INVINCIBLE versus TITAN

(Image)
Where: Invincible #1 When: January 2003
Why: Robert Kirkman How: Cory Walker

The Story So Far...
Mark Grayson may seem like any ordinary boy, but as a young child his father revealed himself to have an incredible secret -- he's the superhero Omni-Man!

Nolan had come to Earth from the planet Viltrum, and in puberty Mark would be destined to develop super-powers of his own: super-strength, speed, and flight!

In his teens: Mark enthusiastically embraces his powers and the legacy of heroism that comes with them. Devising a makeshift costume to hide his identity while he practised flying -- he eagerly embraces his first test when he happens upon an early morning diamond heist!

Tale of the Tape...
Strength: Invincible 6 (Invincible)
Intelligence: Invincible 4 (Tactician)
Speed: Invincible 6 (Mach Speed)
Stamina: Invincible 7 (Unstoppable)
Agility: Invincible 3 (Acrobat)

Fighting: Invincible 3 (Street Wise)
Energy: Draw 1 (None)
Total: Invincible 30 (Super)

We're going right back to the very beginning! Invincible doesn't even have a superhero costume or name yet! He's still just Mark Grayson: two weeks into developing super-human strength, speed, invulnerability, and the power of flight -- perks that come from having an alien father from the planet Viltrum!

Mark hopes to follow in the footsteps of his father: visitor from another world who integrated into human society as one of its greatest champions - Omni-Man!

In the 1980s Nolan found a life with a woman he once rescued. He and Deborah Grayson were married, and thanks to the relative similarity between human and viltrumite DNA, they sired a healthy boy destined for great power.

The first test of Mark Grayson's responsibility is Titan: a low level criminal enforcer with the ability to generate a durable layer of rock over his entire body.

The casing grants Titan super-human strength and a hide capable of surviving heavy impacts -- even if he still feels the sting of bullets and other blows.

Mark only has a couple of weeks experience with his newfound powers, which could roughly be compared with Superman. Will that give Titan the edge to send the future Invincible home with a loss in his opening bout? Let's find out!

The Tape: Invincible Ranking: Draw (Not Ranked)

What Went Down...

The arrival of local law enforcement sends two well dressed diamond thieves fleeing from the scene of their successful heist. Between them is the rock-skinned Titan -- chided for failing to fulfill his intended role holding the cops at bay.

"It was a diamond heist! We knew there would be cops there! Why do you think we brought you along?!"

The super-powered enforcer makes up for his reluctance to stare down a half-dozen armed cops by tucking the suited men under each arm and leaping them over an obstructing fence. A clean getaway? Not quite...

On the other side of the fence the thieves land right in the path of a waiting masked man who delivers a powerful uppercut to Titan!

The suited thieves spill unconscious to the ground as the mystery man follows his attack on Titan with a leaping stomp that drives both feet into his chest!

The rocky villain fires back with a hard right hand that knocks his attacker off of his chest!

Titan dives through the air to take the offensive, unsure of the masked fighter's intentions. He asks: "Who the hell are you? Are you trying to stop us or rob us?" 

The hero responds with his fists -- unleashing a powerful haymaker that smashes the stone from Titan's body! A knock-out that declares his intent to stop them.

The Hammer...

The budding hero apologizes for mixed messages his handkerchief mask and goggles might be sending, but the thieves are already out cold, awaiting collection by the proper authorities.

Omni-Man happens to catch his son in his first heroic outing, and the confusing bandit chic of Mark's makeshift costume prompts the father to take his super-powered son on a rite of passage to the tailors. The next step on the path to becoming the Invincible you know and love!

The way I remember it Invincible was a relatively quick cult sensation, but in his foreword for collected editions of the series: Kurt Busiek, writing circa May 2003, describes his conceited dismissal of the new title, and its apparent slow start.

"Like the vast majority of smart-thinking Americans, I passed up INVINCIBLE #1 at least twice. Heard about the new Image "superhero line," saw the books in the catalog, and breezed right by INVINCIBLE. Just another superhero book, I thought. I've got a complete run of Nova. Of Firestorm. Of Speedball, for Pete's sake. This isn't anything I need."

I can relate to Busiek's experience.

He'd probably quibble semantics, but my thinking was somewhat similar. At first glance the Invincible #1 cover is not very remarkable. Plain even. The costume always made me wonder if it was all just somebody's joking attempt to turn the Image Comics logo into a mascot. The internal influences seemed uncomfortably obvious as well: Superman meets Spider-Man, with Savage Dragon action. A hint of Dragon Ball Z flavour may or may not be deliberate.

Busiek goes on to tell us that Firebreather and Dominion were his choices from Image's new wave of the time. Not being a smart-thinking American, I connected with the deepcuts of UK import Jack Staff.

Jack Staff wasn't particularly veiled with its references either, but it pulled from the far less common source of 1960s British comics. Curiosities that I'd enjoyed as a young boy and was eager to do so again, even though I'm not nearly that old. I just happened to discover one of the vital joys of comics at an early age -- back issues!

I like a certain amount of complication. It's the cornerstone of shared universes and one of the great and unique strengths of serial comic books. If things were too simple they'd be boring. Yet by 2003 online comic book fandom had begun to organize around some burgeoning ugly ideas.

Viral myths deeming Superman uniquely "unrelatable" and impossible to feature in "good" stories began to spread. The deeply regrettable phrase "new reader friendly" was coined to give common short-hand to a confused and anxious group convinced history had made American comics uniquely unapproachable. A hideous contradiction that would make human existence impossible. I did not approve.

Invincible seemed to be participating in both of these unfortunate preoccupations, but that wasn't the whole story. Sure, it reduced the Superman archetype to a fallible teenager, and very famously indulges in the increasingly common trope of the evil Superman. It does attempt to be "new reader friendly" and succeeds at that feat very effectively, but it doesn't do it at the expense of comic book excess.

Some of the impression that Invincible was overly-simplified comes from the relatively straight-laced earnestness of it all. It's only post-modern in the most basic of facets, a byproduct of passing time. Otherwise, it avoids commentary or subversion to its betterment. It is unabashedly a superhero comic. Apparent with its references, but still determinedly individual enough to join the pantheon.

