.

Descending to the wreckage of a crumbled building, he wonders if it might be the work of terrorists. A strange buzzing in his head alerts his senses to a car tossed in his general direction -- the work of the super-mercenary Omega Red!

The budding hero turns tail to stay clear as Omega Red springs into action against a Spider-Man he believes to be his old nemesis.

Mutant tendrils whip violently along the new Spidey's path, forcing the young wallcrawler to leap clear as they smash through chunks of bedrock.

Spider-Man's arc takes him gracefully over Omega Red's head -- landing to deliver a straight kick with a slightly less than satisfactory quip.

The blow sends Omega Red flying across the battlefield into a pile of rubble, but the real pain he's feeling is in his cheque book.

The delay of a grudge bout is threatening to cost the mercenary money, but when he surveys the area, he's surprised to find no sign of his would-be adversary.

He wonders for a moment if the Spider-Man has actually run away -- only to be caught completely by surprise by a sudden charging uppercut!

A joke about wearing the same outfit inadvertently convinces the madman that it is indeed the same Spider-Man who foiled his efforts before. An uncanny moment of synchronicity between the aspiring hero and his inspirational predecessor.

Omega Red wraps his tendrils around a stunned Spidey and flings him into the air!

The all-new Spider-Man comes crashing down hard onto a limousine!

Omega Red remains in hot pursuit of the airborne spider, charging ahead with his tendrils reaching with intent to rip the vehicle and Spider-Man into four equal pieces!

The Spider manages to roll clear and evade detection once more -- catching the searching Omega Red with an electrically charged venom blast!

The mercenary's arms go stiff as the bio-electric charge surges through his body.

Omega Red drops unconscious to the floor. Spider-Man victorious!

The Hammer...

Just like that we welcome Miles Morales to the fight club rankings!

With return appearances in feature film and video games fast approaching, it was getting pretty difficult to ignore the secondary Spider-Man. Is that to say the last decade has been a deliberate snub? Well, it's not quite so black & white...

When Marvel first revealed plans to reinvent their classic icons for the new millennium -- it seemed like an intriguing prospect. "Ultimate" was a provocative name for the imprint brand, but seemed justified by its potential to create a new universe with all the benefits of forty years of Marvel Age hindsight.

In theory it would be a deliberate and designed construction, featuring the very best of Marvel Comics, in lockstep with burgeoning cinematic adaptations that were having a major influence on the Ultimate Marvel approach. Little wonder then that they'd begin with Spider-Man and X-Men: multimedia jewels in the crown that were about to make the leap to live-action cinema.

Ultimate Spider-Man was a little bit bloated and familiar from the outset, but the advent of Ultimate X-Men in early 2001 confirmed a sharp new image, borrowing a la carte from classic and leather-bound theatrical reference points.

The Ultimate approach was an immediate sensation, hooking a generation of new readers with the proliferation of belief that it was somehow freed from the burden of continuity, and imbued with a contemporary sense of "reality". Lies inevitably unraveling as the success of series led to the accumulation of continuity, and the aging alternative struggled with relevancy and identity opposite classic mainline titles, and expanding cinematic incarnations.

Half a decade in and things were starting to get a little stale. The Ultimates made a mark with grim introspection, Bush-era politics, and rubber piping on costumes, but Ultimate Fantastic Four pushed core ideas a little too far from centre for most fans' liking. Ultimate Marvel wasn't living up to its fresh new take, or its cinematic trappings, awkwardly stuck between being something totally original, and the referential familiarity that had been part of its creation.

With events like Avengers Disassembled and Civil War kicking off a cycle of short-lived deaths in mainline titles; 2009's Ultimatum emerged with a similar game plan, and a promise of real causality from a blockbuster cleaning of the slate.

It was sloppy and weird, killing off a roster of characters as high-profile as Wolverine, but in doing so opened a door for Ultimate Marvel to be a universe of unique consequence and progress. In 2011, that axe was swung at the brand's record-breaking standard bearer, eliminating this world's Peter Parker with a view to installing a recently made contingency -- an all-new Spider-Man.

When Marvel revealed plans to reinvent their reinvention for a new decade -- it seemed like another intriguing prospect. A Marvel Universe where it would actually be beneficial to retire seasoned icons, creating a genuine future with new heroes and possibilities. In a strange way it kinda felt like Miles Morales was exactly what Ultimate Comics needed! A fresh, real point of difference!

Flash forward another ten years and I'm obviously less excited about a second Spider-Man running around the main Marvel Universe. I lived through the Spider-Clone years, and came out with a greater appreciation for Peter Parker as the one and only Spider-Man. Mainline Marvel doesn't need another Spider-Man. Or men. Or women. The "multiverse" is a fun aside, but as Ultimate Marvel kinda proved, it works best as a carefully managed pocket that doesn't impede on the "real" universe.

The "real" Marvel Universe was built by identifying what wasn't already there and creating new characters to fill those gaps. Miles Morales kinda does that, so it's hard to knock them, but it might be a more exciting sell if he wasn't positioned as a second-rate also-ran in a world of one of comics' most recognized icons.

