APOCALYPSE versus HIGH EVOLUTIONARY

Unnatural Selection (Marvel)
Where: X-Factor Annual #3 When: 1988
Why: Louise Simonson How: Terry Shoemaker

The Story So Far...
Since the 1920s, Dr. Herbert Wyndham has held a fascination for genetics and evolution. Experimentation on his own makeup transformed him into the brilliant High Evolutionary, whose agenda to advance humanity has led to many amazing discoveries -- and atrocities!

In subterranean caverns weaving deep beneath the Earth, The High Evolutionary's Purifiers are deployed to extinguish the devolved and primitive bloodline of the Moloids, but from among their mindless ranks rises a mutation capable of organizing their endless armies.

A psychic scream from the mutant Moloid is felt by "sensitives" across the Earth -- including Caliban: loyal hound to an ancient being who would regard the Moloid's struggle as fitness to survive. Now the High Evolutionary's tampering must answer to the Darwinistic challenge of Apocalypse!

Tale of the Tape...
Strength: Apocalypse 6 (Invincible)
Intelligence: High Evolutionary 6 (Genius)
Speed: Apocalypse 3 (Athlete)
Stamina: Draw 7 (Unstoppable)
Agility: Apocalypse 6 (Rubber)
Fighting: Apocalypse 4 (Trained)
Energy: Draw 5 (Lasers)
Total: Apocalypse 36 (Cosmic)

You think just because a couple of guys aced AP Bio they can't start somethin'?

The differences of their abilities are almost secondary to the contrast of their beliefs. They both observe life on Earth with a goal towards advancement, and at times their methodology is not all that different, but for the ancient mutant called Apocalypse, there is great difference between natural and unnatural selection!

The High Evolutionary was once a mortal Englishman, Dr. Herbert Wydnham on scholarship to Oxford University, whose study of genetics led him to evolve into a being of vast knowledge, perspective, and power.

Wyndham has experienced life as a neanderthal and demi-god, commanding his Evolutionary Accelerator from bases on Wundagore Mountain, and a distant Counter-Earth, where he resided with animals evolved into a breed of New Men -- part of his efforts to study and contrive the advanced progress of humanity.

His distinct suit of armor houses the best of his technologies, granting the High Evolutionary varying degrees of super-human strength, durability, and an arsenal of weaponry and scientific applications. He'll need them!

Apocalypse is privy to his own array of scientific wonderments, as well as genetic mutations that have allowed him to become strong over centuries of survival -- in total control of his molecular structure and energy projection!

Apocalypse conquered Earth itself in an alternate timeline, and has thought nothing of fighting gods into submission. Will his challenge of the High Evolutionary go any other way? Let's find out!

The Tape: Apocalypse Ranking: Apocalypse (#138)

What Went Down...

From his vantage point in outer space, The High Evolutionary peers deep beneath the Earth's crust, watching as his Purifiers encounter unexpected resistance from the subterranean moloids. It is not the only unexpected presence to trouble him.

Suddenly from behind beckons the booming voice of an intruder!

There stands the looming figure of Apocalypse and a philosophical quandary concerning the fate of the moloids.

The ancient mutant does not strictly object to the violent treatment of the savage underground race, but En Sabah Nur has seen centuries of survival and evolution, and he aims to bestow upon the brilliant and immortal Evoltuionary the wisdom of patience.

The High Evolutionary narrowly steps clear of a massive energy blast that rips through his powerful computers!

Challenging Apocalypse's arrogance, he accuses the ancient mutant of showing his own impatience in his attack.

The Evolutionary returns fire with massive blasts from his hands that rip through the moon-like facade of his own space station!

The pair are sucked into the void of space, but neither man would be so unevolved to concern himself with the triviality of oxygen.

While the High Evolutionary drifts unaffected, Apocalypse shifts his molecules to become a living bio-mechanical space suit!

High Evolutionary speaks of his own path, experiencing life as both animal and demi-god. He blasts more energy at Apocalypse, who exerts control over his form sufficient to jet himself clear of the danger with ankle-mounted boosters.

Apocalypse rejects the "unnatural selection" of High Evolutionary's efforts to sterilize those he deems unfit. He would see time weed out the weak, and advance the strong, allowing them to exceed and escape the presumed dead ends High Evolutionary arrogantly predicts.

Apocalypse extends his reach toward the High Evolutionary, stretching and contorting his arm to become a gigantic mechanical vice!

He grips the Evolutionary by the torso and draws him closer, inviting the scientist's scorn: "I recognize you, Apocalypse. Your claims... to encourage the growth of the strong... is at variance with your deeds. I consider you a villain of the first order."

The ancient mutant laughs uproariously, claiming everything he does tests human and mutantkind: "-- a trial by fire in which humanity grows strong as a species... or dies."

High Evolutionary wrestles with Apocalypse's body and ideas, grabbing at the mutant's arms, while Apocalypse grasps at his magenta face plate. The scientist works to break the stalemate by rapidly increasing his size!

Looming over Apocalypse, the High Evolutionary describes himself as a benevolent parent making choices for an immature humanity. A claim Apocalypse scoffs at, seeing the Evolutionary as merely attempting to remake them in his own image.

"Your own evolution was forced... and see what you've become. Disembodied... For all your power, with only that armor to give you the semblance of substance. You are a creature of the living dead... Who can no longer reproduce himself... The ultimate genetic dead end!"

Apocalypse dodges a massive energy blast from High Evolutionary's super-sized gauntlet, swinging his own enlarged clamp-hand like a battering ram into the giant target of The Evolutionary's mid-section!

For a moment the High Evolutionary is flung through space, but when he completely disappears Apocalypse knows his gambit. He can see through his invisibility and ensnare him in extending tendrils.

With the High Evolutionary in his grasp, Apocalypse uses his vast resources to teleport the both of them to the subterranean tunnels of the moloids.