Invincible's costume is one of the few meta gags worked into the first issue, using Robert Kirkman's search for an iconic design as part of Mark Grayson's origin story, and the invention of Arthur Rosenbaum: superhero tailor.

The idea of a specialist tailor, or armorer, was an emerging trend of the new millennium fixation with pseudo-practicality. Kirkman gets more out of the idea by using scrapped design concepts to tell his story. The orange & yellow costume Mark Grayson tries on first, and Rosenbaum's assumption that solar batteries would be a useful accessory to a Superman-esque character, directly references Kirkman's earlier conception for his character, then called Bulletproof.

He later spins the serviceable, if slightly generic, earlier design into another character -- Zandale Rudolph -- benefitting from the work done in this first issue. New reader friendly? Pff! You just got backdoored into big boy comics, buddy!

There's "continuity" all over this first issue that will eventually pay off later. It's implicit in the very first pages, where Cory Walker lays out an effective cold open action scene that features a fully realised Invincible grappling with what might, at first glance, appear to be a suicide bomber. A topical assumption in 2003 that gets flipped on its head in future issues.

For the record: I like Cory Walker's artwork. It's got the hallmarks of a modern American superhero comic artist, but a character all its own. Its simple linework lends well to the series' future in animation, and his sense of action is energetic and bombastic. The thin sharpness of his lines, and quirky details feel a little bit European, but there's an anime flavour bubbling beneath the surface, too. I say anime, rather than manga, because a sense of movement is a common feature.

Like the less-than-remarkable cover -- occasionally the staging of scenes is a little too underdone -- but I also greatly appreciate the anime-style stillness he's able to achieve in quieter moments. Scenes of domesticity are as natural as the Kirby by way of Larsen bursts of bombastic wall breaking. You don't always get both.

It'll take an unfortunately long time, but today's featured fight antagonist, Titan, will also take on far greater significance. He gets a little lost in the shuffle, sitting out dozens of issues as the series juggles human drama, other high concept fun, and a commitment to the alien aspect of the title-character that becomes the series' signature. I know you know about Omni-Man, but we'll get to that another time.

If you don't know about Invincible but want to start learning you can start your journey with a tiny bite of Invincible Vol.1: Family Matters or devour the first year of issues with Invincible: The Ultimate Collection Vol. 1. By using the Amazon purchase links provided you'll not only get an easy and convenient deal, but also help support the site at no extra cost to you!

Secret Wars on Infinite Earths has featured well over 600 battles and ranked more than 1000 characters! If you'd like to see more Invincible, or just help support this project in general, you can get involved on Patreon. As a thank you you'll gain access to additional updates, polls, and options to choose future feature content.

Discover more by exploring the Secret Archive for a complete index of featured fight articles in order of publisher, series, and issue number. If you've entered into the world of comics through invincible it's a nice way to go deeper into the comic book multiverse! Follow links throughout posts to search for specific subjects.

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Winner: Invincible
#345 (new) Invincible
#955 (new) Titan

JESSICA JONES versus SCORPION

The Secret Origin of Jessica Jones 2 of 2 (Marvel)
Where: Alias #23 When: August 2003
Why: Brian Michael Bendis How: Michael Gaydos

The Story So Far...
Jessica Campbell was an ordinary kid until her life was turned upside down by a car accident on the way home from a family trip to Disney World.

The collision with a military convoy carrying hazardous chemicals killed her family, and left Jessica in a coma for six months. She awakens to a world in chaos as Galactus and his herald touch down in Manhattan.

If that wasn't bad enough: Jessica is soon adopted, and returned to a life of high school bullying and flashbacks to her family's death. The only upside is that she can now fly and break trees with a firm shove! With great power comes great possibility and fate is about to deliver Jessica to her first heroic moment!

Tale of the Tape...
Strength: Draw 5 (Super-Human)
Intelligence: Jessica Jones 3 (Straight A)
Speed: Draw 3 (Athlete)
Stamina: Draw 5 (Marathoner)
Agility: Scorpion 3 (Acrobat)
Fighting: Scorpion 3 (Street Wise)
Energy: Scorpion 3 (Explosives)
Total: Scorpion 24 (Champion)

Every superhero origin story has its confrontation with a first foe. Some stories start with a nemesis that will stay with the hero for their entire career. In the case of Jessica Jones, the story is a bit more simple than that.

A family car accident involving certain hazardous materials left Jessica Jones in a coma, and unwittingly endowed with extraordinary powers. Living in an age of Marvels in New York City, she naturally considered using her newfound super-human strength, endurance, and ability to fly to fight crime.

Fate had already crossed Jessica's path with various super-human phenomena. Like many young girls, she admired teen heart throb Human Torch, unknowingly went to high school with Spider-man, nearly shared a chemical bath with Daredevil, woke from her coma when Galactus was in town, and was even rescued from drowning by a passing Thor! Which brings us to her first fight!

Scorpion was once private investigator Mac Gargan, but when he was hired to learn more about Peter Parker's connection to Spider-man - his life changed forever! In the pursuit of results, Daily Bugle Editor J. Jonah Jameson paid to submit Gargan to an experiment to grant him super-human powers.

Gargan possesses super-human strength, durability, reflexes, speed, and agility. He's also capable of clinging to walls, and wears an advanced powersuit with a trademark tail. Operating as an extra appendage with impressive whipping strength, the tail has also been upgraded to offer a variety of extras: spikes, poisons, electrical charge, acid spray, laser projectiles and more.

His most frequent sparring partner has been Spider-man, but over the years Scorpion has been a formidable foe to the likes of: Ms. Marvel, Captain America, The Avengers, Alpha Flight, and even the Rhino!

We've only seen the classic Scorpion in moments of defeat. Spider-man put an end to his mad vow for revenge in Spectacular Spider-man #215. He was also out maneuvered by Batman during a crossover in DC/Marvel: All Access #3!

Jessica Jones undoubtedly has the strength and endurance to take on Scorpion, but this early in her career, it's fair to question her preparedness for the wild strikes the villain is capable of. A lapse of concentration during a dark period left her exposed to The Owl during a flashback in The Pulse #13.

Scorpion's mental state isn't exactly balanced, and although he's more powerful than Spider-man, he's been known to be outwitted. Jessica's inexperience gives Scorpion an edge in combat, but also means she hasn't learnt fear. The Tape tells a tale that favours Scorpion. Let's see if it's right...