I appreciate that Miles Morales has his points of difference. He wasn't created simply as a direct knock-off Spidey. The Oz-laced spider bite gave him new twists on spider-based powers. There are a lot of weird and wonderful spiders in the world, doing weird and wonderful things, and Miles' camouflage and bio-electric abilities expand upon some real-world reference points in fun ways.

Movie-inspired organic-webbing would've been an obvious way to go, but I kinda like these early issues of Ultimate Comics Spider-Man where he can't web-sling. It honors the web-shooters of Peter Parker, and just gives the new kid a gritty edge that's kinda neat. The wall-crawler's wall-crawler. At least until his bio-electric skills take off, and he learns to fly like ballooning spiders described in a 2018 article by The Atlantic. If only they had a cooler name he could take.

Ultimate Omega Red doesn't fare quite so well in the originality department. The Jim Lee design that launched thousands of action figure owning "fans" is severely downgraded for a streamlined version that lacks any real flavour or mystique. It doesn't suffer from the directionless redundancy of Ultimate Blade & Morbius, but squanders the potential just the same. If more thought were put into characters like this, maybe Ultimate Marvel would've had a shot at survival.

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Secret Wars on Infinite Earths has featured more than 700 battles and ranked well over 1,000 characters! You can find them all by diving into the Secret Archive for a complete index of features by publisher, series, and issue number, or by following links throughout this post to discover more from your favourite topics.

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Winner: Spider-Man
#353 (new) Spider-Man (Miles Morales)
#992 (-16) Omega Red

CARNAGE versus NEW AVENGERS

Breakout! Part Two (Marvel)
Where: New Avengers #2 When: February 2005
Why: Brian Michael Bendis How: David Finch

The Story So Far...
A sequence of violence and tragedy leads The Avengers to officially disassemble, but their absence creates a gaping hole in the heroic fabric that demands it be filled!

When Electro is hired to stage a breakout at the high-tech SHIELD prison, The Raft, he plunges the city of Manhattan into darkness, and frees eighty-seven of its most dangerous super-criminals!

Fate conspires to bring together a team of New Avengers to thwart the breakout! Former Spider-Woman Jessica Drew is on the island as an Agent of SHIELD, while Luke Cage was accompanying Daredevil in his civilian identity of blind lawyer Matt Murdock. When the breakout begins - the trio must fight for their lives as the serial killing Carnage stalks the shadowy halls beneath the island, but the deadly symbiote isn't the only one lurking in the dark...

Tale of the Tape...
Strength: Luke Cage 5 (Super-Human)
Intelligence: Queen Veranke 4 (Tactician)
Speed: Daredevil 4 (Olympian)
Stamina: Luke Cage 5 (Marathoner)
Agility: Queen Veranke 4 (Gymnast)
Fighting: Daredevil 5 (Martial Artist)
Energy: Queen Veranke 3 (Explosives)
Total: Queen Veranke 26 (Metahuman)

Being trapped at close quarters with a fleet of escaping super-villains is bad enough. When one of those escapees happens to be the symbiote-wearing serial killer Carnage -- you know you're in real trouble!

The heroes are: Matt Murdock, Luke Cage, and Jessica Drew, with The Sentry.

This small group happens to be on hand when the breakout occurs. They aren't technically Avengers yet, but this experience will pull most of them into the orbit of a new team to be assembled by Captain America and Iron Man.

Blind lawyer Matt Murdock is better known as Daredevil, whose keen radar-senses, agility, and skilled martial arts mostly offer evasive tactics that might provide a useful distraction for an opponent like Carnage.

Luke Cage is the power player of the opening trio. Along with his super-human strength and durability, his unbreakable skin has proven resistant to symbiote attack, as was later seen in New Avengers #36. That means he should at least be able to tackle Carnage head-on and offer his teammates some defense.

SHIELD Agent Jessica Drew is better known as Spider-Woman, but little do the heroes realise she is in actual fact the shape-shifting Skrull Queen: Veranke! 

Like the woman she's imitating, Veranke has great strength, agility, and wall-crawling abilities comparable to Spider-Man, but has the added imitated talent of generating bio-electricity into stinging venom blasts.

We saw Iron Man use an electric charge to fend off Venom in Iron Man #302, but the symbiote was relatively undeterred. The aliens' real weakness is fire and high-powered sonics, but as we saw when Silver Surfer confronted Carnage, the intelligent symbiote also knows to fear more broad threats to its survival.

The ace in the hole - or rather, a Raft cell - is The Sentry, whose "power of a  million exploding suns" is still nebulously defined at this point, but will make light work of The Thing and Hulk a few years later.

Sentry, aka; Robert Reynolds, will need to be motivated to leave his cell and risk reviving the dark alter-ego of his powers, The Void, but once free we know he can stare down a symbiote without too much trouble. If you know anything about the character or this fight, there's a pretty good chance you know what's coming...

The Tape: New Avengers Ranking: Daredevil (#8)

What Went Down...