There, he intends them to bare personal witness to the battle between The Purifiers, moloids, and their recruited allies -- the mutants of X-Factor!

Watching from a shadowy outcrop over the inner chamber, the High Evolutionary continues to regard the telepathic moloid rallying his people as little more than an animal acting without conscious, creative thought. A notion that will soon be challenged, even if the physical battle between he and Apocalypse is at an end.

The Hammer...

What a fantastic struggle! Not just the clash of super-powers, but the collision of philosophies! The debate is more compelling than the trading of blows, and not just because it renders something approaching a result.

At times Apocalypse wasn't always everything I hoped he would be -- especially in those early days. Sometimes he's a little too willing to roll around in the mud, a little too corny in his villainy to fulfill those big ideas of Darwinist malevolence.

I like an Apocalypse who is lofty in his ideals, coldly grandiose in his speech, and upright and strong in his bearing. Still very much the villain in the potential of his schemes, but somewhat aloof in his actions. He isn't quite that as he swings oversized novelty limbs in space, but the character study is compelling.

In X-Factor Annual #3 it feels as if Louise Simonson is taking the slightly awkward premise of The Evolutionary War -- Marvel's 1988 crossover through various series' Annuals, including The Punisher and Silver Surfer -- and spinning it into an excellent opportunity to examine her recurring antagonist.

I enjoy the way Apocalypse almost assumes the conceit of a hero here, coming to the aid of a lowly moloid whose life the reader might be willing to disregard, even if they feel compassion towards his plight.

Apocalypse is seen to note that he doesn't outright object to the hostile treatment endured by the primitive moloids, but he will defend the emerging potential of a fledgling mutant whose powers present a greater will to survive, and oppose the sterilization of the species.

It's an interesting premise, and a good demonstration of the differences between Apocalypse and High Evolutionary, who might otherwise appear similar in their grand objectives, if inconsistent from appearance to appearance.

The distinctions can get a little slippery, especially over time, but in essence, the High Evolutionary is a practicing supremacist, attempting to reach a pre-determined outcome for humanity through bio-engineering, while Apocalypse is in theory more of an equal opportunity offender, uniquely interested in mutation, and intent on provoking accelerated natural selection through periodic stress tests.

This might seem contradictory when we look at Apocalypse's meddling with the genetics of characters like Warren Worthington, the Angel remade as his Horseman of Death, but we must also remember that these characters are not strictly adherent to the ideas we associate them with. They are also presented to be living characters, with selfish motivations such as the creation of servants, and may be seen to change their mind or approach, from time to time.

Although High Evolutionary remains committed in his convictions and desire to share company with those similar to himself, it's nice that he acknowledges, in his private thoughts, that the mutant moloid, now going by Val-Or, earned a reprieve for he and his people, who once served The Evolutionary himself, and helped build his citadel on Wundagore Mountain. That's gratitude for ya!

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Winner: Inconclusive (Draw)
#129 (+9) Apocalypse
#496 (new) High Evolutionary

APOCALYPSE versus LOKI

Meanwhile, On Earth... (Marvel)
Where: X-Factor #50 When: January 1990
Why: Louise Simonson How: Terry Shoemaker

The Story So Far...
Plotting the ultimate revenge against his brother Thor and the mighty Avengers -- Loki disguises himself to approach some of the world's most powerful villains and coerce them into joining his coordinated Acts of Vengeance!

The promise of defeating adversaries by deploying villains they've never faced appeals to some of the world's most powerful criminal masterminds, but not everyone is so easily convinced. The ancient mutant Apocalypse has watched their actions from afar, and when Loki arrives to recruit him -- he is less than reciprocal!

Tale of the Tape...
Strength: Apocalypse 6 (Invincible)
Intelligence: Draw 5 (Professor)
Speed: Draw 3 (Athlete)
Stamina: Apocalypse 7 (Unstoppable)
Agility: Apocalypse 6 (Rubber)
Fighting: Apocalypse 4 (Trained)
Energy: Loki 6 (Mass Destruction)
Total: Apocalypse 36 (Cosmic)

It's not often Apocalypse faces an opponent who's older than he is, but should the ancient mutant be humbled in the presence of Loki? Not necessarily...

The Asgardian god of mischief often favors pulling the strings of others to achieve his goals without getting his own hands dirty. That's exactly what brought about the Acts of Vengeance, and today's attempt to recruit Apocalypse into a cabal that includes Doctor Doom, Magneto, Red Skull, Mandarin, Kingpin, and The Wizard!

Apocalypse is something of a manipulator himself, but his penchant for recruiting Four Horsemen in no way reflects upon his own willingness to live by a philosophy of survival of the fittest.

The hardships of many centuries evolved En Sabah Nur from a pallid child in the sands of Ancient Egypt, to a techno-organic powerhouse modified by Celestial technology, and in total molecular control of his body! We saw him extend limbs, distort his figure, and unleash powerful energy blasts in Uncanny X-Men #295!

As much as Loki may appear to be a conniving coward at times, he also possess considerable power of his own. When pushed to fight he's capable of unleashing a variety of destructive energy-based attacks and enchantments.

We saw all of Loki's skills on display when he tricked the Thor of the Heroes Reborn pocket universe into joining him in a fight against the Avengers!

In theory Loki should lord over most mortals, but Apocalypse is one man who has convened with even greater cosmic powers than a god. Its difficult to imagine how even Loki's most malignant curses could suppress his will to survive.

The Tape: Apocalypse Ranking: Apocalypse (#378)

What Went Down...

Beneath the towering gaze of Apocalypse stands a mysterious man in a grey flannel suit. He has slick black hair, and brings an offer with no clear benefit...

This man invites the ancient mutant to join his so-called "Acts of Vengeance": a scheme Apocalypse has watched unfold from afar. He has seen through the self-styled servant, recognizing him as the true mastermind who manipulates a cabal of Earth's deadliest villains against a gallery of unsuspecting opponents.