The Tape: Scorpion Ranking: Jessica Jones (#94)

What Went Down...
In the park: Jessica Jones tests her newfound powers with relative success. She can hoist a bike above her head no trouble, and snapping an oak requires little more than a small run-up. Flying is a little trickier, but once she takes off it isn't long before she has a bird's eye view of the world!

In town, the costumed villain known as Scorpion is on a desperate dash for cash and a bee-line out of the city! He uses his suit's tail to shatter the window of a local laundromat and issue his demands.

It isn't exactly Fort Knox in terms of security -- or riches. His targets don't have much more than loose change and dirty clothes. The deranged Scorpion isn't about to change his plans any time soon, though.

He re-issues his demands, threatening the perturbed trio of laundromat patrons with a wiggle of his tail. He clearly didn't notice the girl flying above him.

It wasn't the most elegant take down, but a girl with super-human strength dropping out of the sky doesn't exactly need style points. The impact does it's job - knocking Scorpion out cold before he even knew what him!

Jessica sits on top of the unconscious villain - slightly stunned. Passersby ask if she's the latest superhero in town. After a moment's pause, she decides that's exactly what she is. They discuss her lack of costume, confident in the safety of Jessica's first heroic triumph!

The Hammer...

Every hero has their first fight, but they don't always claim victory on debut. It may've been unorthodox, but Jessica Jones notches up a big win in her first outing! Not bad for a rookie!

Scorpion probably isn't the most obvious foe for a teen Jessica Jones, but I always appreciate it when writers pick up on a small detail that inspires otherwise unusual pairings.

Jessica Jones' superhero career doesn't exactly go well. Eventually she quits the costume biz and gets into more down-to-earth work with Alias Investigations. That little meta connection to Mac Gargan's origins as a P.I. is a lot of fun, and elevates an otherwise arbitrary pairing to something more interesting.

It surprises me slightly that the two characters didn't have more to do with each other. I can't think of any stories that revisited the pairing, and I wonder if that's still fertile territory left untouched.

As a mature readers MAX series: Alias ultimately had higher-minded ideas, tackling a darker side of the Marvel Universe, most notably with the invasive exploitation by Purple Man -- the series' most challenging and iconic plot.

Jessica Jones did eventually make it into wider circulation via The Pulse, though: A short-lived series that turned private investigator Jones into a "vigilante analyst" for The Daily Bugle.

Mac Gargan has a long held homicidal hatred for Bugle Editor in Chief, J Jonah Jameson. A great many of his appearances have largely revolved around violent attacks on the publisher! Which would've made it very easy to bring Scorpion into Jessica's life again for a positive ID on the unmasked girl who sat on him. Thus igniting a beautiful new arch-rivalry!

I might've even enjoyed a brief return to Gargan's skills as an investigator.

Most stories tend to double-down on the madness Gargan incurred after being forced to live inside his Scorpion suit. That hatred of J Jonah Jameson, of course, is owed to his role in taking the humble investigator, and making him a half-crazed super-villain who needed a bright green suit to live.

At the time of The Pulse: Gargan was bonded to the Venom Symbiote - meaning he could've easily operated more discreetly than the days of relying on his bulky green power-suit. Perhaps a moment of lucidity leads Gargan to try attacking [The Bugle] where it hurts, by lending his investigative services to a publishing rival? It's hindsight, but it might've been a fun avenue to see explored.

Jessica Jones' future feels a little uncertain with creator Brian Bendis leaving for DC Comics. If new writers take her forward in the Marvel Universe, I wonder if some of these ideas might get a run. The character is still recent enough that her history might inspire further exploration. Scorpion is tipped to be a big deal again, too, if Sony follow through with that Silver Sable/Black Cat movie.

As you can probably tell, I don't love Scorpion as the comedy punching bag, but Alias was hardly the first time he fell flat on his face. These days he's back in the Scorpion suit and mixing it up with Spidey and Black Cat. Heck, even Shocker survived the serial mocking Bendis treatment to make it big again.

I could go on for many more hours about B tier villains, but it's probably time we wrap this up. There are many more fights to get to!

If you'd like to examine today's featured fight in its entirety, you can do just that by picking up a collected edition via the Amazon link provided [embedded right]! Doing so helps support the site at no extra charge to you!

Note: Alias is a Marvel MAX mature readers series. It contains adult language and sensitive subjects. Please ensure you are making responsible, age-appropriate decisions before making the purchase.

Need more superhero smackdown in your life? Follow links throughout this post to discover new and exciting battles. Or just dive into the Secret Index to access hundreds of fights organized by publisher, series, and issue number! Subscribe to Twitter and Facebook for daily links to fights inspired by the topic of the day! A like, share, or retweet is another great way to show your support!

Winner: Jessica Jones
#56 (+38) Jessica Jones
#373 (-7) Scorpion (Mac Gargan)

BATMAN & CATWOMAN versus HARLEY QUINN

Hush Chapter Six: The Opera (DC)
Where: Batman #613 When: May 2003
Why: Jeph Loeb How: Jim Lee

The Story So Far...
A mysterious new threat has insinuated itself into the life of The Batman, turning his world upside down with a single shot that sent him plummeting from the Gotham City skyline to the streets below.

Sustaining dangerous injuries, a barely conscious Bruce Wayne is inspired to direct his butler Alfred to childhood friend Thomas Elliot -- surgeon of considerable renown! The reunion of friends is a medical and social success! So much so, Dr. Elliot invites Bruce Wayne to accompany him to a performance of Pagliacci in the company of Selina Kyle.

Bursting in to hysterics - and out of the Pagliacci wardrobe - Harley Quinn makes a dramatic entrance at the opera! She's there to rob the rich glitterati in attendance, and sets her maniac gaze on the man pulling out a cell phone in the balcony: Thomas Elliot! With the stakes rising rapidly, Bruce and Selina excuse themselves, returning to the stage as their alter-egos: Batman and Catwoman!

