Friday, April 10, 2009

BATMAN versus BATMAN
Army of One (DC)
Where:
Batman: Battle for the Cowl #2 When: June 2009 Why: Tony S. Daniel How: Tony S. Daniel

The Story So Far...
Once upon a time, evil won. Humanity was enslaved by the god of evil, Darkseid, who was reincarnated to walk as man on Earth, a harbinger of the Fifth World. Few could stand against the spread of his Anti-Life Equation, and those that did were gradually whittled away as their own companions became weapons against them. With all hope seemingly lost, one man stood between us and them. Though he conemned himself to a fate worse than death, the Batman pointed a cosmic pistol at Darkseid, and he saved us.

For the people Batman left behind, a smouldering corpse leaves them little option but to believe him dead. For a time they mourn him, but inevitably the absence of a Batman in Gotham City leads only to chaos. Though reluctant to step into a father's mantle, Dick Grayson and Tim Drake are forced to confront the need for a symbol, and their unique suitability for the role.

Complacency allows a third contender for the Batman cowl to emerge on the streets of Gotham. This dark avenger utilizes methods similar to the Batman, but far more brutal than anything even he ever condoned. Armed with twin firearms and an armored cowl, all signs point to the fallen son, Jason Todd, but is there more than meets the eye to this so-called Batman, and who can find out?...

Tale of the Tape...
Strength: Draw 2 (Average)
Intelligence: Draw 4 (Tactician)
Speed: Draw 3 (Athlete)
Stamina: Draw 4 (Athlete)
Agility: Draw 4 (Gymnast)
Fighting: Draw 5 (Martial Artist)
Energy: Draw 2 (Projectile)


- When Batman sacrificed himself to end Darkseid's reign of terror [during Final Crisis], the Dark Knight fell victim to the Omega Sanction -- the death that is life. While Bruce Wayne suffers the torment of successive unpleasant realities, the world he left behind continues under the assumption that he is dead.

In Gotham City, as a city of maniacs begins to tear itself apart, the vaccuum left by the Batman demands attention. From the void emerges a new lightly armored Dark Knight whose intentions meet criminals on a darker agreement than ever before. Wielding twin pistols, the grilled cowl and uncompromising ethic suggests Jason Todd as the sadistic new Batman, but his true identity remains unknown.

- The death of the second Robin, Jason Todd, weighed heavily on Batman.
With the original boy wonder, Dick Grayson, having grown into his own mature hero; the Dark Knight's world turned invariably darker as he internalized the struggle of his responsibility. Recognising this grim turn, a young boy embarked upon a mission to return balance to the Batman's life by enlightening him to the value of the famous sidekick.

Tim Drake, having deduced the dual identities of Bruce Wayne and Dick Grayson, showed an aptitude for detective work that made him unique candidate for the legacy of the boy wonder. When Batman and Nightwing's lives were in peril at the hands of Two-Face, Grayson donned the costume for the first time, forcing even the gruff Batman to accept the possibility of training a new Robin.

Under Bruce Wayne's tutelage, Tim Drake developed the acrobatic and combative skills associated with the previous Robins. Drake also further honed his skills as a detective, benefitting from the Batman's bredth of knowledge, experience, and technology. Drake also expanded his network, following in Dick Grayson's foot steps as a member of the Teen Titans.

Math: Draw Ranking: Robin (#40)

What Went Down...
Donning one of the Batman's old costumes, Tim Drake takes it upon himself to do what Dick Grayson refuses. In his adopted father's colours, Drake enters the Gotham underground to fight the impostor Batman on their behalf. In the ruin of Gotham's collapsed subway tunnels, Drake finds a passage leading to a makeshift Batcave obscured by train debris.

The stunned Robin triggers an explosive trap, throwing him helplessly into the air, if not for the intervention of a whip. Catwoman comes to the blue Batman's aid, hoisting him to a jutting cliff face. Together they discover the dark twisted mirror of the alternate Batman's cave, complete with torture chambers and a starved prisoner. Their investigation does not last long.

The impostor arrives to the cut the cat's curiosity short, taking her out of the battle quickly with the butt of his gun. Tim springs into action, leaping into an gymnastic kick that knocks who he assumes is Jason Todd into the void!

The impostor Batman quickly recovers with some acrobatics of his own, challenging the recognised boy wonder to face him in his own environment!

The caped crusaders clash in a collision of kicks and dives.
The dark impostor notes a thorough understanding of the way Drake operates, observing him as a worthy opponent, but one with the perceived disadvantage of Bruce Wayne's morality. Despite the philosophical difference, the pair appear relatively evenly matched, leaving Tim Drake to land alone at the cave base.

