WOLVERINE versus ELEKTRA

Top of The World, Ma! (Marvel)
Where: Wolverine #103 When: July 1996
Why: Larry Hama How: Val Semeiks

The Story So Far...
The trauma of being forcibly stripped of the metal that once coated his entire skeleton has thrown Wolverine into an increasing series of unforeseen challenges.

Although he regained the full use of his mutant ability to rapidly repair once trivial wounds -- his mind & body have reverted to a feral state in the wake of a vicious showdown with his arch-nemesis Sabretooth.

A failed attempt by Genesis to re-bond his skeleton with adamantium has revealed the metal was responsible for retarding an animal mutation. A feral state that is not befitting a righteous warrior. If his path is to be restored, then intervention must be staged. The Chaste master Stick has taken an interest in Wolverine's fate and directed skilled assassin, Elektra, to find and redeem his lost soul. It is a path she herself once walked. Now it is Wolverine's turn.

Tale of the Tape...
Strength: Wolverine 3 (Athlete)
Intelligence: Draw 4 (Tactician)
Speed: Elektra 3 (Athlete)
Stamina: Wolverine 6 (Generator)
Agility: Elektra 4 (Gymnast)
Fighting: Wolverine 6 (Warrior)
Energy: Elektra 2 (Projectiles)
Total: Wolverine 26 (Metahuman)

Our stats say Wolverine has the edge against super-assassin Elektra, but just how far will advantages like a mutant healing factor and berserker fighting impulse take him? Today's fight will give us a partial answer - but first let's explore beyond that.

Elektra Natchios began her martial training in childhood. Showing natural acumen for the fighting arts; her discipline continued through adulthood, but not before she was rejected by The Chaste, and tempted by their evil rivals The Hand.

Tragedy tainted Elektra's life - beginning with the murder of her mother, and much later her father. A wild & reckless temperament grew within her, earning skeptical scorn from the master known as Stick. His rejection helped place her on a path close to the edge -- the life of a bounty hunter and mercenary.

You probably know Elektra by reputation, and although her most famous battle ended in mortal defeat at the hands of Bullseye -- she was resurrected to continue as one of the deadliest fighters in the world. You could even say multiverse: one of our earliest entries showed Elektra dominating DC anti-heroine - Catwoman!

Our file is shamefully shallow, but the inter-company crossover is a fine example of how respected the skilled technique of Elektra is. As for that loss to Bullseye -- we recorded a much later team-up with Daredevil that scored payback for that.

Wolverine has had comparable struggles with his own inner nature, not to mention encounters with The Hand, but the mutant gift that allows him to survive strikes from Elektra's trademark sai weapons - and fight with a ferocity we deem beyond martial skill - has also been known to make him a little sloppy.

Your mileage for how quickly and effectively Wolverine can heal will probably influence your expectations here, but we must remember that history is littered with examples of bladed weapons, and skilled fighters, getting the better of him.

Razorfist slashed an exhausted Wolverine to breaking point, Deadpool skewered his lungs with twin swords, the Winter Soldier kept him at bay with a dagger, and The Gorgon found a killing strike with a katana that allowed The Hand to render him their personal killer. Black Panther didn't even need claws to match him in hand-to-hand combat, and Daredevil scored a controversial win with a harsh enough blunt force bonk on the head! Just because a fella can heal any wound -- doesn't mean he isn't first going to suffer the effects of sustaining them!

Of course, there are those who haven't fared quite so well: Lady Deathstrike's cybernetic claws couldn't stop Wolverine cutting her down, Silver Samurai's katana missed vital organs - costing him dearly, and Blade wasn't even able to slow Wolverine down with his skillful sword.

So which side will Elektra fall on? It's about time we got into this thing to find out, but one more important note: This is a strange time for Wolverine. It's a few years since the adamantium was ripped from his skeleton by Magneto, and he's succumbed to his feral side -- physically devolving in the process. It's what's brought Elektra to him, but what effect did it have? Let's see!

The Tape: Wolverine Ranking: Wolverine (#5)

What Went Down...

High atop the second tower of the World Trade Center awaits Elektra. The wind blows in her flowing hair as a hairy, squat figure grunts his way onto the rooftop to join her. She asks "its" name. "It" responds with the name of a lowly beast.

She challenges him: "A wolverine is a beast. Was it the man or the beast who climbed the "mountain"?" She strikes -- proving her point.