Tale of the Tape...
Strength: Batman 3 (Athlete)
Intelligence: Batman 5 (Professor)
Speed: Catwoman 3 (Athlete)
Stamina: Batman 5 (Marathon)
Agility: Harley Quinn 4 (Gymnastic)
Fighting: Batman 5 (Martial Artist)
Energy: Batman 4 (Arsenal)


Harley Quinn is Dr. Harleen Quinzel: A former Arkham Asylum psychiatrist whose thesis in the psyche of crime and romance led to an infatuation with The Joker. Surrendering to her mind's darker desires, she dons a black and red harlequin suit, beginning her criminal career as The Joker's favourite girl!

Harley's academic insights and elective madness are underscored by her gymnastic athleticism. Where oversized mallets and guns fail -- acrobatics and agility pick up the slack! Speed and mobility therefore become her greatest skills in a physical mismatch such as a battle with Batman and Catwoman!

At this time, The Bat and The Cat have been made unwitting players in a grand scheme just starting to take shape. They've levelled their on-and-off rooftop antagonism to forge a full blown Gotham City alliance. When Catwoman was able to break from the manipulative influences of Poison Ivy [Batman #611]; Batman was there to assist her -- combating a mind-controlled Superman, as well [Batman #612]!

The longer it goes, the more the alliance turns up the heat on lingering romantic tensions. It's difficult to predict if romance strengthens Batman & Catwoman's partnership - or complicates it! It was playful flirtation in the chase shown in Solo #1, but created emotional volatility in another mind-control episode, involving Batman, in JLA #118! When the pair were at odds, Catwoman was often able to use the tone to get the better of Bats [eg; Batman: The Mad Monk #1].

Social dynamics are another way Harley Quinn could try to level the playing field! She tends to favor a ditzy, madcap approach to a life of crime, but her past as a studied psychiatrist can never be completely discounted. Batman's willingness to collaborate with morally ambiguous characters has introduced a lot of uncharacteristic uncertainty into the situation!

Batman and Catwoman have a famous history on opposite sides of the law. She's even maintained partnerships with Harley Quinn! Of course, that fact is a two-way street! Harley's found common ground with Batman in the past too, even choosing temporary alliances with The Dark Knight over her beloved Joker [eg; Batman #663]!

Of course, when psychology is too much work -- there are always henchman to even the odds! That's the case in this scenario, which finds Harley Quinn attempting to rob the rich at the opera. Will she get away with it? Most of our metrics point towards a no, but lets see exactly how it went down...

The Math: Batman Ranking: Batman (#1)

What Went Down...
Pushed from the balcony by Dr. Thomas Elliot -- Harley Quinn and her masked henchmen open fire at the opera box seats! Elliot sprints to reclaim his stolen mementos, while Selina Kyle and Dr. Leslie Thompkins take cover. The other man in attendance - Bruce Wayne - has already left to change for Act II!

The Batman glides toward the stage with wing-like cape fully outstretched! It provides a target for Harley Quinn, who wildly opens fire upon the descending figure -- hitting only the garb trailing behind him!

As he nears the stage, Batman tosses an arsenal of flash, smoke and mace grenades! The obscuring fog serves his priority of protecting the audience. His boot: beginning the offensive as it shatters one of the goons' masks on contact!

Machine gunfire sprays across stage-right as the goon recoils from Batman's devastating kick! Making ground, he throws his right leg at another nearby henchman. Batarangs whipped through the haze take down three more!

Confronting the harlequin ringleader: Batman squats to avoid another volley of bullets! This time Harley's aim is true, finding the sandbags dangling above the stage. Her bullets send them tumbling toward a Batman who is already nursing a serious head injury from a previous battle! The blow leaves Batman on his knees - dazed and grappling with the mistake of choosing a lighter cowl.

Harley refers to a partnership with Poison Ivy and a mysterious "script" she's considering deviating from. Somebody wants Batman alive, but the temptation to put a gun barrel to his head is too great. Good thing for him, somebody else wants him alive for altruistic reasons as well!

Catwoman leaps onto the stage - launching a fly kick into Harley's face!

The harlequin of crime tumbles into the set wall with a thud, mumbling about a Robin understudy. Catwoman takes extreme exception - slashing her talons across Harley's face as she rises from the ground. This time she goes through the set - sent smashing by Catwoman's stiff body kick!

Catwoman's claws slash through Harley's jester-like headdress, lopping one of the floppy limbs clean off! Harley uses the close quarters contact to make an escape - darting through Catwoman's legs, before vaulting off backstage boxes onto part of the stage!

With all the agility of her namesake, Catwoman keeps in step in the acrobatic harlequin. Being one step behind is enough to turn the tables, though. Whoever wants Batman alive had no objections to offing his "boy hostage" sidekick, or the "understudy" who's there in his place! Harley opens fire!

Taking a bullet to the shoulder in mid-flight -- Catwoman can't control her descent! She tumbles wildly through the turreted set and spills toward the stage. There, a Dark Knight waits to break her fall.

The audience erupts into applause, marvelling at Batman's ability to catch the woman. It was all just part of the show to them. As blood spills from her mouth, Catwoman chastises her ally for choosing to rescue her instead of catching the bad guy. She passes out as Dr. Thompkins arrives to offer medical aid.

The Hammer...
Batman may be standing by the end of the skirmish, but his hands are full with his wounded partner. Harley Quinn lost her fair share of henchmen, but she clearly got the better of both heroes. A surprise winner? Not exactly...

In the big picture, we're working backwards. Longtime readers of Secret Wars on Infinite Earths (and Issue Index divers) know we've already examined the fall out from this issue.

While Dr. Thompkins is tending to Catwoman's gunshot wound, Batman is chasing Harley Quinn. This leads him to run into The Joker in an opera back alley: A final page sting that sets up their showdown in Batman #614! All of the players from today's feature fight find their way into that alley - Catwoman included. Follow the link to see how it all went down!

Hush has been a recurring touchstone throughout the life of Secret Wars on Infinite Earths. I'm reluctant to hold the story up in high esteem, but I cannot deny its staying power as an encapsulation of the basic Batman experience.

At the time, it was a re-energizing experience for Batman comics. A back to basics approach that seemed to empower the vision of a quality creative team over broad editorial mandates. Large scale "event" crossovers like No Man's Land had started to overwhelmed the outward impression of what Batman comics were about. As a 12 issue story, Hush was very much a precursor to the overbearing "event" comics steering the past few years - but by containing it within one on-going series, with a simple objective, it felt ironically refreshing.