The armored Batman sees fit to remain in the shadows, striking violently at his junior opponent with the sharp edge of a batarang. He slices at Tim's back, neck, chest, and face, showing no mercy in the battle for the cowl.

The dark Batman presses his advantage, leaping on his wounded opposite with a ferocious combination of punches. He mocks Tim's readiness to wear the cowl and symbol of Batman, but the youngster shows tremendous resilience. Reaching out to the rubble around them, he finds a poignant weapon -- a crowbar!

A swing of the metal bar shatters the impostor Batman's grille.

Tim whacks his exposed foe a second and third time, wielding the weapon that the Joker once used to beat Jason Todd to death. Despite the beating, the toothy gape of the impostor Batman's mouth lets loose a laugh, revealing to Tim Drake the truth of the situation. Looking down, the last thing he sees before blacking out is the batarang protruding from bleeding chest.

With that, the dark impostor leaves his nemesis to die.

The Hammer...
It might be a little early to start eulogising Tim Drake, but whomever he may be, the brutal Batman emerges victorious from this confrontation.

Stat hounds can safely assume the impostor Batman is Jason Todd. All signs certainly point toward the fallen boy wonder, but until we get confirmation on the subject, we'll hold off on updating the rankings. I'm sure you won't mind waiting (longer).

Thus far, Battle for the Cowl has been such an unusual experience. For all intents and purposes, a three-part mini-series that pits elements in Gotham against each other in competition for the Bat-mantle, while establishing a new "status quo" for Gotham City, isn't such a bad idea. However, in execution, I'm stuck wondering whether or not this series is running too long, or far too brief.

After a thoroughly ordinary first issue that ticked off sequences like a hurried checklist, this second issue pauses long enough to redeem itself. Even the artwork of writer/artist Tony Daniel appears a little more composed, making the two major fight sequences with "Dark Batman" much more enjoyable than the previous issue's stunted attacks on Nightwing, and Damian.

DC made no bones about the situation leading in to Battle for the Cowl, but one can't help but feel some level of disappointment regarding the gaps left entirely for a final issue. It's almost unfeasible to expect reasonable explanations for all the questions that have arisen as a result of this book in one single issue. Granted, those are presumably matters for subsequent issues of the post-Battle books, but without those answers, the events of these three issue feel hollow.

The scattershot narrative sifting through details of Gotham's Battle bound woes isn't quite as deft as Grant Morrison's approach to the expansive epic of Final Crisis. With events isolated to Gotham City, even presumably important scenes, like the gathering of notorious crooks under Black Mask, seem slightly irrelevant in a script that seems to want to focus on the matter of the title.

To give Daniel some credit, the issues certainly capture the rapid fire succession that is no doubt gripping Gotham City. However unfulfiled they might be, each scene whisks the reader through at a pace fitting to the overwhelming situation that's taken our heroes by the wayside. Unfortunately, that doesn't leave a lot of room for even insinuation, which was one of Morrison's great skills in Crisis.

The writer/artist copped some heat recently for leaking an image on his blog of post-Battle designs for Dick Grayson as Batman. Let's be honest, assuming the leak really did reveal the identity of the next Batman, he wasn't spoiling much.
Based only on the double-page teaser printed in various DC books months ago, most would've placed their bets on a Dick Grayson Batman to emerge alongside the blue-garbed Tim Drake Batman (featured this issue), and who we assume is Jason Todd, the fully masked grille Batman.

This telegraphed assumption makes sitting through Dick Grayson's pining reluctance all the more painful. It really isn't an attractive trait in the would-be next Batman, but again, I would have to call in to doubt Tony Daniel's handling of the script. Editorial demands might've steered him forcefully in this direction, but the handling of the character just feels a little too weak to be the veteran character. Worse still, it should be as obvious to all characters in-fiction, as it is to us, that Dick Grayson should be the next Batman. So get on with it!

Coping with death and interpretive culpability have long been central concepts in the Batman mythos. Battle for the Cowl continues this exponentially, forcing the expansive supporting cast to deal with issues once plaguing Bruce Wayne, while characters like the impostor Batman thrust many of the doubts of the Batman character upon his potential successors. With much less emphasis on this matter apparent in previews for upcoming titles in the Bat-relaunch, it's easy to accept this brooding stumble through the darkness of Gotham as something that had to happen. If it isn't a B-plot in subsequent series, at least we've dealt with some of those issues in this book, however cumbersome the process may be.

In the fight stakes, it's a shame Catwoman couldn't have featured more prominently, but I can see artistic reasons for wanting to pit the two Batmen against each other mano-a-mano. The artwork could've given a clearer image of her unfortunate fate, but that could be true of most pages. There's a very nineties feel about the whole book, not in a particularly positive way.