Apocalypse shapes his hand into an extending mechanical vice and snatches the interloper off his feet! He wants to know who this man really is and what he hopes to gain from the "absurdity" of his mischievous game.

A "snap" of energy transforms the mystery man -- revealing the true guise of Loki!

The god of lies & mischief leaps from Apocalypse's grasp and chides him for questioning his right to "annoy the heroes of Earth". He fires a spiteful question of his own: "By what idiocy dost thou, a mutant mortal, hope to imprison a god?"

Loki accompanies his words with a potent blast of energy that knocks Apocalypse off his feet. A minor inconvenience for a mutant in complete control of his physical form. He taunts Loki with his own responsibility for creating his hated Avengers.

Loki glides overhead as Apocalypse falls and tempts the mutant with the promise that others such as X-Factor and the New Mutants will feel the wrath of his conspiracy, just as the Avengers have.

Apocalypse wraps his flattened arm around a metal strut, stopping his descent while transforming his other into an energy cannon.

The ancient mutant fires at the airborne god whilst advocating for humanity's defiant courage.

He deems the petty self-interest of Loki's "master villains" an inevitability of mortal will, which resists the death that begins with their very first breath. The "Acts of Vengeance" has already failed -- and it could be no other way.

Loki darts between the exploding bursts of energy, and dismisses En Sabah Nur's flattering observations of humanity -- indignantly insisting he could crush them!

He's unprepared when Apocalypse suddenly blocks his aerial path -- rising as a rocket-shaped monolith that challenges his godly power!

Loki falls to the floor, momentarily humbled.

Apocalypse reminds the mischief-maker that he too has lived as a god. His perspective is formed from centuries above, and among, humanity. He has felt the glow of worship and continues to receive the power of others' faith.

With that -- one of Apocalypse's true believers emerges from the shadows!

Caliban thrashes Loki from behind with his hand -- confirming the power he has gained from his worship of Apocalypse!

Loki braces his back and views the "servant" with scorn: "Who are you creature, to interrupt your betters?"

He summons a mystic bolt to engulf Caliban in a golden flame, but suddenly it's Loki finds himself surrounded by an inexplicable energy!

The distraction provided by Caliban allowed Apocalypse to activate a machine harnessing ancient Celestial technology. Its power is awesome enough to trap even a god within its field -- helpless like so much as an insect caught in a jar.

The energy field's draining effects are a metaphor for Apocalypse's outlook for the future threats facing mankind. He delivers a sermon, rejecting Loki's attempted manipulations, and declaring him an enemy of a humanity who will be tempered like steel until they can challenge even gods!

Loki declares himself unafraid of such threats. and uses his godly magicks to disappear from the confines of his energy-based bondage -- and appear on a towering monitor screen.

"I am simply ending a discussion that had become tedious... and pointless. Your humans will not survive long enough to challenge the gods, Apocalypse, and you, so proud of your wisdom, are a fool. Dare to oppose me... or my plans... and you will join your human race in death."

Loki shatters the screen, but doesn't damage Apocalypse's unwavering confidence in his plans to send Caliban to test humanity's worthy survivors.

The Hammer...

With Acts of Vengeance Marvel unleashed an early banner event with a simple but effective high concept premise: heroes are confronted by villains they wouldn't ordinarily face. The result was a range of memorable and interesting match-ups, such as Magneto vs Spider-Man, and Freedom Force vs The Avengers.

It was all initiated by Loki: who tricked some of Marvel's most powerful master criminals into pooling their resources into a conspiracy to create a major paradigm shift. A lofty revenge scheme that also successfully roped in Doctor Doom, Magneto, Red Skull, The Mandarin, Kingpin, and The Wizard!

There were a few holdouts and omissions from the line-wide event. Sebastian Shaw became an unwitting participant in an "Aftermath" issue when Loki fused his Sentinels into the towering, nuclear-powered destroyer called Tri-Sentinel. That was also one of the cosmic-powered Spidey issues that were instant favourites.

There was a lot going on in comics of the time, and Acts of Vengeance was a fairly loose crossover for the era. Some key issues dealt with core developments in the master villain's plot, but for the most part, it was a collection of unusual guest spots that added extra flavour and excitement to on-going storylines.

X-Factor #50 is a prime example: predominantly dedicated to the Judgement War sci-fi/fantasy epic that took the titular team to a distant, unnamed planet watched by Celestials. A space adventure that kept them out of Loki's reaches.

The series' late involvement was instead reserved for arch-nemesis Apocalypse, who's shown already watching the unusual shift in villainous alliances, in X-Factor #49 [pictured below].

It's one of those classic comic book scenes that captures the excitement of the event by showing the likes of Hobgoblin and Kingpin in an X-book. Highly unusual at a time when villains were still typically kept contained by their respective heroic nemeses', and editorial houses. It tickles the imagination and invites a reader to seek out characters they might not know a lot about. Good comics!

Apocalypse wonders if the unusual movements of Acts of Vengeance might be a sign of the coming "Armageddon" his Darwinian schemes aim to prepare for.

I particularly like that he first notes the contradictory combination of Holocaust survivor Magneto, and World Ward II Nazi scumbag Red Skull. Strange bedfellows  eventually addressed in Captain America -- a future feature fight, to be sure.

When the disguised Loki appears before Apocalypse via observation monitors, it seems like he's going to recruit another powerful ally. As we've already seen: it actually erupts into another exciting battle between villains, filling the final six pages of X-Factor's milestone fiftieth issue with an unusual clash of titans.

Apocalypse became a more overtly evil figure in later years, most notably when he achieved global domination in the grim alternate-timeline of the Age of Apocalypse. It could be forgotten that there was a glimmer of altruism in his original grand design for empowering humanity through survival of the fittest. An aspect of his goals that got a little lost along the way.