The appointment of Jeph Loeb as writer really struck a powerful chord! His past work with Tim Sale had been a well crafted revelation - giving us two landmark maxi-series in the Batman canon. The thought that this quality approach might entrench itself firmly within monthly continuity was an exciting prospect!

Of course, the much anticipated return of Jim Lee as a mainstream superhero penciller created a lot of buzz! His approach to rendering characters drew favorably from an iconic past, infusing it with a strong modern sensibility. Previews of his character designs were a tasty entrée! This may have been Lee at his very best. His work was more sharply focused on storytelling, and an intelligent, modern-definitive approach to character design that was permeating superhero comics in the early 2000s. A seemingly writer-driven focus on ideas, without the excesses of unmotivated visual spectacle.

Unfortunately, Hush didn't hit the storytelling highs of the Sale collaborations.

Like The Long Halloween and Dark Victory before it, the story undertakes a twelve issue tour through Batman's rogues gallery. A selection of Gotham villainy, effected together as a concurrent gauntlet with an overarching mystery.

I don't have any real complaints about the basic premise, but it may have been strained by a third go around, impacted by different concerns for where the characters are coming from, and going to. The Sale stories took advantage of the changing of the guard in Gotham's criminal underworld - the rise of the so-called "freaks" to take the city away from old families and mobs. More reactions than Hush, where the rogues are puppets in a more broad plot.

The guessing game of who's manipulating events against Batman certainly isn't as compelling or veiled as The Holiday Killer mysteries. This could be excused for what seems to be a different intent: The creation of a new arch-villain.

Fortunately, the story always has the gauntlet to fall back on, and it's hard not to enjoy an adventure through the super-villains. It slightly overwhelms Batman #613, but giving Harley Quinn a spotlight is certainly a fun prelude to the main event entrance of Joker in the next issue.

Harley Quinn is ultimately the reason we're all here. August on Secret Wars on Infinite Earths is all about the stars of the Suicide Squad movie - now in theatres! Margot Robbie stars as Harley Quinn - one of our recent Heroes of the Week, and today's feature fight winner!

If you'd like to find more pieces of the Hush puzzle, more Harley Quinn, or more of the Suicide Squad characters - check out the Issue Index Archive! If you're ready to read the whole story yourself, take advantage of the Amazon purchase link provided for your convenience! Doing so helps support the site, as well!

Stay tuned for the next Friday Night Fights, which is sure to be an enchanting interlude!

Winner: Harley Quinn
#104 (+224) Harley Quinn
#1 (--) Batman
#30 (-1) Catwoman

EXILES versus AVENGERS
Avengers Forever: Part 1 of 2 (Marvel)
Where: Exiles #31 When: October 2003
Why: Judd Winick How: Jim Calafiore

The Story So Far...
The Exiles: chosen by the mysterious Timebroker to set right anomolies in the fabric of time and space. Recruited from a host of doomed dimensions, the group is transported from reality, to reality, charged with discovering the source of the shift, and fixing it.

With the departure of Blink (Earth-295); Mimic takes official lead of the team as they enter Earth-3931.
Here they discover a San Francisco reduced to a ghost town, the result of but one of many attacks by this Earth's greatest threat - the Avengers!

With the knowledge that history deviated during the Second World War, when Captain America was bitten by Baron Blood; the team seeks out the advice of Kenneth Chrichton - son of Montgomery Falsworth, and this world's Union Jack - in fulfiling their command to 'stop the Vampire King from releasing the enchantment that will enslave a city.'

Union Jack informs the team of a break-in at SHIELD, where the vampire Avengers acquired an ancient totem capable of mass transforming humans into vampires with the Macodibe Enchanetment. With intelligence on their side, the team arms themselves with hunting paraphernalia, and prepares for battle...

Tale of the Tape...
Strength: Mimic 5 (Superhuman)
Intelligence: Goliath 6 (Professor)
Speed: Captain America 4 (Olympian)
Stamina: Mimic 5 (Marathon)
Agility: Nocturne 5 (Cat-like)
Fighting Ability: Captain America 6 (Warrior)
Energy Power: Polaris 5 (Lasers)


- The Exiles are: Mimic, Nocturne, Morph, Sunfire, Sasquatch, and Magik.

Under clandestine circumstances the original grouping of the Exiles was plucked from their respective realities by a being calling himself, the Timebroker. In truth, this was the manifested representation of a race of aliens who had inadvertently damaged timelines whilst discovering Panoptichron; a monitoring station that observes the infinite sprawl of the multiverse.

Unable to extend their influence personally, the Timebroker(s) first recruits into the interdimensional Exiles were: Calvin Rankin (Mimic-12), Clarice Ferguson (Blink-295), Magnus Lehnsherr (Magnus-27), Talia J. Wagner (Nocturne-2182), Kevin Sidney (Morph-1081), and John Proudstar (Thunderbird-1100).

- The Avengers are: Captain America, Falcon, Wasp, Goliath, Polaris, and Hawkeye.

Plotting against his half-brother, the Norse god of mischief, Loki, uses illusions to manipulate the rages of the green goliath known as the Hulk!
The scheme is intended to draw Thor into a combative trap, but Loki's plans come unravelled when a distress call from Rick Jones is picked up not only by Thor, but also the Wasp, Ant-Man, and Iron Man! Despite initial misunderstandings, the unlikely team forms an alliance and easily defeats the god of mischief - thus, the Avengers are born!

Though their adventures would see the roster subject to change, the growing number of associated heroes would only lend credence to the claim that they are Earth's mightiest heroes! United, the many iterations of the Avengers would face foes of minor, or cosmic natures, always willing to put their lives on the line for the greater good, a philosophy embodied by charter members like iconic early recruit, Captain America.

On Earth-3931; a tear in Captain America's chainmail famously changes the course of history, when Baron Blood successfully turns his nemesis into the walking dead, during World War II. The tainted Steve Rogers successfully killed the Baron and replaced him as vampire king. Eventually he comes to lead a vampiric version of the Avengers, with whom he lays waste to the world.

Math: Avengers Ranking: Captain America (#7)

What Went Down...
On the rooftops above San Francisco; the Avengers assemble on the lands that were once long ago the ancient temple of High Lord Kolock. Mere steps from enslaving humanity, the Avengers' plan go awry. Polaris is the first to fall beneath the pierce of a wooden stake, fired at range by Magik!