With a full scale riot raging across The Raft; Matthew Murdock leads his partner and protection detail deeper into the facility. He pleads with the silent occupant of a dark & lonely prison cell: "Mr. Reynolds, please, we could really use your help."

His words appear to fall on deaf ears and with danger lurking beyond them at every turn, he asks SHIELD Agent Jessica Drew to show them to the stairs.

A spark of her Spider-Woman "venom blast" helps light the darkened corridor, but not enough to alert Luke Cage or the other bewildered agents of the toothy grin lurking in the shadows behind Foggy Nelson.

Foggy's indignant concern for "insanity" catching up with them is an unfortunate irony as the serial killer Carnage steps into the light. His large extending hand and symbiote strands curl in the air around the hapless lawyer.

Murdock charges to his friend's aid while Jessica Drew fires a venom blast directly at the murderous symbiote!

Whipping tendrils miss all but the strongest of the group. Luke Cage takes a direct hit to the gut, but against his toughened skin all that tears is his shirt!

Cage does his best to grapple with darting pseudo-appendages while Carnage sets his sights on Spider-Woman and any "one" of her internal organs.

Matt Murdock rushes Foggy to the relative safety of a nearby empty cell and orders him not to open the door under any circumstances. The terrified lawyer complies, entrusting his fate to the man without fear like so many times before.

Many wild tendrils fill the dark and narrow corridor with spastic chaos, searching for any unfortunate target they might strike. Murdock is easily knocked off his feet as one of them slaps him violently.

Agent Drew warns her compatriots of the symbiote's ability to feed off the people it makes contact with. The warning appears to inspire Carnage to lunge toward the shooting guards and make "easy snacks" of them.

Carnage continues trying to pierce Luke Cage's unbreakable skin in vain, while Agent Drew blasts his back with venom blasts to no avail.

Recognizing the hopelessness of the situation, Murdock tells the Spider-Woman to grab the guards and make a run for it. He doesn't notice the hulking figure approaching behind him to make matters much worse: Mister Hyde!

Any pretense of the blind lawyer is dropped as Matt Murdock is dragged into a one-on-one battle with his old adversary, calling upon his radar-like senses and years of martial arts as Daredevil to deal with the threat.

Meanwhile, a slightly bewildered Luke Cage continues to wrestle with Carnage. 

Agent Drew, still blasting the symbiote with her bio-electric stings, informs him that the villain usually deals with Spider-Man -- a second course Carnage hopes to sample once he's finished devouring his present company. Drew moves in closer to feed the symbiote a direct venom blast down its gaping maw!

Still completely unaware of how the Raft breakout happened, or the rampage of its 87 inmates raging on the surface above; Agent Drew redirects her focus to finding an escape, and calling for much-needed reinforcements.

Her prayers are answered as Robert Reynolds steps confidently through the corridor. Imprisoned in his tattered yellow uniform, the forgotten Sentry is none the less a vision of a hero as he stands before Carnage and catches a symbiote tendril with the palm of his unflinching hand.

It is the calm before the storm as reality is bombarded with the impossible power of a million exploding suns! A barrage of explosions blast through the lower levels of The Raft and into the night sky where The Sentry soon flies!

Clouds part as The Sentry carries Carnage toward Earth's outer atmosphere and silently ends the killer's rampage!

No scream is heard as Cletus Kasady is ripped in two at the waist, and the red symbiote flitters helplessly against a backdrop of stars and a blue planet. The cold reality of defeat like Carnage has never felt before!

The Hammer...

I'm guessing the majority of people reading this were already aware of The Sentry flying to space to rip Carnage in two, but I'm not so sure everybody knows there was an entire struggle before that.

The Sentry's attack was one of the most talked about moments of 2005. It was an immediate sensation! A "meme-able" lightning rod for the otherwise visually muddy prison riot intended to deliver us to a fresh perspective on a Marvel mainstay: The New Avengers.

All these years later it's almost hard to remember it was a controversial time for what is now one of Marvel's biggest mainstream brands.

Writer Brian Bendis took a wrecking ball to the classical lineup, abruptly launching a series of deadly attacks from within and without as Avengers Disassembled.

The violent affront riled up longtime fans who were dismayed to see Avengers (Vol.1) come to an abrupt end after a forty-two year run with only one year-long interruption. The revamp was an even bigger departure than The Ultimates, which had retooled the slightly stuffy Avengers concept with edgy modern politics, and uniform seams, for the en vogue Ultimate Marvel imprint in 2002.

This was hardly the first time The Avengers had dealt with upheaval in their lineups, but unwritten rules were clearly being violated.

The knock on the New Avengers strategy was that it was "JLA-ing" the group. The addition of iconic Avengers holdouts like Spider-Man and Wolverine -- and the Superman-analogous Sentry -- contributed to the comparison. These were independently popular characters associated with other offices.

In practise the "New" relaunch wasn't quite as all-star focused as Grant Morrison's '97 Justice League, nor was it a refinement of a classic model. It was a major departure from what was broadly understood as "Avengers™".