It's nice to revisit a story where he very clearly outlines his broad philosophy, and declares a god like Loki an enemy of humanity whose defeat is the end goal of his success. A good bit of character work, and a nice way to set the fight up while also keeping Acts of Vengeance more central to non-mutant characters. There had been multiple X-Men-centric crossovers before this one.

If you'd like to get acquainted with Apocalypse and today's featured fight in its entirety you can find it collected in Acts of Vengeance: Spider-Man & X-Men or as part of Essential X-Factor Volume 3. Use the Amazon purchase links provided below to do any of your online shopping and you'll not only get a good deal delivered to your door -- you'll help support the site at no extra cost!

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Winner: Apocalypse (w/ Caliban)
#130 (+248) Apocalypse
#613 (new) Caliban [+1 assist]
#968 (-244) Loki

MAGNETO versus APOCALYPSE
... Endings (Marvel)
Where: X-Men Omega When: June 1995

Why: Scott Lobdell & Mark Waid How: Roger Cruz

The Story So Far...
It was a world that was never meant to be. The unstable mutant David Haller believed he could achieve his father Charles Xavier's dream by eliminating his one-time friend turned greatest nemesis: Magneto! To do so, he traveled back to a time when the two were still care workers in war torn Israel, but he failed to consider his father's will to protect a friend. The killing blow meant for the once and future Magneto instead struck the X-Men's founder.

The events stir the ancient mutant Apocalypse from his slumber, beginning the world on a path of destruction. Erik "Magnus" Lehnsherr resumes his destiny to become Magneto, but in this timeline, dedicates his fight to fulfilling the dream of peaceful co-existence between mutants and humans held by the late Xavier!

Already displaced in time, the X-Man Bishop wanders this new reality with the fog of knowing everything is wrong! Armed with the truth, the X-Men set about overthrowing Apocalypse's empire by unmaking the world he has created! To do so, the X-Men will need the cosmic artefact known as the M'Kraan Crystal - the reality nexus capable of healing time and restoring the universe to its true path.

Tale of the Tape...
Strength: Apocalypse 6 (Invincible)
Intelligence: Apocalypse 5 (Professor)
Speed: Draw 3 (Athlete)
Stamina: Apocalypse 7 (Unstoppable)
Agility: Apocalypse 6 (Rubber)
Fighting: Apocalypse 4 (Trained)
Energy: Magneto 6 (Mass Destruction)

When it comes to heavyweight mutant match-ups - the marquee doesn't get much bigger than this! They could typically be thought of as two of the X-Men's deadliest enemies -- but in the altered reality of 1995: one leads the X-Men, while the other dominates all men equally as conqueror of the free world!

The former is Magneto: mutant master of magnetism! Born Max Eisenhardt, he witnessed the greatest atrocities of the Second World War first-hand. Abhorring those who would hate without cause, he learns to harness his mutant gifts of magnetic field manipulation to influence the world around him through the metal he controls. So great is his power, Magneto can twist metal, defy gravity, and ride and effect the magnetic spectrum of Planet Earth itself!

In a world of paranoia and fear toward super-powered mutation; Magneto began a pre-emptive war against a human race who would study and catalogue them. In our reality he was founder of the Brotherhood of Mutants - blind to becoming the very thing he hates. In a reality where his best friend Charles Xavier was murdered in a time travelling attempt on his own life; Magneto adopts a dream of peaceful co-existence between men and mutants, founding the X-Men!

Magneto's X-Men are humanity's greatest hope in an Age of Apocalypse!

The ancient mutant En Sabah Nur was discarded as a child for his freakish grey skin. Rescued by nomads from the unforgiving Egyptian desert, he learned a cruel lesson in survival that shaped his life's philosophy. Increasing his power through technology of Celestials, he is an immortal mutant with an agenda of conquest! He enacts his merciless plans through the employ of Four Horsemen, reserving survival for those who are fit enough to take it!

Apocalypse was drawn back into the modern world by a demonstration of power in Israel by time travelling X-Men: Legion, Storm, Iceman, Bishop and Psylocke. In this timeline, he emerged before an age of Marvels that created the Fantastic Four, Avengers and other heroes. Opposed only by Magneto's X-Men, Apocalypse rewrote history, eventually conquering North America to establish a citadel of power on the ruins of Manhattan, New York City.

Apocalypse may be known for staging battles behind augmented minions known as The Four Horseman, but make no mistake - he's a serious threat! We've only seen Apocalypse in action once in past feature fights [Uncanny X-Men #295]. In a state of weakness, he was still able to overwhelm a seasoned team of X-Men with a desperate display of power. At full strength, he wields phenomenal super-human strength, endurance, durability, reflexes, control over his body's size, shape, and make-up, and the ability to expel concussive energy blasts!

That one appearance has kept Apocalypse undefeated, while an unkind streak of circumstances have made Magneto winless on The Comic Book Fight Club!

A brief alliance with Prince Namor snatched defeat from the mouth of victory in X-Men #6. He ripped the adamantium from Wolverine's bones, prompting a rare moment of psychic violence from Professor X in X-Men #25. Magneto also had the rare misfortune of catching a cosmic powered Spidey in Amazing Spider-man #327. He was even eaten by zombies in another alternate version of the Marvel Universe [Marvel Zombies #1]! Unflattering, but you've got to chalk some of it up to bad luck!

In a world built with iron and steel, the master of magnetism is no joke! At the height of his powers, he's even able to dominate the iron content in human blood! Apocalypse has total control over his physical make-up, which might make it tough to play with his armor, but there's still the literal post-apocalypse of New York City to play with! Meaning, even though Magneto has one trick to play against his powerful opponent - it's a pretty darn good one!

The Tape: Apocalypse Ranking: Apocalypse (#220)

What Went Down...