The team launches into battle with their unsuspecting foes, Sasquatch using her immense powers to ground the Falcon, while Morph does his best to swat Wasp!

Captain America mistakes Mimic for this world's heartless mercenary, as the new leader of the team combines the absorbed powers of Wolverine and Colossus, to slash at the Captain's invincible shield! He has little luck, feeling the full blunt force of the artifact as propelled by a Vampire King's strength!

A Goliath-sized Hank Pym man-handles Mariko, unaware of the mutant powers of Sunfire. Wrapped in his giant hands, she explodes with the intensity of a raging inferno, bursting free only to take one of Hawkeye's arrows to the soulder!
Magik arrives to lend a hand, throwing a kick at the archer, but his enhanced vampire strength is more than enough to punish the impetuous Russian.

Meanwhile; Heather Hudson, her world's Sasquatch, has both the Falcon and Goliath to contend with! Having recovered from Sunfire's heat-blast, Pym pounds his giant fist across Sasquatch's face, while Falcon uses his own vampire muscle to restrain the beast as best he can. In an effort to even the odds, Sasquatch pounds her foot down, sending the trio toppling to the floor below.

The scuffle between team leaders continues as a frustrated Captain America seeks answers from his heroic counterpart. Mimic lodges his objection to their plan to reduce humanity to mindless hordes, doing so with a Cyclops optic blast, and gashing slash at the Captain's shoulder! Though effective, it fails to slow the super-soldier, who uses his good arm to swing the shield into Mimic's throat!

Sunfire does her best to contend with the onset of Hawkeye, but is unable to hit the target with her flamethrowing. He takes great delight in sinking his fangs into the young Exile's throat, and in doing so, leaves himself wide open to a staking by Nocturne!

While Nocturne tends to her fallen teammate, Captain America gains the upperhand against Mimic! With a driving slam of his shield he topples the mutant, leaving him prone to a stomping from the once great American hero!
Rankin catches the shield before it drives downward into his body and retaliates with a stiff uppercut and a slash of his claws.

With tremendous reticence Mimic finds an opening - putting his retractable claws to a use familiar to their owner. The slash cuts through flesh and bone, removing Captain America's head in one fell swoop...

... Alas, the Captain's decapitated body begins to twitch and squirm, rising to retrieve it's head! As severed flesh meets severed flesh, the Vampire King begins to stitch himself back together, and in a mere instant, rises to fight once again!

The Hammer...
I think it's fair to say each Exile had enough involvement in the fight to share in a majority victory. Despite Captain America's resurrection, the killer blow struck by Mimic still stands!

October '08 in the Infinite Wars has thus far been all about vampires, but in following the fanged exploits of the Marvel Universe, we've almost inevitably wandered off the path into parallel potentials!

I know I'm not alone in being a big fan of the classic 'What If?' model!
We try to hover mostly around the core universes for the simplicity of their statistical value, but as a reader, there's much to be gained from a series like What if? or Exiles. As much as they're about the exploration of alternate universes, each issue has the potential to inform a fan on key events in the decades of stories that make up the Marvel Universe!

In documenting the many Secret Wars on Infinite Earths, we've encountered and accumulated a small catalogue of examples that follow the design that made the second series of What If? and issues of Exiles particularly enjoyable.

With the ability to feature the company's biggest stars, in some of their most significant incarnations, these series have an immediate appeal. High concepts can draw in even the most naive fans, whilst also educating them on key events described as crucial reference points to the creation of these new worlds.

I'm not sure this adheres strictly to our Spooktober agenda, but I image you could find a few furrowed brows who'd gladly tell you 'continuity' is too hard.
Remember to talk down to these poor fools who somehow think the minutia of sixty-years of history is required before opening the cover of stories that don't appear to meet any specific criteria, but probably don't have Spider-man on the cover. Their arguments are inconsistent; their brains tiny; and their hair probably unnecessarily unattractive. Do not to make eye contact, or give them any food.

If you've successfully managed to sneer away any distractions, or yourself are now ready to tackle the fictional premise of the 'alternate universe,' read on!

Earth-952: When the Silver Surfer fails to betray Galactus upon his arrival on this Earth, the FF flee, leaving him to battle the Avengers and Dr. Doom.
In this reality; Uatu's intervention results in his death, as does the Avengers' attempts to banish the world devourer. Only Wasp survives to aid the Fantastic Four, who ultimately leave behind their barren world to serve Galactus as heralds charged with locating non-sentient planets for consumption.
Based on events from Fantastic Four #48 (1966).

Earth-1610: Attempts to recreate the super-soldier serum that immortalized Captain America is responsible for giving birth to a host of heroes and villains, each a failure of replication, but unique powers in their own right. SHIELD controls much of these operations imprisoning the evil, and incorporating the managable into their hero initiative, the Ultimates. They, along with Professor Charles Xavier's secret group of mutants, the X-Men, and the Fantastic Four, are this world's first major superhero teams. Independent heroes like Spider-man, Daredevil, Punisher, Hawk-Owl, and others, also populate this world of heroes.
Inspired by the 1960s origins of the Marvel Universe.

Earth-2149: A zombified Sentry escapes heaven, only to arrive in an alternate universe, where he quickly lays waste to the Avengers and begins the infection of an entire universe. Ash Williams, Spider-man, Punisher, Dazzler, Thor, and a host of other heroes attempt to halt the spread of the zombie plague, but all eventually fall. Magneto and the Acolytes are among the few survivors having secretly made a deal with the interloping Sentry. With the world in ruins, the super-powered zombies attain a new level of power when Silver Surfer and Galactus arrive on this world, only to be devoured themselves.
First seen in Ultimate Fantastic Four (2005); Based loosely on 70's Marvel.

Earth-9140: The X-Men's battle with Dracula ends with their deaths when Storm fails to redeem herself under the vampire's control.
When Dracula attempts to raise the defeated X-Men three nights later, he finds Wolverine uniquely resistant to his charms, and is subsequently replaced as Lord of Vampires. Wolverine's sinister rule goes unchallenged as he strategically kills or turns chosen heroes in New York City, while the Avengers are kept out by a quarantine. Here, only the Punisher remains to combat evil with the spiritual guidance of the deceased Dr. Strange.
Based on events from X-Men #159 (1982).