The backhanded strike with the butt of Elektra's sai handle provokes feral fury in Wolverine and he bears his bone claws. She walks away, toward a doorway into the building, unimpressed by his unrefined response.

The upper level of the Trade Tower once fed tourists, but now will feed the mind and soul of a student. It is the dojo in which Wolverine's body & spirit will be tested as Elektra returns him to the path of a righteous warrior. A path of "obligation, duty and honor" that "puts him above the beasts and the savages."

She pins a scroll to the wall and its symbols stir old memories to the front of the man-beast's mind. He can sense something is missing, but that is a test for another time. First he must answer the challenge of tempering.

Elektra isn't concerned with titles. She responds to defiance of the process with swift action -- another smack to the head with the base grip of her sai weapon.

The feral Wolverine attempts to strike back -- lunging with his left hand claws extended. Easily avoided by the agile teacher, who vaults over his squat form to land behind him -- weapons at the ready.

She quotes another who once tempered the feral mutant - Lord Shingen Harada. A reference that stokes the flame of fury within Wolverine. The fight is on!

Again the beast leads with his claws - swinging savagely with his right hand!

Elektra's left is knee is raised as she easily dances beyond the bone tips and returns fire with a launching kick to the face!

Wolverine is momentarily staggered by the blow that sent him falling backwards, but he isn't stayed for long.

Animal aggression compels Wolverine to charge at his opponent with a staff weapon, but the primitive lunge simply leaves him open to a low attack from the expert wielding of Elektra.

Has it been hours? Days? Months? Or Wolverine's entire life? The fight is for more than one simple victory. The combat is an existential crisis of the soul. If the animal fury within him is not hammered out, he will never be the man he once was. All that he could be.

The Wolverine leaps through the air behind Elektra, with staff weapon raised above his head in both hands.

Again it is child's play for Elektra to simply raise her sai weapons and block the staff with the defensive catch holds innate to the weapon's design.

His claws are equally meaningless. She simply leaps over his squat frame as he brutally and feebly lunges with the boney protrusions extending from his hands. The lessons of his time in Japan and fighting Shingen must be re-learned.

The Hammer...

It could be presumed that this was a continuous conflict in the makeshift dojo Elektra created on a floor of the Twin Towers, but the single page we've broken into thirds [above] also might suggest a montage of multiple sparring sessions.

How quickly do you undo a literal and metaphorical de-evolution of a man? Usually it wouldn't matter, but for our purposes we'll assume this was all one session. Either way - the work isn't done. Wolverine #103 plays out as a series of philosophical and physical challenges to Wolverine, with one final fight awaiting.

As usual, I fully intend to return to the issue eventually to see what happened in their second encounter. These might not be bitter showdowns for all the marbles, but these characters also aren't pulling all their punches. This is valid data.

This wasn't a period of Wolverine I've ever regarded very highly. For the most part I managed to avoid the short-lived 'noseless runt' stretch, which felt like a bridge too far during the bone claws years -- but I wasn't especially thrilled about the character and his solo series in the short run just before that, either.

I was buying off the newsstand back then, and I know I dipped in to Wolverine somewhere around this time, give or take eight issues. I mostly encountered the strangely deformed version of the character in the main X-books, where the details eluded me. He still had the bandana-mask and excess hair when Onslaught kicked off, but there were plenty of other things to wonder about there!

I remember [Wolverine #103] coming out, and probably even considering buying it, but the combination of Wolverine and Elektra -- while eye catching -- seemed a little cheesy and haphazard. They weren't characters that had anything to do with each other at that point, and it seemed like an egregious, inorganic aside at a time when nothing about the character seemed sufficiently iconic, or coherent.

Coming back to it now - I really enjoyed it. This issue in particular stands alone as a very satisfying, classic martial arts night of the soul. An existential crisis dressed up with fist fighting, flowery metaphor, and examination of the nature of man.

Back in '96 I was resistant to the 'Marvel Comics' of the meeting, but I see now that the DNA of Larry Hama's work on GI Joe is also present. It's a presumption of Elektra as a figure in this world, and a thematically convenient excuse to bring two cool characters together. Elektra's redemption arc was a bit weightier than a furball growing back his nose, but hey. Whatever gets it done, man.

This is still pretty early in Marvel's attempts to reincorporate Elektra as a regular figure in the Marvel Universe. Frank Miller had kept her spiritually alive in series positioned away from the regular grind [eg; Daredevil: Man Without Fear], and for almost a decade Marvel had remained hands-off, with some uncertainty of whether or not the character was truly living. They were all-in after a 1993 return.