At the feet of Apocalypse, the man called Magneto clings to a dream that was never his own. Battered by a monster called Holocaust, this mutant survivor defies a being who has conquered the free world. He believes his X-Men are on a path to end the nightmare of this Age of Apocalypse: a reality that was never meant to be. Alas; Apocalypse too has learned the secrets of the time displaced mutant Bishop. He has taken possession of the cosmic nexus known as the M'Kraan Crystal. He has turned the X-Men's objective into a well laid trap!

The X-Men are not the only ones subject to surprise, or with something to lose, though. Outside Apocalypse's citadel, the mutant called Angel sacrifices himself to destroy the stronghold's force field generator. At the same time, the Mid-West is reduced to a radioactive crater by the Eurasian High Council!

As Apocalypse draws plans for drastic retaliation against his enemies, he opts to accelerate an end to Magneto's life. Before he can discharge the fatal blow - an unexpected interloper enters the unshielded stronghold and sends Apocalypse tumbling across his own throne room! Sinister's secret weapon: Nate Grey!

The youth called "X-Man" confronts Apocalypse, but instead becomes entangled in battle with his heinous son - Holocaust! Their bitter struggle peels away from Magneto as the X-Men arrive to regroup with their leader and determine the future of all of reality!

The Master of Magnetism has no orders for his students. Only words of hope that the world need not be the apocalyptic landscape that cruelly strangles life and love from all who live. A mantra contrary to Apocalypse, who takes the time to turn his defensive grid into a genocidal weapon against The Human High Council.

As Council heads await the obliteration of England, Apocalypse wonders if his centuries old machinations have strengthened "the wolves and sheep" equally, to assure mutual destruction. His musing is interrupted as Magneto rips his way through the fortress to find his nemesis!

From the rubble, Magneto assembles a suit of armor. Wrapping himself in layers of twisted metal, he decries the twisted philosophy held by Apocalypse and the madmen who came before him! He mocks the notion of "survival of the fittest", reminding the High Lord who won the war Hitler began - the so-called weak!

Wielding a righteous gauntlet he topples Apocalypse with a mighty right hand!

With the High Lord down on the ground with the rest of humans and mutant, Magneto pounds his malleable flesh with unforgiving steel fists! He callously calls an end to Apocalypse's rule, confident in the crumbling of his options. Bold words that come prematurely as Guido Carosella - a double agent among the X-Ternals - enters the chamber with Charles Lehnsherr - Magneto's son!

Apocalypse sees a final card to play, but he under estimates the wrath of a mother scorned! Present for the conflict, Magneto's bride Rogue uses her mutant gifts to absorb Carosella's impressive strength and rescue her son!

Apocalypse attempts to use the distraction to sneak away with a shard of the M'Kraan Crystal. Knowing the world he made in his own vision is about to come crumbling down, he plots to inflict himself upon another world - a world in which he can enjoy conquest anew! Little does he realize, he isn't alone in his escape route.

X-Man returns to steal the Crystal from Apocalypse and swear revenge for his adoptive father Forge. He unleashes a telekinetically charged kick that humbles Apocalypse once again! Magneto catches up to rejoin the fight with Nate Grey!

Together Magneto & X-Man pummel Apocalypse into further submission! Magnetic and telekinetic energies bombard his body! For the first time it truly seems as Apocalypse's rule may finally be in danger, but at that moment Holocaust catches up with the fight to steal X-Man away once again!

Distracted by the attack for just a moment, Magneto is vulnerable to Apocalypse, who lunges at him! The towering, ancient mutant bears down on Magneto with his full weight, wrapping malicious hands around his throat!

Suddenly hope drains from the moment! Ever dedicated to a principle of the fit, Apocalypse compels Magneto to fight back! He mockingly questions the lack of will in the Master of Magnetism. He receives his answer...

It begins with a small tug... An almost gentle pull... As Magneto focuses on a single central point, Apocalypse knows what is happening. A harder yank. He can do nothing to stop it. A wrenching tear that tears his body in two!

"For twenty years, you've gone on and on about how only the strong survive. Tell me again, Apocalypse... Just how strong you are."

Feeble utterings choke out of Apocalypse's dismembered head. Nothing of meaning or grandeur. Will the High Lord survive his catastrophic bifurcation? It hardly matters. As Magneto ponders what could have been had two of the world's most powerful mutants worked together, he walks to his wife and child, knowing this reality is about to be unmade around them.

The Age of Apocalypse is finally at an end...

The Hammer...

In one of the most epic battles we've ever seen on The Comic Book Fight Club - it's Magneto who emerges victorious!

Give the well earned assist to Nate Grey, aka; X-Man! His brief intrusions into the fight helped lead to victory, but his true clash with Holocaust is a battle we will have to feature another day!

This year on Secret Wars on Infinite Earths we've been serving many masters, and while doing so, ticking off some of the untapped corners of the comic book universe(s). This entry marks an overdue first victory for Magneto, the debut of X-Man and Holocaust in the rankings, and the first recorded feature from the alternate universe of the Age of Apocalypse!

Like a lot of readers (it seems), I was immediately intrigued by the cancellation of the entire X-line. By the time I was aware of it, there was already a promise of a strange new world told in series like: Astonishing X-Men, X-Calibre, Factor X and Gambit and the X-Ternals. In 1995, with X-Mania lingering but the air starting to let out of the balloon, the stunt seemed inconceivable, yet exciting.

What followed was a rare moment in comics. A harmonious synthesis of high concept, creative execution, marketing stunt, and just a hint of restraint. Sure, there had been grim futures and alternate realities for decades. Surrendering a whole line to them under the proposition of a new reality - exciting and fresh.

I'm not sure I can remember a time when there wasn't intense nostalgia for the Age of Apocalypse. It was an instant hit. One that only lasted for something like five months! They left us wanting more. As daring a choice as the story itself!

The universe did have its immediate spin-offs and consequences. Refugee characters like X-Man, who starred in his own on-going series, Holocaust, as well as oddballs like Sugar Man, and Dark Beast - the evil alternate Hank McCoy who snuck into the X-Men for a while. Otherwise, it was occasional one-shots, a few mini-series, or a memorable issue of What if...?. Pretty restrained.