The Fight: 4.5 The Issue: 4

Want to make a quantum leap of your own?
Explore the universes by checking out this issue, or any other issue of Exiles, collected in paperback via the Amazonian Gift Shoppe! By using purchase links provided on the site you not only benefit from Amazon's prices and service, but also sponsor future entries in the Infinite Wars. Yay capitalism!
To better navigate the Infinite Earths be sure to check out the Secret Archives for all the issues reviewed on the site, and stay tuned for more, including another more thorough look at the alternate worlds visited previously on the site!

BATMAN versus JOKER
Hush Chapter Seven: The Joke (DC)
Where: Batman #614 When: June 2003
Why: Jeph Loeb How: Jim Lee

The Story So Far...
When a child heir is kidnapped by Killer Croc the seeds of a plot to undo Gotham City's dark knight protector become unwittingly revealed. Batman's greatest villains are about to be manipulated by an unknown assailant, whose war of strategy against the hero proves deeply personal.

The next chapter in Batman's struggle emerges in the unlikliest of venues, during a night at the opera in the company of friends; Selina Kyle, Dr. Thomas Elliot, and Dr. Leslie Thompkins. When Dr. Elliot resists Harley Quinn's attempts to loot the crowd of their valuables, including a jade ring given to him by his deceased mother, he directs the attentions of the villain's gang on their balcony seats.

While Elliot pursues his heirloom; Wayne and Kyle emerged in their costumed alter-egos as Batman and Catwoman. Their battle with Harley Quinn earns the applause of the crowd, but when Batman tracks the fleeing villainess, he enters the alleys behind the theatre to find his arch-nemesis, the Joker, squatting over the gunshot inflicted body of his childhood best-friend, Thomas Elliot.

Tale of the Tape...
Strength: Batman 3 (Athlete)
Intelligence: Batman 5 (Professor)
Speed: Batman 3 (Athlete)
Stamina: Draw 5 (Marathon)
Agility: Batman 4 (Gymnast)
Fighting Ability: Batman 5 (Martial Artist)
Energy Power: Batman 4 (Arsenal)


- After witnessing the street murder of his parents, the young Bruce Wayne's destiny was forever shaped to be one dedicated to an ideal. Having spent his formative years studying the various sciences, martial arts, and crime fighting techniques, Bruce is ultimately inspired to become the one-man war on the criminal element in Gotham City: Batman.

Perhaps Batman's greatest power is the millions inherited from his industrialist parents, and the various facilities that came with that. They prove crucial in the design and construction of his many weapons, which are typically non-lethal, and have a variety of uses.

Complimented by his keenly strategic mind is Batman's expertise in the martial arts. He is extensively trained in multiple fighting styles, and commonly regarded to be one of the greatest hand-to-hand fighters in the world. He is also extremely proficient in general urban warfare.

- It has been claimed that he was the victim of one very bad day, which ended with a fall into a vat of chemicals that bleached his skin, dyed his hair, and twisted his face into a permanent grin. The truth of his name and origins remain unknown, but as the Joker, he is one of the most feared killers in Gotham City.

Joker is known to have an aptitude for creating and working with toxins and other chemicals, favouring trademark concoctions that induce uncontrolled laughter, facial distortion, and often, death. Joker is also a proficient strategist, who is said to regularly reinvent his identity as a part of his vendetta against Batman.
The Joker, though not a skilled fighter, is shown to have an inhuman capacity for pain tolerance and recovery.

Additional: While Batman has one of the most impressive lists of nemesis, few characters reach the status of Joker as his arch-villain. Joker's rivalry with Batman has arguably produced the definitive vision of the classic comic book supervillain, defined by; false deaths, personal attacks (deaths), trap and baits, and a continuing relationship unlikely to be resolved.

Joker's unpredictability often means Batman is forced into a responsive position. The Dark Knight's dedication to non-lethal justice is the means by which Joker maintains his villainous presence, with an uncanny knack for escape.
Despite their continuous rivalry, it is Batman who has a distinct advantage over Joker in physical confrontations, and regularly dishes out defeat accordingly. [Examples include; Detective Comics #781 and Batman #663].

History: Batman (2-0-0)
Math: Batman Ranking: Batman (#2)

What Went Down...
He knows the moment he sees him, that Dr. Thomas Elliot is already dead.
Enraged; Batman's mind opens to decades of death and violence, filling his fists with a vengeance that recalls the Joker's crimes against Barbara Gordon, Sarah Essen, Jason Todd, and the many nameless victims who've suffered.

The Dark Knight is unsympathetic to Joker's objections. His fists spray the blood of the clown prince with an uncharacteristic ferocity, bordering dangerously on what seems like a total loss of control, but the Batman is in control.

He pummels the Joker with a barrage of expert punches, each more devestating than the last, and unanswered by the weedy killer. For every uppercut, cross, and hook, the Joker pleads with Batman, through broken teeth and blood.

Unable to stand any longer, Joker buckles under the raging bull that is the Batman. With his enemy floored, Batman pins him down and wraps his powerful hands around the spindly neck of the chalkfaced killer. With a twisted grin, the Joker whispers his innocence to a Batman, stone faced.

The Joker's partner in crime, Harley Quinn, lurks into the alley from the nearby theatre exit. Wielding an oversized mallet, she and Joker lock eyes to hatch an unspoken ambush, but the Batman is more than prepared. He rolls to the side, allowing Quinn to clobber the Joker with with her weapon.

Batman sends Harley Quinn hurtling across the alley with a stiff kick, before returning his stoic attentions to the Joker, who continues to deny responsibility for the death of Thomas Elliot. Batman slams him against a wall, only to feel a whip wrap around his neck to jerk him away.

Catwoman, injured in the previous battle with Harley Quinn and her goons, does her best to pull the weight of the Batman away from Joker. Having developed a romantic relationship with the dark knight, Catwoman offers up her bitter intent to do everything she can to prevent the raging Batman from commiting acts regrettable. Despite their closeness, her words fall on deaf ears.

Batman yanks Catwoman toward him by the length of her whip, but the lithe vixen is able to use her momentum to slash the Bat across the chest with claws in her gloves. She emplores Batman to consider what he'd do if the roles were reversed, but the silent dark knight is submerged in regreat, recalling the death of Jason Todd, a milestone that has informed his every decision since.