A nice enough read with a strong objective point that might not actually be contained within the pages of the series. No doubt we'll be back to talk about that some time in the future, as well as other details featured in this issue.

The Fight: 4.5 The Issue: 4

Want to know what's happened to Gotham City since Batman's disappearance? Keen to see who's battling for the cowl? Batman: Battle for the Cowl is still under way and on shelves now, but if you'd rather get the whole story in one volume, you can pre-order the trade collection via Amazon. By using purchase links provided, you help sponsor future entries in the Infinite Wars! You'll find plenty more in the Gift Shoppe including collections featuring most issues found in the Secret Archives!

Wednesday, April 08, 2009

SHIPPING LIST: APRIL 08, 2009
You can probably find complete shipping list updates on most major comics sites. Consider this an opportunity to either do all your info-shopping in the one place, or get a speculative perspective on what might be worth checking out. These are untested reads. Secret Wars on Infinite Earths can offer no guarantee or endorsement of quality. These are simply titles that may be of potential interest. Some items may ship late.

The Infinite Wars now has a gift shop!
Now you'll find Amazon purchase links to hardcovers, trade paperbacks, and other collections, not only on regular entries -- but also new releases at the bottom of the Shipping List, and now a whole catalogue of potential purchases via the Infinite Wars: Amazonian Gift Shop. [Men are also welcome!] By shopping with Amazon via our purchase links, you not only find yourself a great deal, but also sponsor future entries on the Infinite Wars.

Advertise here! Contact for more!

The Independents...
FEB090050 THE AMAZON #2 (OF 3) $3.50
OCT084022 BLACK TERROR #3 FOIL PI
FEB090105 BPRD BLACK GODDESS #4 (OF 5) $2.99
DEC080052 HELLBOY NOVEL FIRE WOLVES $12.95
OCT080021 KICKASS KUTIES ART OF LISA PETRUCCI HC $22.95
JAN092368 POPGUN GN VOL 03 $29.99
DEC080073 TRIGUN MAXIMUM TP VOL 14 MIND GAMES $9.95

The Corporates...
FEB092537 ALL NEW SAVAGE SHE-HULK #1 (OF 4) DKR $3.99
FEB090162 BATMAN CONFIDENTIAL #28 $2.99
FEB092525 CAPTAIN BRITAIN AND MI 13 #12 $2.99
FEB092500 DARK REIGN HAWKEYE #1 (OF 5) DKR $3.99
FEB092577 DEADPOOL SUICIDE KINGS #1 (OF 5) $3.99
JAN098013 IDENTITY CRISIS # 1 SPECIAL EDITION $1.00
FEB090194 SECRET SIX #8 $2.99
JAN090212 SPIRIT #27 $2.99
FEB090165 SUPERMAN WORLD OF NEW KRYPTON #2 (OF 12) $2.99
FEB092479 ULTIMATE WOLVERINE VS HULK #4 (OF 6) $2.99
FEB092569 WAR OF KINGS ASCENSION #1 (OF 4) $3.99
FEB092579 WOLVERINE WEAPON X #1 $3.99

The Spotlight...
- FEB090155 BATMAN BATTLE FOR THE COWL #2 (OF 3) $3.99
After the first issue snorer, this compilation-style series will want to find grounding in some solid plotting and story. The go nowhere montage of events in the first issue, though action packed, felt hollow and irrelevent. Quos were newly statused as Black Mask marched back onto the scene, apparently no longer suffering from a terminal case of death; Bruce Wayne's obnoxious illegitimate son nicked a Batmobile and crashed it into Killer Croc; and Nightwing generally took an unconvincing tumble. Stuff happened, but it all felt like homework. With only two more issues to go, I must say I'm sceptical, but here's hoping for a more organic second issue. Oh yeah. Pretend to be shocked when Dick becomes Batman, and Todd turns out to be the phony. Apparently it's a surprise?

- FEB092481 DAREDEVIL NOIR #1 (OF 4) $3.99
So you're going to take the Marvel heroes and villains and reimagine them as depression-era vigilantes, cops, and crooks. The House of Ideas might have led with two of it's more bankable properties - X-Men and Spider-man - but when it comes to suitability they've saved the best to last. Joining Punisher on the urban streets of grim and grity comes Daredevil -- a character whose noir trappings have already been well documented in the Marvel Universe-proper. After you've done Miller and Bendis, this might be redundant, but clearly the Noir books have found an audience. Not sure it's for me, but you can't fault the concept!