Elektra isn't the only thing layering this issue with Miller grandiosity. Invoking Lord Shingen and the lessons of the sword from the first Wolverine mini-series is a more direct and appropriate bit of depth, but that comes through in the rematch.

If you'd like to see the follow-up sooner than later, or help prioritize some other future featured fight, it would be wonderful if you considered becoming a supporter of the site on Patreon. I'm managing to crank out a few more updates than usual, but am also dealing with some uniquely challenging circumstances, so your patronage will go even further than usual to help making things possible.

Secret Wars on Infinite Earths has featured well over 700 fights and ranked more than 1,000 characters! You can find them all for free by diving into the Secret Archive for a complete index of battles in order of publisher, series, and issue -- or by hitting links to your favourite topics found throughout each entry.

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Winner: Inconclusive (Draw)
#95 (+2) Elektra
#5 (--) Wolverine

HERCULES/SHE-HULK versus
BRAN THE BLESSED
(Marvel)
Where: She-Hulk #30 When: August 2008
Why: Peter David How: Val Semeiks

The Story So Far...
Jennifer Walters: Avenger/Attorney-at-Law, at least, she was, until being coerced by magic to assault her acquitted guilty client. After breaking a restraining order upheld in favour of the evil sorcerer responsible; a mystic called Dark Art; Shulkie finds herself in the sinbin again, her tenure as a bounty hunter interrupted while she cools her heels in a Cleveland city prison.

The pursuit for justice continues in her absence, however, as her shape-shifting partner, Jazinda (who is a Skrull, FYI), borrows She-Hulk's civilian identity to pursue their target!

Bran Murphy; who was hired as Dark Art's bodyguard; has been making his own mischief, and after hearing the tale of Shulkie's misfortune, does her the credit of poisoning the sinister sorcerer. Now, utilizing the powerful bond of a celtic god, Bran channels his vengeance through the super strength of Bran the Blessed, attracting not only the attentions of She-Hulk, but the prince of power, too!

Tale of the Tape...
Strength: Hercules 6 (Invincible)
Intelligence: She-Hulk 3 (Straight A)
Speed: Hercules 3 (Athlete)
Stamina: Hercules 5 (Marathon)
Agility: She-Hulk 2 (Average)
Fighting Ability: Hercules 6 (Warrior)
Energy Power: Draw 1 (None)


- Hercules is the demigod spawn of king of the Olympian gods, Zeus, and Alcmena; the mortal daughter of the king of Mycenae. Despite a conspiracy perpetrated by Hera and Luciana to prevent the birth; Hercules was born after seven days of labor, to rule those around him, by the decree of Zeus. The mammoth child would indeed traverse many perils to grow into a mighty leader of men, whose strength became the stuff of legends.

When Jennifer Walters was the victim of a retribution shooting by a crime boss out to hurt her sheriff father; Bruce Banner, Jennifer's cousin, was forced to offer his blood as a match for a transfusion. The gamma irradiated donor blood carried over properties that turned the timid Jennifer Walters into a savage She-Hulk!
Like her cousin; She-Hulk possesses superhuman strength and durability, but unlike Banner's Hulk, she is able to control her transformations.

Both Hercules and She-Hulk have been charter members of the Defenders and the Avengers, racking up many miles of experience in battling the foremost threats in the Marvel Universe.

- Bran Murphy is an apparently violent Irishman willing to go to great lengths to inflict pain and suffering upon She-Hulk.
The motive behind his initial attack, which involved blowing up a bar populated by both the hero and innocent civilians, remains unknown. Further investigation, however, reveals the potential influences of ancient powers who may have in fact manipulated Murphy as a human host.

Math: Hercules & She-Hulk Ranking: She-Hulk (#237)

What Went Down...
Offered a full pardon in exchange for her services as the sensational She-Hulk; Jennifer Walters negotiates the release of a fellow jailbird, before stepping directly out of the pan, into the fire of a sixty-foot tall demigod called Bran!

Running the rooftops above, in a torn shirt, is the outlaw prince of power - Hercules! The Greek demigod, whose involvement is strictly non-official, suffers a dismissive swat as he launches himself at his Celtic rival.