Spider-Man had flirted with membership many times in the past, but always swung away from most groupings with Reserve status at most. He was the star of Marvel Team-Up and the centre of the Marvel Universe, but a perennial solo act at the end of the day. His change of heart comes after being mobbed by Raft escapees in the opening New Avengers issues -- a fight for another day.

Daredevil did a more convincing job staying solo by flat-out turning down Captain America's recruitment offer after Raft riot clean-up. It turns out this was an accidental bit of consistency as DD's incumbent secret identity as mystery man "Ronin" was widely guessed by fans, publicly spoiled by a news outlet, and clashed with ideas for ending Bendis' acclaimed DD run with Murdock in prison.

Slow starts were a writer trademark, but it turned out a lot of parts would be sold separately during the chaotic assembly of the New Avengers.

Extensive pre-promotion had featured art of the entire group -- including an affectionately referred to "bubble boy" that was replaced with what became the Ronin design. That made it surprising when Wolverine and Ronin didn't appear for five or more issues. Spider-Woman, it would turn out, was actually a Skrull in disguise all along, and Sentry didn't come back down to Earth until the second story arc, which focused on his formal introduction to the Marvel Universe canon.

Prior to this The Sentry had effectively existed unto himself. His secret history was told with isolated one-shots and mini-series in 2000. It was writer Paul Jenkins' millennium hoax, which supposed that the character was a forgotten creation from Marvel's classic pantheon. A sort of 'Superman with headaches', as Marvel likes to describe of its heroes, with an elaborate backstory.

Without the burden of consequence, Sentry's secret history had been able to rewrite the status quo for several heroes. He was Mister Fantastic's best friend, mentored Angel, made Hulk a beloved public figure, and got Peter Parker a Pulitzer prize for photography. All undone when knowledge of his existence was erased to avoid unleashing his dark nemesis and alter-ego: The Void.

Officially bringing the character into the on-going Marvel Universe seemed like a risky proposition to many, but also an interesting challenge. The bombastic defeat of Carnage gave him a major scalp upon entry, but the glib dismissal of a nineties hangover wasn't enough to convince everyone the idea could work.

After Civil War Sentry passed through the ranks of the registered "Mighty" Avengers, before a direction leaning into fans' disdain placed him among the villainous Dark Avengers. An epic battle in World War Hulk proved to be a rare highlight during the short run, but after just five years, his death in Siege was a widely expected foregone conclusion. A fail state brought about by a long awaited return of Thor, and short-lived shift towards a somewhat traditional Avengers.

If you'd like to experience The Sentry's re-entry into the Marvel canon, and the dawn of the New Avengers, you can check out today's featured fight in its entirety collected in New Avengers: Breakout or New Avengers by Brian Michael Bendis: The Complete Collection Volume 1.

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Secret Wars on Infinite Earths has featured well over 600 battles and ranked more than 1000 characters! You can discover them all by following links throughout this post, or by diving into the Secret Archive for a complete index of featured fights in order of publisher, series, and issue number!

Get free daily links to smackdown inspired by the topics of the day by subscribing on Twitter and Facebook. Don't forget to like, fave, and share posts, and keep your eyes peeled for the week's top trending battles every Sunday!

Winner: The Sentry (w/ Luke Cage, Jessica Drew & Matt Murdock)
#71 (+51) The Sentry
#8 (--) Daredevil [+1 assist]
#9 (--) Luke Cage [+1 assist]
#194 (+101) Queen Veranke [+1 assist]
#133 (-12) Carnage (Symbiote)
#145 (-10) Carnage (Cletus Kasady)

JIGSAW versus DAREDEVIL & BLACK WIDOW

The Widow Part Two of Four (Marvel)
Where: Daredevil #62 When: September 2004
Why: Brian Michael Bendis How: Alex Maleev

The Story So Far...
It's been one year since Daredevil attempted to finish his endless war with Wilson Fisk by dumping the crime boss's defeated body in the street. He has declared himself the new Kingpin of Hell's Kitchen, but his reign has not gone smoothly.

Tabloid press have outed Matt Murdock as Daredevil, and despite his stringent denials, the blind lawyer is caught in a tangled web of public adoration, marital breakdown, and criminal liability. Enter: Black Widow.

Agent Natasha Romanova seeks refuge with her former lover when Nick Fury warns her of corrupt movements within SHIELD. The visit provides a welcome distraction for the man without fear, and the safety of public visibility for the Widow, but a night of playing superhero is about to compound their problems!

Tale of the Tape...
Strength: Daredevil 3 (Athlete)
Intelligence: Black Widow 4 (Tactician)
Speed: Daredevil 4 (Olympian)
Stamina: Daredevil 5 (Marathoner)
Agility: Black Widow 4 (Gymnast)
Fighting: Daredevil 5 (Martial Artist)
Energy: Jigsaw 2 (Projectiles)
Total: Daredevil 26 (Metahuman)

The details of Jigsaw's origin have changed over the years, but the general premise remains simple: Billy "The Beaut" Russo was a hitman for the mob until he crossed The Punisher and got thrown face-first through a plate glass window.