In the last ten to fifteen years, there have been far more attempts to recreate the mechanics of the concept. One of the least subtle was the Age of Ultron a few years ago. It seemed to come and go without leaving much more than a prospective movie title for Avengers 2. Something about killing off Hank Pym was in there, I think. It all came about out of so much upheaval and property mismanagement it's really hard to distinguish or care about what happened.

The legacy of Age of Apocalypse has sadly been quite counter to the original. Stories like House of M or DC's Flashpoint played with the same high concept of remaking a world of familiar characters, but usually do so with a destructive design. 2005's House of M was an early warning sign for darker years ahead, built around Magneto and the decimation of Marvel's mutant populous. 2010's Flashpoint holds the distinction of delivering DC's lasting line-wide reboot: the New 52. If ever there was a case for two wrongs not making a right, it's that!

Ironically, it was the truly apocalyptic tone of Age of Apocalypse that helped make it work so well. It had the committed darkness and complete world view of something like Kamandi. There was no illusion that the heroes were always going to make it out okay. In this hellish universe, the heroes aren't even all on the side of angels - and vice versa! Magneto and Sabretooth had been X-Men before, but never with total suspension of disbelief. Their stories - two that tapped into the simple contrarian fun of the alternate reality concept with enough organic grounding that it wasn't time wasted.

The pretenders that've come since usually overstay their welcome. At times, Age of Apocalypse seemed to be trying to cram too much in. Today's featured fight takes place over the entire course of the super-sized X-Men: Omega special -- bookend to X-Men: Alpha. Interspersed between the big final battle are stories involving all the other favourites from related mini-series. There's a lot going on. A harsher reviewer might call the issue a bit of a mess. I think I like it that way, though. At some point the dotting of Is and crossing of Ts just turns into a maelstrom of genuine creative energy!

Like other stunts before it, it's kind of abhorrent on a basic level. Another Death of Superman for a bonfire of culture. If only it wasn't so well orchestrated and motivated. What people think they remember and the logic that's been applied since was always doomed to fail, because they were never bad ideas and never did what we think they did. They were stories that dared to go deeper than ever before, without losing sight of why that contrast worked.

With any luck we'll get a chance to venture deeper into the Age of Apocalypse in future updates. For now, I couldn't allow X-Men: Apocalypse to breeze through theatres without finally cracking the seal on the much loved alternate universe. A fun time in comics, and a great chance to match-up two of the characters who star in the new movie, and haven't done a whole lot of fighting in the past!

You can see more of today's featured fight for yourself by using the Amazon link provided [embedded right] to purchase the entire collected edition. Using the link to navigate to Amazon before you purchase something else can also help the site and future installment!

If you're reading this in real-time, you know we suffered a technical setback in May, but with any luck there'll be plenty more fights to come! In the mean time, you can always go back issue diving in the Issue Index Archive! Yay!

Winner: Magneto

#351 (+461) Magneto
#298 (-78) Apocalypse
#481 (new) X-Man
#482 (new) Holocaust

HERO OF THE WEEK: APOCALYPSE (Marvel)
Real Name: En Sabah Nur
First Appearance: X-Factor #5 (June, 1986)
Fight Club Ranking: #220

Featured Fights:
- vs X-MEN: Uncanny X-Men #295 (Dec 1992)

One of the super heavyweights of the Marvel Universe is coming to live-action this month as the headlining star of X-Men: Apocalypse. As a lapsed but now long standing X-Men fan, I was certainly excited by the prospect of seeing Apocalypse on the big screen. Where mileage will vary significantly is in the interpretation of whether or not that's what fans will be getting.

Visually, the X-Men big bad isn't there. Oscar Isaac arrives as a breakout star after appearing as Poe Dameron in Star Wars Episode VII: The Force Awakens, but is unrecognizable caked under bright blue body make-up. He's been aptly compared to Power Rangers movie villain "Ivan Ooze" - more than a few shades away from the comic book original, in color and tone.

Apocalypse boils down to a pretty simple, but well executed idea: aggressive Darwinism. Apocalypse will recruit those he deems fit to ride as his Four Horseman, but for the most part, he's a near immortal mutant whose ancient perspective leads him to stress test humanity's survival. A simple premise for conflict and an interesting way to play with the X-Men's internal ideas of evolution and so forth.

Disappointing costume design has been par for the course for Bryan Singer's tenure as director of the X-Men. I might've said "visuals", but Singer is basically a good commercial filmmaker and that's better than average right now. That said, I was dismayed to see unused Apocalypse designs that better represent the character as comics fans know him [above]. Comic Book Resources featured pictures that aren't fantastic for giving an overall impression, but reveal a visual base that certainly could've popped on screen with the right directorial vision.

Singer's willingness to take the material seriously in 2000 was vital to entrenching superheroes on the big screen. For better or worse, we may not have the catalogue of superhero films we do today without the one-two punch of X-Men and Spider-man. By mining the comics for their subtext, he found a way to connect with a world he never claimed was his (comics). Things didn't really click until X-Men 2, but the franchise hit its strongest note with X-Men: First Class directed by Matthew Vaughn.

Watching Days of Future Past recently, I was struck by a lot of little frustrations. There was an interesting core, but it felt like a derailment in a great many ways. It was everything First Class wasn't. Gone were the deliciously colorful costumes. Absent was the juicy pop cinema and design sensibility that permeated the entire film. In disarray, the juggling of characters and plot. Still here - Professor X, Magneto. Wolverine and Mystique.

Early reports suggest X-Men: Apocalypse suffers from a similar failure to live up to the balancing act it sets itself up for. Characters you know and love won't be front and centre. The conflict between Charles Xavier and Magneto will be ever present at the expense of a villain who arguably should've occupied soul focus of a blockbuster epic. There's no denying Michael Fassbender has made Magneto as magnetic a presence as ever, but good lord - the X-Men have a lot of other villains! Good lord!