The harsh descent leaves Hercules pron, but even as he struggles beneath the mighty heel of the towering Bran, She-Hulk makes her presence known with a leaping fist to the chest! The unsuspecting Celt swipes back, but is swept off his feet by the prince of power, whose godly muscles give him the strength to topple Bran the Blessed like a glorified caber!

Shulkie flexes her own bulging biceps in the nick of time to stop the toppling titan crushing scrambling citizens at ground level. Bran the Blessed defers blame to his Greek counterpart whilst shrinking to a less dangerous size, all the while denouncing the once worshipped demigod as an ego too arrogant to care for the lives of humans around him.

Hercules takes exception to the accusation, but before he can channel his rage in PPI, She-Hulk puts a grapple on to probe for information. The exposition proves brief as Bran lets fly the taunts, stirring Hercules' temper to boiling point!
He effortlessly tosses his jade-skinned ally aside to reach his foe, but before a Herculean beating can be dealt, the giant-sized demigod turns to flee, fearful for the requisite safety of his host -- Bran Murphy -- now discovered by Jazinda.

She-Hulk again lays her hands on her ally in battle, this time to propel Hercules with an offensive maneuver known in some circles as the fastball special...

The velocity of the pitch turns Hercules into a humanoid torpedo, allowing him to deliver the finishing blow -- a decapitation strike to the Celt's vulnerable throat!
With the demigods' block literally knocked off, (by way of a mythic weakness incurred by the historic removal of the immortal kings' head), Herc and She-Hulk are free to make a hasty exit (for some lovin's, as it were).

The Hammer...
Y'know, we've been talking Hercules up as the year's most improved player, so it seems fitting he finally pick up the win with the vital assist coming from She-Hulk!

Time and economics have conspired against any valid commentary or reflection on the battles of 2008, but while out and about, I decided to make a couple of a concessions at the not-so-local newsagent. This issue of She-Hulk was one of the things I grabbed off the shelves, and admittedly, I kinda had my hopes set on a post-WWH She-Hulk/Hercules gaff. Alas, t'was team-up I did find within these pages.

It's been quite a while since I picked up She-Hulk.
Actually, those conspiring forces that have kept me away from most recent monthlies have been doing a pretty good job of it for quite some time now.
It was the break between 'seasons' that saw my dedication to the breakout hit of 2004 wane substantially to the point of missing out on the eventual reboot.

I'm an ideas man, but the more I indulge, the more I realise refreshing art direction can be as important to my reading habits as anything else.
While it was undoubtedly Dan Slott's ability to play with all corners of the Marvel Universe and the high-concept of superhero law, in his absence, I begin to appreciate the importance of Juan Bobillo's stay puft pencils.

Val Semeiks delivers competent sequences and some big time superhero action, but falls short in the finer details. His She-Hulk, while packing a suitable amount of presence, teeters a little uncomfortably on the bulky side of human anatomy. This is something that appears to carry through with his figures who have the air of appearing somehow incomplete, but I wonder if that might not be partly the responsibility of Chris Sotomayor on gradient-happy digital colours.

Conceptually, She-Hulk's being driven by a variety of influences that have now come to include [Peter] David's own cross promotion with pet project, X-Factor. While everything you would expect of a baseline comic is well covered, one can't help but shake the sensation that this is a superhero title at it's most forgettable. As much as we've come to champion the seemingly inconsequential on the Infinite Wars, given the history of the book, it's just such a shame to come back to this.

Dan Slott's first year on She-Hulk brought such a vibrancy and delightfully refreshing kitsch that it's impossible to ignore comparison. As a character, She-Hulk continues to have enough personality, albeit, defined by her sex-drive, that she deserves a solo-title. Yet, I almost feel such a pedestrian read is counter-productive, if not a discredit to the potential of a fringe series.

"GG Studios' Vincenzo Cucca" is looming on the "next issue" horizon with a far superior digital render to his artwork. Perhaps for the first time since Bobillo, the series looks to get a visually distinct treatment that appears both new, yet undeniably suitable. I had to get that last bit in, because I'm sure the faint presence of animé-inspired artwork will get other reviewers' Y-fronts in a twist.

I enjoyed revisiting She-Hulk. Trainspotters will know she served as an anchor on our monthly Super Stock rankings for a long time. I'm fond of the character! I just wish it could've been under different circumstances.
The apparently stacatto'd presence of a conspiracy-plot, told through unwinding structural devices, seems tedious and uninteresting, devoid of any real hook.
Though fun, #34 reads like a classic assembly line comic maintaining the brand, and I'm not entirely convinced that isn't the case in previous issues also.