Russo's face was shredded, but surgeons stitched it back together, leaving a hideous jigsaw pattern of scars. In his early appearances he wore a supportive exo-suit that covered all but his disfigured face. He wore it in early outings against Punisher, Spider-Man, and Nightcrawler, but predominantly relies on toughness, gunmanship, and connections in the underworld.

Daredevil knows the criminal underworld better than most, making his home in crime-ridden Hell's Kitchen. Local street toughs rarely get the drop on him thanks to his radar perspective and greatly enhanced senses. Jigsaw probably shouldn't be too much of a problem.

We've seen DD go up against Jigsaw's arch-nemesis in Daredevil #257 and Daredevil (Vol.2) #65, deftly handling Punisher's blend of military hand-to-hand combat and gunmanship. He's also turned the tables on Turk in Marvel Comics Presents #19, and bested super-powered brawler Tombstone in Daredevil #91.

Throw in Black Widow and Jigsaw's chances are pretty much shot. Natasha Romanova is every bit the supreme martial artist and acrobat that Daredevil is, keeping company with the Avengers and their many super-powered adversaries.

The Widow is a long time partner for Daredevil, having bunked with the blind lawyer in the seventies. We saw her provide the assist in Daredevil #79, while her most compelling battle on record was another team-up, with Iron Man, against the powerful armored Titanium Man in Iron Man #316!

Black Widow's back in town to lie low with her former lover and it looks like her presence makes Jigsaw's defeat a foregone conclusion. Did it? Let's take a look.

The Tape: Daredevil & Black Widow Ranking: Daredevil (#11)

What Went Down...
Bullets spray across the North Shore Pier. A hideously disfigured man yells obscenities into the night. His name is Billy Russo, but ever since The Punisher introduced his face to a pane of glass he's answered to the name of Jigsaw.

Inspiring his gun violence are two figures moving in the shadows. Jigsaw pins them down with twin submachine . Their bullets spray with wanton regard for accuracy, held at head height in the general direction of the intended targets.

Taking shelter from the gunfire behind steel barrels: Daredevil and Black Widow exchange a flippant flirtation. They're biding their time. Daredevil's radar senses give him a clear lay of the land. Jigsaw's sloppy shooting affords time to spare.

Daredevil calls an one-two play from their past team-ups. Black Widow mocks his old moves, but agrees to play along. They strike!

The vigilante heroes launch into a beautifully acrobatic assault. They dance between Jigsaw's bullets, sending his guns flying through the air, still firing, as they collide with his throat and chest in synchronized kicks.

The Hammer...
We can only presume the double-kick is the finishing blow. The next page shows Daredevil and Black Widow retreating to a rooftop to cool down, and reminisce about past post-battle romances.

We can at least be relatively certain of their victory: Jigsaw returns later in the issue having posted $15,000 bail. A tidy sum for being picked up and held in custody after his defeat.

He believes it's the price to pay for stepping too close to Daredevil's turf when he shows up in the offices of Murdock & Nelson looking to get into the "Murdock business".

Daredevil successfully overthrew Wilson Fisk and declared himself Kingpin of Hell's Kitchen twelve issues ago. Jigsaw has mistaken the new order for another arrangement in organized crime. He thinks he just needs to pay a cut to respect the new boss of the town -- but he's sorely mistaken.

The press has also seemingly outed Matt Murdock as Daredevil at this time, but he maintains a façade of innocence by deflecting any acknowledgment that he's the red garbed vigilante - or new Kingpin - even to Jigsaw. The veil of plausible deniability will  be crucial to restoring the status quo, but also leads to a fun, unexpected trap when Jigsaw comes looking for a reprisal at Murdock's home in the final issue of the arc.

This is part two of a four issue story billed around Black Widow. At a glance it seems like a deviation, but it actually compliments the continuum of Daredevil's tumultuous existence, even as it affords some sense of relief from it.

The arc plays like a deliberate chance to revisit DD and Black Widow's iconic relationship for its own sake, while also pitting him against one of the great Marvel street criminals he hasn't dealt with all that much. It's definitely ticking those boxes for a storied run, but both external elements compliment the building pressure of Matt Murdock's failing marriage to Milla Donovan, and his rash decision to declare himself the very thing he hates.

Black Widow plays a quality guest role as a major protagonist in the arc. She's a character long associated with team-ups and memberships. She of course co-starred in Daredevil in the early seventies, making frequent return appearances in the years since. Remarkably, she didn't get her own titular series until 1999!

I'd presume gender bias in the market had a role to play, along with the decline of the Cold War, and perhaps less interest in spy stories after a boom in the 60s. It was probably a missed opportunity, but when I was growing up reading back issues it did give her a suitably mercurial quality. You never quite knew for sure where Black Widow might strike next!

Scarlet Johansson was originally scheduled to star in her first solo cinematic adventure last month, but the COVID-19 global pandemic pushed the release back to November while theatres remained shut.

I figured it was still a nice time to dig in to one of the Black Widow team-ups I've enjoyed over the years. Hopefully you've enjoyed it, too! You might also like to revisit Iron Man #316, and keep your eyes peeled to the Black Widow tag, or Secret Archive index for future updates.