Will the X-Men survive Apocalypse? Will cinema? X-Men: Apocalypse opens in the US May 27, 2016. You can expect some Apocalypse inspired comic book battles coming your way right here, too. Maybe we'll show 'em how it's done.

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X-MEN versus APOCALYPSE
X-Cutioner's Song Part 5: Familiar Refrain (Marvel)
Where: Uncanny X-Men #295 When: December 1992 Why: Scott Lobdell How: Brandon Peterson

The Story So Far...
When mutant popstar Lina Cheney offers Professor Charles Xavier an opportunity to speak at a public concert for awareness and acceptance of mutants, she unwittingly provides the opportunity to spark a war between factions.
A daylight attempt on the Professor's life implicates the mysterious mutant soldier, Cable, as a traitor to his people, but unbeknownst to the X-Men he is merely the victim of a murder wrap through time!

Apocalypse too finds himself caught in the web of deceit when his Horsemen are deployed to attack the X-Men. In truth, they are following the order of the mysterious mutant liberator, Stryfe, whose machinations include the kidnap of X-Men mainstays, Cyclops and Jean Grey.

With the defeat of the Horsemen, the X-Men opt to pay a visit to the ancient mutant, whose recuperation from a previous battle had been prematurely interrupted by the emergence of Mr. Sinister as Stryfe's impostor. Though weak, Apocalypse remains all too happy to cull the weak from the fit, as he faces the X-Men in mortal combat in his own safehouse!

Tale of the Tape...
Strength: Colossus 6 (Invincible)
Intelligence: Beast 6 (Genius)
Speed: Quicksilver 6 (Mach Speeds)
Stamina: Apocalypse 7 (Unstoppable)
Agility: Ice Man 7 (Limitless)
Fighting Ability: Colossus 4 (Trained)
Energy Power: Storm 5 (Lasers)


- The X-Men are: Storm, Beast, Archangel, Colossus, Ice Man, and Quicksilver.

The emergence of the mutant X-gene brings with it mixed blessings as humanity finds itself confronted by the next stage in human evolution. As individuals begin to manifest inherent superhuman abilities, two men; Charles Xavier and Erik Lehnsherr; find themselves at a philosophical crossroads where education would be concerned. In contrast to his counterpart, Xavier uses his family fortune to found the Charles Xavier School for Gifted Youngsters, using his knowledge and powers to train and educate mutant pubescents struggling with their abilities.

Xavier's original class consisted of Scott Summers, Jean Grey, Bobby Drake, Hank McCoy, and Warren Worthington III, but would soon expand exponentially proportionate to team's activities as a covert paramilitary force protecting humanity from those who would misuse their power. Among the prominent new recruits; Wolverine, Colossus, Nightcrawler, Kitty Pryde, Storm, Rogue, Havok, Dazzler, Gambit, Emma Frost, and for a short time, even Magneto.

They fight to protect the very people who fear and hate them, defending against the menace of alien invasion, cosmic crisis, and the mutants who would use their gifts for evil. Regular enemies include; Magneto, Apocalypse, Sentinels, the Hellfire Club, Brotherhood of Mutants, Juggernaut, and other.

- The grey-skinned infant who would come to be known as Apocalypse was first dubbed En Sabah Nur by a tribe of nomadic warriors who found him abandoned in the desert. Taken-in by their leader, who believed him to be the destined subject of an ancient prophecy of upheavel against the powerful pharoah, Rama-Tut; En Sabah Nur was christened in the harsh environment of ancient Egypt's deserts, taught strength by the tribe's creed of survival of the fittest.

After overthrowing the time travelling pharoah, and stealing his technology, the immortal Apocalypse continued to amass power and fear in his dedication to the darwinist teachings of his adopted family. Hibernating through the decades; Apocalypse becomes a constant in time, ever surviving as he carves his name into human history and pursues the ideals of his philosophy of the strong.

Apocalypse uses the advanced technologies stolen from Rama-Tut to transform his subjects into nightmarish, mutant versions of their former selves. Among his most famous horsemen, Nathaniel Essex, whose biological research in the eighteenth century first introduces Apocalypse to the concept of mutants, who become his obsession as the ultimate evolution of the fit. His zealous dedication to the sub-species brings him into regular conflict with the X-Men, among other.

One of the most powerful beings on Earth Apocalypse is capable of: manipulating his physical form to a multitude of methods; healing and recovering from fatal wounds; producing massive amounts of raw energy; teleporting; and resisting physical attacks with superhuman strength. He is also the master of many advanced technologies which, combined with the knowledge of centuries, allow him to understand and foresee events with uncanny wisdom.

Math: X-Men (Ttl) Apocalypse (Avg) Ranking: Storm (#25)

What Went Down...
Prematurely awoken from his healing slumber by the Dark Riders; Apocalypse finds himself weak to the point of teetering near death, his superhuman body breaking as quickly as it heals the snapping bones and tearing organs. Almost delighted by his struggle, the everlasting mutant drags himself through the pouring rain toward the salvation of one of his many secluded refuges, ready to seek vengeance against the mysterious presence who would dare impersonate him.

Apocalypse arrives to discover his deceived Horsemen at the feet of the X-Men who defeated them. Believing Apocalypse to be responsible for the abduction of their teammates, Cyclops and Jean Grey, the group attacks their weakened foe, but do not find Apocalypse as helpless as he appears!

Wrapped in the rigid grip of suddenly forming ice; Apocalypse channels energy back to the source, flash frying Bobby Drake as he bursts his morphing body free of his shackles! He shatters the ice just as Beast bounds toward him, only to suffer the brunt of yet another explosion of energy!