The Fight: 4.5 The Issue: 3.5

Not convinced? Disagree? Want to know more?
You can pre-order Vol.7 of She-Hulk in collected trade (including this Hercules-packed issue and the X-Factor crossover) through Amazon. Not only do they offer affordable prices and convenience, but by using purchases links supplied, you also help sponsor future entries in the Infinite Wars! Alternatively, if you want to fall in love with the initial Slott/Bobillo revival of the character, you should check out Vol.1, or any of the other titles on offer in the Amazonian Gift Shoppe! On offer are a wide variety of titles containing issues reviewed in the Secret Archives. Mixed bag o' fun, t'be sher!

QUICK FIX DOUBLE FEATURE: Wander Woman
MONGUL versus JUSTICE LEAGUE
Infinite Crisis (DC)
Where: Infinite Crisis #1 When: December 2005
Why: Geoff Johns How: Phil Jiminez

Quick Fix...
Okay, so the lazy schedule has helped me quickly correct, but if I'm to impress the various important establishments like the BBC, and various other publishers of print and media hitting up this humble blog, I've got to hit the hard issues before they go stale.

If the feminist blogging community has been anything to go by lately, I actually probably have until about 2025 to catch this one, so maybe I'm getting in early. Alas; I'll endeavour to kill the joke no more, and get straight to the topic at hand -- Amazons Attack!

Haven't they just?
Readers of the on-going saga will know I'm still cash-strapped and months behind on comics, so Amazons Attack isn't exactly something I'm familiar with, but as it so happens, it was something I didn't have any particular interest in anyway, even in those long forgotten months where it was placed before my spending dollar. It just wasn't a story that jumped out at me, regardless of pretty covers of a sword-wielding Batman, and my relative ignorance.

Never the less, the story has taken the internet by storm. Adding fuel to the fire was the daring act of writer Will Pfeiffer to throw to the open forum [on his blog], where he invited the wrath of disgruntled and satisfied readers alike.

There's also been a story floating around the blogosphere regarding the validity of the so-called "DC Trinity," in particular reference to Wonder Woman's claim to the position on the team. These two delicious morcels provide the perfect vehicle for us to make up for a gross lack of representation of the character, and do some chatting of our own with another of our fancy, fun-time double features!

The so-called Trinity converge on the wreckage of the Justice League satellite, destroyed recently with Martian Manhunter aboard. While there are no signs of J'onn J'onnz, another presence lurks in the shadows, listening in to the bitter descent amongst the highest ranks of the Justice League heirarchy.

Concerned about recent events involving Wonder Woman's brutal execution of the corrupted Maxwell Lord, Superman is soon distracted from the conversation by the otherwise inaudible sound of a heartbeat. His reaction proves too slow, suffering a slugging fist from the villains Mongul!

The monstrous alien swats Batman aside, but Wonder Woman is at the ready with sword in-hand. She slashes at the hulking beast, who gladly meets her blood letting with a blow that sends her shattering through the ruins of the satellite base. If it wasn't already destroyed, it soon would be!

Superman returns with a vengeance, heat-vision blaring, but again he finds himself swatted away by Mongul's fantastic strength. Looking for a different tactic, he hoists the ever-so human Batman off the ground by the neck.
Assessin Batman's suitability as donor for another skull for his throne, Mongul isn't prepared for a quick recovery by Superman.

Superman throws all of his Kryptonian strength into a blow that knocks Mongul's face around itself. He continues the ill tempered attack with a stressed combination of fists, unrestrained heat-vision, and fury!

With Mongul downed, Superman checks on the rattled Batman.
Wonder Woman proves less concerned with her fellows' well being, and more with the permanent solution to Mongul's terror. She dives with her sword in the axe-handle position, prepared to strike down the fallen villain once and for all.

Ever the boyscout, Superman intercepts the killer-blow, catching the sword before it can split Mongul's head like an overripe melon. Even Batman, whose dark justice more closely resembles Wonder Woman's warrior code, questions the warrior princesses' intentions.

While the trio debate their philosophies of justice, Mongul is able to barge through them, making an untimely escape, free to trouble them again in the future.

I've been hovering around the place making tongue-in-cheek references to a slightly cheesy harsh justice trinity of DC royals; Wonder Woman, Black Adam and Aquaman. As silly as it sounds, I'm actually hiding a deadly serious, if under developed, concept. A concept that would perhaps best fit in the Wonder Woman book itself, strangely enough.