Secret Wars on Infinite Earths has featured well over 600 battles! If you like superhero smackdown and want to see the service prosper you can contribute to the cause via Patreon. Patrons gain inside access to the schedule, and can get involved with special feature articles and polls.

You can check out the entire issue and story from today's featured fight in Daredevil Vol. 4 or Daredevil by Bendis & Maleev Omnibus Vol. 2. Using the Amazon purchase links provided to do your shopped won't just get you a great deal -- it will also support the site at no extra cost!

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Winner: Daredevil & Black Widow
#9 (+2) Daredevil
#56 (+33) Black Widow
#918 (new) Jigsaw

AVENGERS versus THANOS

(Marvel)
Where: Free Comic Book Day Civil War II #1 When: May 2016 Why: Brian Michael Bendis How: Jim Cheung

The Story So Far...
An Inhuman known as Ulysses Cain may hold the secrets to the impending future! In an effort to verify his ominous visions, Inhuman Queen Medusa accompanies him to The Triskelion for further testing under the watchful eye of Black Panther and The Ultimates.

Upon his arrival, Ulysses is suddenly confronted with a glimpse into an oncoming threat: Thanos is coming!

The Mad Titan aims to claim a Cosmic Cube from Project PEGASUS, but as he teleports towards their secluded Mount Athena base in New York -- a powerful assembly of Avengers prepares to greet him with extreme prejudice!

Tale of the Tape...
Strength: Thanos 6 (Invincible)
Intelligence: Black Panther 5 (Professor)
Speed: Photon 5 (Super-Human)
Stamina: Thanos 7 (Unstoppable)
Agility: Black Panther 4 (Gymnast)
Fighting: Thanos 6 (Warrior)
Energy: Human Torch 7 (Cosmic Power)
Total: Thanos 34 (Super)

The Avengers are: Captain Marvel, Black Panther, Ms. America, Spectrum, Blue Marvel, She-Hulk, Dazzler, Medusa, Crystal, Human Torch, and War Machine.

It might be a tad glib to call them "The Avengers". More accurately, we have various solo heroes joining representatives of then-current lineups for The Ultimates, A-Force, and Inhumans. Avengers, by any other name...

They're up against one of the deadliest villains in the cosmic canon! Forget what you might've heard about altruistic balance and preservation of life. Thanos will always be The Mad Titan whose lust for Death nearly destroyed the universe!

When he famously formed The Infinity Gauntlet, he became nigh omnipotent, wiping out half of all life in existence to impress Lady Death. When the surviving heroes came to confront him, his true sadism emerged! Various heroes met a twisted end, including She-Hulk, who was consumed by some type of growth.

She-Hulk's the only one of today's heroes we've seen go against Thanos before. Despite her demise that day, she showed potential for getting some serious shots in! Iron Man was one of the heroes also there, but his example of an unceremonious decapitation isn't the most promising one for War Machine.

Thanos doesn't have any Infinity Stones in today's battle, which at least means War Machine should be able to leave a mark! Human Torch might fare better than Firelord, as well. Johnny went mostly unnoticed by Gladiator in Fantastic Four #249, but turned up the heat enough to burn Ego The Living Planet in Fantastic Four #235. The potential to go nova could scorch even Thanos!

Captain Marvel is the real ace up this team's sleeve. We've seen her Kree-infused powers mix it up with the uber-powerful Collective in New Avengers #17, a Dormammu-powered Hood in New Avengers #54, and a giant Agamotto-possessed Luke Cage in New Avengers (Vol.2) #2!

At this point in time, Carol Danvers is once again juiced to the max and powerful enough to go toe-to-toe with cosmic powers! That could give her the best shot at recreating Drax's killing blow against Thanos, seen in Annihilation #4! I don't imagine Thanos will be nearly as accommodating this time, though.

It took the remains of a Cosmic Cube to stop Thanos when he was resurrected anew in Guardians of the Galaxy #25! His naked rampage took down the entire Guardians lineup, including Drax, Groot, and Moondragon! He also didn't even break a sweat when turning on Terrax during an inter-dimensional scheme seen in Green Lantern/Silver Surfer!

Even without that Infinity Gauntlet, we know Thanos is as serious a threat as they come! He can be defeated, but will the pre-cognition of Ulysses give this assembly of heroes the advantage they need to do the deed? Let's find out!

The Tape: Avengers Ranking: Thanos (#9)

What Went Down...
True to the prophetic vision of the Inhuman Ulysses -- a purple beam of light signals the arrival of Thanos! Though unprepared for an Avengers ambush, he is heavily armed with sophisticated weaponry and immediately resists arrest!

The descending group of heroes are quickly dispersed by the gun's powerful blast. Captain Marvel absorbs its deadly energies. The Human Torch stays airborne and maneuvers to be the first to immediately strike back!

Swooping behind his target, The Human Torch bathes Thanos in an intense flame! There's no need to hold back against a foe as powerful and resilient as The Mad Titan -- but his fire can only blaze so hot with friends nearby.