Intent on punishing the Joker for his constant crimes, Batman takes advantage of Catwoman's wound, putting her down with a simple palm strike. He rests her gently out of harms way and thinks about how easily he could lose her, too.
With the image of her broken body in his mind, Batman makes his decision: "He dies tonight by my hand."

Attempting to flee, Joker is quickly engulfed in the shadow of the bat.
Batman pins him to the ground once more, allowing only screams of terror to escape from beneath the canopy of his long dark cape.

An authorative voice echoes through the rain, firing shots into the alley that clip the Batman's arm and cowl. "Stand up and put your hands in the air. The next shot, I WILL drop you." The descending voice of reason holds a gun to the back of the Batman's head and tries to remind him of the virtues that have prevented his descent into the madness that he combats. He is Jim Gordon, former GCPD commissioner, and lifelong ally of the Batman.

Gordon compells Batman to think, only to reach the chilling realisation that he has thought about his actions. As if resigned to the Batman's will Gordon makes a final empassioned speech, declaring the thin line that seperates the Gotham vigilante from costumed killers like the Joker. He is successful in finally talking the Batman down, but not relieving his sense of responsibility.

The Hammer...
Successful in overcoming Joker, Harley Quinn, and Catwoman - your winner and new Infinite Wars champion -- Batman!

That's right! After slipping from the top of our cumulative rankings some sixteen months ago; July's 'Dark Knight-sponsored entries have seen the original number one return to the top! Six months of the Spider-Boycott hasn't hurt the Bat-cause, but does this mean a return to the Season 2006 dominance of Batman? Stay tuned to Super Stock updates (and tape stats) to watch as the drama of the rankings resumes!

With the first appearance of the Joker arriving in 1940's Batman #1; the feud between the dark knight and his clowning arch-rival has become one of the most storied battles in comics. It's a relationship that has spawned an empire of cross media success, including a second feature film outing in this month's The Dark Knight; starring Christian Bale and the late Heath Ledger in the respective roles.

Directly inspired by the adventures of pulp fiction and serial films of the 1940's; the Batman's trials began with bashful confrontations against fairly standard criminals. It was, however, the emergence of macabre characters like the Joker who gave birth to the arch-nemesis as we know it today, not as an evasive foe, but as a supporting character within the genre.

Customary of grim tales of the time was the concluding death of an evil-doer, but for Bill Finger and Bob Kane, this proved merely an obstacle through which they would create a standard. This desire to revisit colourful and memorable villains quite immediately created a situation now regarded with chagrin by many fans of the modern industry -- the false death.

Joker's many murderous returns from near-death situations made his duel with Batman a veritable archetype of the genre, culminating in less permanent solves, like Arkham Asylum, which first appeared under the pen of Denny O'Neal during the grim and gritty period of the seventies and eighties. As his criminal acts became increasingly horrific, the plausibility of Joker's constant return and escape from Arkham created new questions, which arguably remain unsolved.

In reviewing the confrontation in Batman #614, I wanted to look at a question that's probably going to be as relevant to longterm diehards as it is to relative neophytes who've just seen the film: Why doesn't Batman just kill the Joker?

As with Batman, the Joker has gone through many iterations, but the question rests at least on the implication of a Joker who is sufficiently lethal. I tend to think it's modern interpretations that justify the question the best, as Batman delves deeper into increasingly subdued settings, and faces plausible evils.

Because of these many interpretations [and the history just recapped to a questionable quality] it's very difficult to attribute any single reason for the Batman's restraint, and in the context of Joker, Jeph Loeb explores this lethal imperative on the terms of their longstanding relationship.

Quite suitably, the Christopher Nolan films have made quite a good effort to present both sides of the argument. It was Batman Begins that helped distill the character's motivations as they had become through the benefit of decades of refining, presenting a clearer depiction of Bruce Wayne as a man attempting to create an incorruptable symbollic structure for good.

[Christian] Bale's Batman defines himself by these broad ideals, benefitting from a slightly more balance psyche than popular interpretations of the comic book Dark Knight. In the four-colour medium the character is free to indulge much bigger, more fantastic ideals, where his morality and sense of responsibility becomes the spiral point for the Gotham villains to emerge.

The Dark Knight appears to reinstate a sense of individual, if tangential, motivation in the Joker as an independent entity. He is undeniably attracted to the Batman, but appears as a villain with a proclivity for chaos, and intrinsic homicidal tendencies to be played out en masse.
Bruce Wayne's larger-than-life push to be a force for good, without becoming an executioner, justified Batman in the first film, but the sheer scale of Joker's madness quite realistically reconfirms doubt over Batman's non-lethal tactics.

It's a fairly curious thing.
While off the page the answer might simply be a corporate American ideal to present Batman in the moral company of his superhuman counterparts -- the reality reflect by world law enforcement is an increasingly militant presence, forced in greater number to deal with life and death situations.

Geoff Johns has done well to introduce this concept to the Green Lantern mythology, granting even sometimes war-time pacifist, Hal Jordan, the license to do something previously attributed solely to the vengeance of Parallax.
So, as comics continue to confront the reality of a dark world, why not Batman? Why is the distinction between crippling and maiming sufficient for a man so staunchly against lethal force? I might redirect you to previous discussions about our totem of justice, and ponder the subject for our last Dark Knight Friday, where maybe I'll be ready to discuss the matter with more focus.

Oh, and the punchline? Joker didn't kill Tommy Elliot!

The Fight: 5 The Issue: 5.5

If you want to know more about Batman's attempt to kill the Joker; Gordon's intervention; or the secret war waged against the Dark Knight by a new foe - Hush - then you should head over to Amazon and pick up the trades! The top ten selling storyarc is the perfect way for fans of The Dark Knight to initiate themselves into the world of the Batman, as he is forced to tackle some of his greatest foes (and allies) in an effort to uncover the true identity of Hush! If you don't like what you see, but are looking to get your Bat-fix on, then be sure to check out the Amazonian Gift Shoppe for more legends of the dark knight! Collections featuring most issues reviewed in the Secret Archives are available, and by using purchase links provided, you help sponsor the Infinite Wars!