It grabs on to some very recent reference points.
I love the implication of Darwyn Cooke's New Frontier work, that revels in Wonder Woman's supposed warrior origins in a retro-contemporary war-time situation. I love that, in the name of good, she gleefully takes part in the slaughter of men who have committed terrible evils. With such a vile situation, I even don't mind that there's a distinct feminist agenda there, that errs a little too narrow sighted for what I'd like of such a prominent superhero.

I also latch on to, of all things, the brief appearances in Brian Azzarello's Superman, which again played to Wonder Woman's strengths as a warrior, and cast her in a scenario closer to man-made suffering than giant snake-haired monsters, or simplified struggles of diplomacy.

I think about these characters; Black Adam and Aquaman.
Black Adam is a character we've talked about a lot this year, as one of the more high-profile anti-heroes at DC comics right now. I expressed concern about a potential return to over-simplified super villainy [Hawkman #24], and certainly this concept asks that you disregard that kind of tact in favour of holding on to his unwavering role as conquering dictator, first confirmed in Black Reign.

Neither he, nor Aquaman, have a book right now, with the latter having his title cancelled in an almost inevitable cyclical series of false-starts.
I look at the commonality of these characters as outsiders who have lived in societies far more advanced than our own, and yet, also somewhat ancient in their design. I consider the viability for these characters to break apart from the mold of the well established characters, to blaze a trail as not only characters depicting a diverse interpretation of justice, but also as a platform for interesting scenarios and world affairs.

As part of the "Trinity" Wonder Woman is either too sympathetic, like Superman, or too harsh, like Batman, albeit, a tad more lethal. As a character whose stage should be the world, I can't help but see untapped potential in a Wonder Woman who breaks away from the conceptually obscure hub of world activity - America - and extends herself, with a coalition of likeminded outsiders, to subscribe to a proactive course of their own warrior's justice. Not that the American hub wouldn't still be a regular touchstone, given the international interests of groups like Checkmate, and the Justice Society.

I don't know how Amazon Attacks affected Wonder Woman or her outlook on the world. I don't know if she was part of the presumed invasion of Amazons on the world-of-man, or if she were revolted by it, (in that Superman-style turn).
I don't know if it really matters. It seems like Wonder Woman is crying out for a strong and certain characterization and course of direction, requiring simplicity, but intelligence, and this might just be the time for it.

It remains to be seen what Gail Simone will do with the character, but I can't say I'm really holding out hope. Short of a one-shot war on refridgerators, I can't see Simone bringing a lot that interests me to this particular character. Will a phoenix rise from the ashes? We shall see...

The Fix: 6 The Issue: 5.5
Winner: Superman/Wonder Woman

[Something I didn't get to mention was just how refreshing it is to see Batman out of his depth. All too often we see him swiftly counter-acting the presence of Superman-level aliens, which is fun, but a little too consistent. A refreshing take on the situation, in a charged gathering of the "Trinity".]

---

WONDER WOMAN versus ETRIGAN
The Region Beyond Part II: Beyond Redemption (DC)
Where: The Demon #17 When: November 1991
Why: Alan Grant How: Val Semeiks

Quick Fix...
It was a while ago now I had a brief online discussion with a man deserving of more recognition on a blog dedicated to superhero fisticuffs, and macho bravado. I of course refer to the one and only, Beau Smith; a man of certain and sure opinion, who had a major creative hand in the life of Guy Gardner as the editorially mandated - Warrior.

During that discussion I peddled a different theory about Wonder Woman. With Greg Rucka's "new" take on the diplomat in shoulder pads and a skirt, I was interested in taking that urban slant and turning it on it's side a little.

From the serious, to the silly, we arrive at this book. Something of an abberation in my collection, it came into my possession by means inadvertant, and has since sat lonely, waiting for just such an occasion as this.

My theory, at least for Wonder Woman's life among humans, was of confidence and liberation. It proposed an almost She-Hulk style sexuality, partially opening the floodgates to all things fanboys have pondered whilst staring at an Alex Ross Wonder Woman's thighs. Because, we already know Wonder Woman finds men attractive, but having been raised on an island exclusively inhabited by Amazonian women, I think it's fair to assume she'd be open-minded.