The Torch's former Fantastic Four teammate She-Hulk ignores the burn and rushes in to dive tackle Thanos from behind! The bold move succeeds in scoring a takedown, but The Mad Titan swears this day will mark her death.

She-Hulk grapples with the burning Thanos before Captain Marvel calls her shot and unleashes a massive blast of photonic energy!

The explosive energy pushes She-Hulk clear. Dazzler joins in, enthusiastically pouring on the power with more energy blasts. With Thanos pinned down, Captain Marvel calls in War Machine for a second wave of artillery fire!

Reeling from the awesome display of power, Thanos wonders how the Avengers could be ready with such a coordinated attack. He doesn't have long to contemplate before Medusa ensnares him in blinding, suffocating curls of hair!

War Machine is still firing munitions when Thanos manages to gain purchases of Medusa's living locks and hurls her toward the armored Avenger!

The collision throws War Machine's targeting off, sending a wayward missile into the chest of She-Hulk! The Colonel moves in to check on his friendly fire victim, letting his guard down for just a moment -- a fatal decision!

Thanos seizes his opportunity -- rushing through flames to drive his massive fist into the armored but prone mid-section of War Machine! A killing blow!

As Captain Marvel and Black Panther watch on in horror, Thanos turns to his opponents with a sinister grin and demands his Cosmic Cube. They respond.

Captain Marvel, Spectrum, and Blue Marvel launch an all-out assault! Their awesome powers create a wall of energy that hammers the Titan from all sides!

For a moment he faces into Captain Marvel's raw power, stumbles into Dazzler's pink bursts, feels Black Panther's claws slice at the back of his neck, is caught from behind by Blue Marvel's force bolts, takes Spectrum's best to his face!

The devastating gauntlet leaves Thanos a stumbling, smoldering mess. He has no defense as Captain Marvel moves in to deliver a devastating uppercut!

The finishing blow launches Thanos across the battlefield, leaving him lying unconscious amidst the flames. Captain Marvel rushes to cradle a bloodied War Machine. Black Panther & Blue Marvel tend to a barely breathing She-Hulk.

The Hammer...
The Avengers defeated Thanos, but at what price comes victory? War Machine is dead, and She-Hulk in critical condition! Such dire stakes can only signal the beginning of yet another major Marvel Comics event...

I come into this one with some pretty strong biases. Ten years removed from the gratuitous murder of Goliath in Civil War #4 -- the novelty has long since lost its flavor. By this point, I'm largely beyond caring about the majority of crossover events, let alone their obligatory superhero deaths.

Truth be told, the bloom was off the rose for Marvel's blockbusters by the time Siege rolled out in 2010. That story functioned as a reunion of Captain America, Iron Man, and Thor, mopping up lingering consequences of the original Civil War, specifically its villain-centric aftermath: the period known as "Dark Reign".

Dark Reign had been a refreshing exploration of ideas organically grandfathered in through the post-Civil War and Secret Invasion landscapes. It was anchored around monthly Avengers titles, rather than a single dedicated event-series. Sadly, Siege was to bring that pleasing break in action to a much-hyped end.

Siege ultimately cobbled together mayhem and carnage in four unfortunately lackluster key issues, and various focused tie-ins. It played like a perfunctory ticking of two to three major editorial boxes, most notably: The removal of Norman Osborn as Marvel's ultimate arch-villain, and the emphatic killing of The Sentry, which reads like a meta-textual in-joke. Even with a reduced four issue core, these simple beats couldn't sustain a series, resulting in a messy, joyless counterpart to DC's better built, superhero war-time smorgasbord of Final Crisis.

The palpable tedium of Siege should've seen Marvel close the door on events for a fair while, but instead, the publisher went into event overdrive in the years that followed. It hasn't even been a decade since Siege -- yet Cap, Iron Man, and Thor have all been split-up, pitted against heroes, maimed, and killed more than once! Only to reenact another mock reunion before doing it all over again.

They've shared the 'death bench' with many high-profile heroes in that time, all of whom died and returned within a couple of years. The endless cycle of kill, rinse, repeat leaving the Marvel Universe stinking of its own meaningless decay.

Civil War itself was an obvious template for many of these deaths and event series, which made it even more difficult to feel like a 10th anniversary sequel was worth the while. In 2016 it was a major motion sequel to Captain America: The Winter Soldier. How can I miss Civil War if it never goes away?

No surprises then that I'm still not very interested in Civil War II's hero-on-hero conflict, or the Inhumans-fuelled take on Minority Report. Here comes the twist, however. because I've got to say the Free Comic Book Day launch issue is actually a very satisfying read!

It would, of course, be foolish to assume macro grievances belie any quality publishing. There's usually something to like on the bill. In this case, time away from Marvel's jumbled brands, and bloodthirsty event schedule, probably helped enhance the simple pleasures that make FCBD Civil War II #1 so enjoyable.

The pros are easily distilled: It starts with some nice character interaction, lays the groundwork for the moral quandary ahead, and features a big battle with an A-list villain that goes to conclusion. It's a pretty satisfying done-in-one read!