The Beast's airborne trajectory is broken by Storm, who does her best to catch her stunned teammate, but finds herself hurtling out of control, out through a shattered window into the unruly elements outside.

An enraged Apocalypse calls Quicksilver's attentions away from the potential demise of his colleagues, demanding of the mutant's super speed that seems unable to process quick enough the extending fist of Apocalypse's offensive!

Colossus and Archangel dive on their nemesis with his shapeshifting limbs extended beyond practical defense. Archangel presses the razor edge of the very wings granted to him by Apocalypse at the tyrant's throat, while Colossus pins him with his mighty metallic muscle. Archangel grapples with his bitter hatred for the mutant who transformed him into the blue-skinned horseman of death, struggling with the desire to inflict a mortal blow.

Both Archangel and Colossus soon discover - the hard way - that Apocalypse chose to return to his refuge not for it's locale, but for the hidden technologies dispersed through it's infrastructure. Tapping into his hidden power source, Apocalypse channels the stored energies, sending his attackers sprawling with an explosion of energy and twisting tendrils from his malleable body!

Enjoying only temporary rejuvination, Apocalypse opts not to stoop to the "unseemly" ask of slaying an unconscious foe. Instead, he teleports away, satisfied to lament on his one minute victory against the X-Men, and his goal to uncover the identity of his impostor...

The Hammer...
Actually, according to Apocalypse himself, his victory comes in less than sixty seconds, but even if he was a little, it's impressive none the less!

As regular readers might have gathered, this is yet another belated entry as a result of our recent bold acknowledgment for the superiority of X-Men 2: Clone Wars as the greatest comic book adaptation in video game history!
Apocalypse marks yet another surprisingly overdue inclusion in the Infinite Wars, following up on our recent induction [Onslaught: X-Men #1] of the psionic mega-menace, Onslaught!

I suppose I've been on a bit of an X-kick, to be honest. I found myself going back to what little of the now classic 90's cartoons series was accessible. Usually when the X-Men are a subject of discussion on the Infinite Wars it's with a contemporary context full of prefaced distain and disappointment, but like so many others, I have a fond nostalgia for the early nineties X-Men too. Hence, our arrival at this junction in X-history.

Well, okay, I don't really have a huge amount to choose from, either, but I feel like this was around about the time of the swansong of the classic X-Men mystique (pardon the pun).

X-Cutioner's Song comes from a period of retroactive infamy, where editorial decision making is scrutinized as much as what's on the page. Stories like this one are as well known for their introduction of plot points as they are for the behind-the-scenes building blocks that offered lax intentions, like; the concept to have the X-Men face all of their enemies in a single crisis.

The mythos of the X-Men universe owes a lot to this particular story.
Lingering plotlines and details of the future-history of characters like Cable (and Stryfe) gained further clarification, while, from this past, a lasting legacy was born that would eventually further complicate matters in culminating with the death (and resurrection) of Colossus -- volunteer catalyst for the Legacy Virus cure.

Honestly, I'm getting a bit of a headache just talking about it, but I'm compelled to press on. As much as I would heap praise upon Grant Morrison's work with the X-franchise -- which took the established mythology of mutant societal issues, and forwarded it to a scenario that implied some passage of time from the X-Men's inception -- I have to acknowledge the defining qualities of the nineties!

In pushing and twisting the elements of this corner of the Marvel Universe, influences like Fabian Nicieza, Scott Lobdell, and even Rob Liefeld, achieved something modern comics fail to! For all their grand designs, documented tweaks and interruptions in the writing process let many of these comics adapt on the fly. Consequently, every muscle cringing mistake brings an action-packed twist or moment that is worth remembering.

I'm glad we have these relics to look back upon. I hope this industry, that has become so presently focused in it's bid to survive, can again generate self-wealth from the annals of it's mythology. I hope fans can come to value the back issues and find them in their local comic store, and buy them! Not just in collected form, but in their original presentation, because I think this format is just one of the treats of the medium as it was.
While I do believe there is room for compromise, I would not change the heavy plotting and character driven density that has populated modern comics. I would just ask that we remember the fun times, and maybe even learn from them, too.

Apocalypse, despite being a relatively young creation, now ranks among the very best villains Marvel Comics has to offer. Alas; like his 1960's counterparts; Apocalypse has suffered the indiscretions of time, and like so many villains in the X-corner, bares little resemblence to his former-self under the weight of dishonorable shifts in the character's history.

Granted, Apocalypse can be a difficult character to fairly serve, given the grandios designs of a mutant who would have sizable portions of the world's population culled in an instant. While stories like Age of Apocalypse gave opportunity to render brief glimpses of what this character might look like within his fullest capacity, subsequent tales have struggled to contort around this potential, baring the bitter fruit of transformations, deaths, and aborted motivations.

So much time is spent apologising for the existence of characters to the point of denying the very traits and definitions that made them. It is a fine line between longevity and irreversible deconstruction, but where characters like Apocalypse are concerned, less is clearly more. At least in terms of defining the character as it exists by rule of it's actions.

Focus on the summary of the battle, because clearly diving into early nineties X-Men has driven me insane. Enjoy the presence of these icons that we know, love, and recognise. I'm not sure I could critically describe them as good comics, but somehow, even through the illintent of contrived plot twists, they work.

The Fight: 5 The Issue: 4.5

It's a relative certainty that villains will suffer a greater number of defeats than heroes, so it's pretty neat that Apocalypse joins us as one of the strong, with a victory! If you'd like to celebrate this occasion you might like to pick up the collected X-Cutioner's Song, which also features the machinations of Stryfe, which may or may not show up in the Infinite Wars again some time!
Need to consume more to prove your worth to the darwinist rule of mutant madmen? Why not hit up the fittest of all the online stores, the Infinite Wars Amazonian Gift Shoppe, where you'll find collected editions featuring all the stories reviewed on the site! Hey, by purchasing through links provide, you ensure the survival of the site! Mmm, appeasing!