Actually, I think what takes it from being a little uncomfortable, and brings it back to being an interesting character trait is that she'd be very as matter-of-fact about it. You would have to imagine that there's a familiar bisexuality amongst a race living with women, but apparently also aroused by the presence and mysteyr of man.

I like the idea that the fact has never been explicitly addressed because, for the extremely liberal Wonder Woman, it just isn't an issue. In the same way I don't march around the streets declaring my heterosexuality, for Wonder Woman it would be such a non-issue, she wouldn't consider it. Of course, taking that slightly alien perspective, I also don't think she'd blush educating someone on any of the invoved practises, or anatomical implications of such a lifestyle.

Of course, that's not to say I want to recast Wonder Woman as some sort of lady-about-town tramp. Huh, figures you'd assume that, sperm bank.
No, see, we know Wonder Woman isn't some sort of floosy for the same reasons we know she is attracted to men: It's on the page!

Case-in-point, having been smelted by an evil villain, and cast into the Netherworld by an impishly passing Klarion the Witchboy, Wonder Woman finds herself the subject of the unwanted affections of The Demon - Etrigan!

Confused, Wonder Woman is taken surprise by an evil Banshee creature as a welcome to what appears to be Hell. She puts the creature down hard with an unrelenting fist, but she underestimates the hellspawn creature. It springs back up, launching at the warrior woman while she is distracted talking to Etrigan, who dangles from the ceiling wrapped in chains. [Long story!...]

Sensing Wonder Woman is pure-of-heart the Demon's host is compelled to go to her aid, but the demonic body is uncooperative with the brain's commands.
Wonder Woman suffers at the hands of The Banshee as it rips and tears at her flesh exposing a flowing trickle of crimson blood that finally awakens the Demon's simmering interests in an explosion of excitement.

Freed the Demon swiftly pounds The Banshee into submission, and leaps at Wonder Woman.

Compelled by the sweet smell of Wonder Woman's blood, the Demon does not stop there. With an excess of enthusiasm he snatches the Amazonian off her feet and passionately throws her to the wall, his demonic tongue wagging at the streams of blood across her face.

Thoroughly offended by the Demon's unsolicited advances, Wonder Woman has no choice but to throw her Amazonian super-strength into a well placed knee. Though powerful, the blow fails to rattle the Demon's cage, instead only enticing him further by his joy for massochism. Overwhlemed, Jason Blood, the demon Etrigan's host, can merely commentate the creature's actions, awaiting the opportunity to wrest control from the savage beast.

Giggling gleefully the Demon renews his advances, ignoring Wonder Woman's warnings to descend on her with his tongue wagging between massive pointed teeth.

He pins her to the ground, and through a veil of his own twisted sense of romance, begins to wail on her.
It is only the exertion of Jason Blood's will that finally stays the Demon, managing to utter the enchantment that returns him to form of man.

Like I said, I'm not so sure this is the kind of blunt, forward approach to Wonder Woman's romantic life I have in mind, but as something of a curiosity, I just had to throw it into the mix. I think it's fair to say it fits the previously discussed harsh justice, as pictured right.

Harsh, but fair.
Lord knows my knees would wander if I were being molested by a blood-thirsty demon. I don't care how helpful he may have been.

Y'know, despite some mature overtones, this story actually highlights another potentially interesting avenue for the Wonder Woman character, and that would be the young readers line. Like a Captain Marvel, Wonder Woman has struggled to find a strong, consistent characterization, and might even be there that she could begin to build a new franchise opportunity with more light hearted antics.

It's maybe hard to say exactly what's best for the Wonder Woman character, but lord knows it has to begin with some chances. Few characters are as guarded as Wonder Woman, and yeah, some of the things we've discussed here are pushing the mould a little, but maybe that's what's needed. It was testing stories like the Dark Knight Returns that helped reinvigorate Batman, and maybe it's time Wonder Woman got the same leeway to produce the same results.

Now if you'll excuse me, I'm going to get some of the sleep I should've had when I wrote this thing. I'd like to think I didn't, but if it got incoherrent, you know why. I tend to maintain though, the uncompromising Wonder Woman is the one I'd like to see the most. A harsh figure of international justice.

The Fix: 3.5 The Issue: 4
Winner: Demon/Wonder Woman

[This wacky tale will have to wait for another day to get a better review. I'm going to count it as a double within a double, awarding a shared victory over The Banshee, and a tie between Demon and Wonder Woman themselves. A book that's got the adult shift of the eighties, it probably shouldn't have been in a bargain bag.]