There are obvious questions left to be answered, but the FCBD issue avoids reading like a trailer for coming attractions. Impressive, since that's really the primary function these promotional free issues serve.

For a lapsed reader, some of the fun is simply in seeing old favourites together again. I got a real kick out of seeing FF alum She-Hulk, Human Torch, Medusa, and Black Panther together again, and kicking ass. Most get their moment.

As alluded to in The Tape; this was a period of Marvel history where corporate malevolence, and editorial malaise, had led a lot of established brands to erode meaning. This isn't technically an Avengers assembly, so much as a gathering of representatives of The Ultimates, A-Force, and Inhumans. The fact that these divisions are essentially meaningless is actually helpful in an isolated case.

Jim Cheung does a great job delivering the action that comprises the majority of the piece. Each character gets their moment in clear sequence, with big action beats given room to shine. There's a tremendous sense of space and reality, but with that comes both good and bad. It's easy to track what's going on, but it sometimes feels a little small scale. The intense, inescapable red/blue palette also contributes to an impression of a murky lot of one thing in one place.

Movie stardom means Thanos is as strong as ever, even though he's here to be the fall guy. It was a little weird that he comes in looking like Cable with guns strapped all over his body. I don't think that's a visual joke about Josh Brolin's dual live-action roles, but you never know. It doesn't matter much, as Thanos is quickly forced to fend for himself, sans cannons. He puts up a helluva fight, but after several years of promotional exploitation, he was ripe for being beaten in the prologue.

Of the lineup present to arrest Thanos, it makes good sense that Captain Marvel gets the knock-out blow. You could make a case for other characters, but she's the best equipped, and most primed to take the story forward. I don't know how well her conflict with Iron Man stands up to Cap's in 2006, but the fact it isn't simply a straight repeat of the earlier disagreement is appreciated.

I didn't know Carol Danvers had a romantic relationship with War Machine prior to reading this. Given their affiliations with Tony Stark, and history as military personnel, it seems like a pretty natural coupling. It's dangled unsubtly in the first few pages, milked to provide extra emotional context for what's coming.

I'd be lying if I said there was any real joy in witnessing the death of War Machine. Cheung is asked to convey a precise misstep in motion, and the net result makes War Machine look a little silly. The fact that the killing blow comes from a villain as credible as Thanos helps mitigate the goofiness. Without that, it flirts with the unintentional comedy of Hawkeye's needless self-sacrifice in the earlier Avengers Disassembled. Ultimately, tangled hair and bumping into a teammate is a pretty undignified end for a seasoned hero like War Machine.

Ten years on from Civil War, they seem to be trading on a character of greater notoriety than Goliath, but to what end? Frankly, it seems like a transparent decision to remove one African-American Iron Man alternate, to make way for a new one, the future Ironheart.

The race of the two Civil Wars fatalities may be coincidence, but as the latter participates in clumsy efforts to address the imbalance of representation, the self-defeating fallacy of the decision becomes all the more clear. Indelicate decisions like these only hobbled efforts to introduce a new generation of diverse young heroes, mortgaging the past for an unearned future.

War Machine had long, frustrating lulls of inaction throughout his published history, but remained grounded by those early stories that built a relationship with Tony Stark, and the Avengers. It always seemed there was plenty more to do with the character.

Given Tony Stark was destined to be the major scalp for Civil War II, the potential for Rhodey to continue to play a natural role in the development of Ironheart just seems obvious. They would both be scarred by his demise. The emergence of a new armored hero would naturally draw Rhodey back to action. His potential as a mentor figure would then seem natural more than cliché, building Riri Williams a strong foundation in the Marvel Universe. Oh well!

Want to put the pieces into greater context for yourself? You can pick up a trade paperback of Civil War II, which includes the Free Comic Book Day special and complete mini-series! Shop using the Amazon link embedded and they'll support the site at no cost to you! Who could possibly go to war over that?

Think I need to take a closer look at the rest of Civil War II? Let me know in the comments, or while you're following Secret Wars on Infinite Earths on Twitter and Facebook. There, you'll also find daily links to fights inspired by the topics of the day! You can also deep dive into the Secret Archive to discover more!

We always finish with the verdict and rankings update. Captain Marvel clearly delivered the knock-out blow, but under examination, a team effort kept Thanos off balance, and led to his defeat. So the win is shared.

Winners: Captain Marvel, Spectrum, Blue Marvel, Black Panther, Dazzler, She-Hulk & Human Torch (w/ War Machine, Ms. America, Medusa & Crystal)
#45 (+28) Captain Marvel (Carol Danvers)
#12 (+2) Human Torch
#37 (+14) Black Panther
#134 (+260) She-Hulk
#151 (+281) Spectrum (Monica Rambeau)
#174 (+305) Dazzler
#327 (new) Blue Marvel
#124 (+1) War Machine [+1 assist]
#344 (+5) Medusa [+1 assist]
#434 (-1) Crystal [+1 assist]
#558 (new) Ms. America (America Chavez) [+1 assist]
#10 (-1) Thanos [+1 kill]