- DEC080128 GREEN LANTERN #39 (ORIGINS) $2.99
Ah, the book that's just rubbing colour blind people's noses in it!
Geoff Johns' unadvertised epic - the War of Light - continues as the Controllers unveil the latest Corps to colour burst onto the scene -- those greedy scions of avarice, the Orange Lanterns! This Corps differs in that there is a set number of rings available to be attained only by those who are willing to lie, cheat, and steal their way into the fold! One wonders how Hal Jordan might find his way into the possession of such a ring as he continues to absorb the powers of the spectrum in what logically could lead to the birth of a super-cool White Lantern. If white light contains all colours in the spectrum, that seems like a reasonable counter for the upcoming Corps of the corpses, the Black Lanterns! The beauty of this tale isn't just it's spanning mythology, but the way each Corps plays with their emotive concepts, like blue Hope requiring the green energy of Will to be at all effective; or the fact that red Rage in the hands of one who wields Will was able to be channeled into something constructive (ie; objects). It's all very literal, and very fun!

- FEB092557 MARVEL ZOMBIES 4 #1 (OF 4) $3.99
Way back in 2005, Mark Millar thought it would be a good idea to finally take the iconic heroes of the Marvel Universe, and throw them into a pit of infectious zombie plague carriers. Not a bad idea, by any means. One that should've been undertaken much sooner, one could think, however, when reflecting upon the subsequent four years of non-stop exposure of the high concept, it loses some of it's sheen. At least, until now... Fred Van Lente picked up the ball with Marvel Zombies 3, bringing the infected survivors of Earth-1610 into the Marvel Universe-proper via the Nexus of Realities! A series of unfortunate events later, we now resume with Dr. Michael Morbius leading a new team of Marvel Horrors against the unique strain of zombie-itus! Jack Russel, Jennifer Kale, and Damian Hellstrom join the gang as they clash with zombie fish-men, all while Black Talon negotiates with The Hood for control over the dark army. All this, PLUS -- the adventures of Zombie Deadpool's decapitated head!

- FEB090195 SOLOMON GRUNDY #2 (OF 7) $2.99
A pattern of indulgent superhuman fisticuffs appears to be emerging from Scott Kolins' seven-issue turn as writer/artist, but while the titular character might draw fair comparison to his Marvel counterpart, this series is far from a hopelessly meandering Jeph Loeb mystery cum punch-up, ala; Hulk. Grundy finds himself facing the opportunity to resolve his endless cycle of resurrections, but at each turn there lies another obstacle. The secret origins of the undying creature are gradually revealed as he enters a desperate scramble to survive long enough to solve his murder before seven days are up!

- FEB092564 TIMESTORM 2009 2099 #1 (OF 4) $3.99
There's a charming simplicity to the idea of taking Marvel's now classic 2099 future universe and colliding it with the 2009 adventures of the Marvel Universe! For my money, the success of the series lies in how detached it can be from overstuffing the title with the unfamiliar. A bit of a longshot really, and unlikely to be a career highlight for Ms. Marvel scribe, and Timestorm writer, Brian Reed. Still, this'll be a good one for the 2099 enthusiasts, who've had little more than late issues of Exiles to scratch their future-itch.

READ THE PREVIEW - VISIT THE SITE - BUY THE COMIC

Know Your Trade...
FEB094097 ALAN MOORE LIGHT OF THY COUNTENANCE GN CON ED (MR) $7.99
NOV083805 ALAN MOORE LIGHT OF THY COUNTENANCE HC (MR) $17.99
FEB094357 DOCTOR WHO FORGOTTEN TP $19.99
JAN090227 GREEN ARROW YEAR ONE TP $14.99
DEC080052 HELLBOY NOVEL FIRE WOLVES $12.95
JAN090241 JUSTICE LEAGUE UNLIMITED HEROES TP $12.99
OCT080021 KICKASS KUTIES ART OF LISA PETRUCCI HC $22.95
FEB092632 MARVEL ZOMBIES TP VOL 02 $15.99
FEB092605 MARVEL ZOMBIES 3 HC $19.99
JAN092368 POPGUN GN VOL 03 $29.99
DEC080073 TRIGUN MAXIMUM TP VOL 14 MIND GAMES $9.95



Monday, April 06, 2009

QUICK FIX: FLASH vs SAVITAR
Lightning Strikes Twice (DC)
Where: Flash: Rebirth #1 When: June 2009
Why: Geoff Johns How: Ethan Van Sciver

THE TAPE...
Strength: Draw 3 (Athlete)
Intelligence: Flash 5 (Professor)
Speed: Flash 7 (Lightspeed)
Stamina: Flash 6 (Generator)
Agility: Draw 2 (Average)
Fighting: Flash 3 (Street Wise)
Energy: Draw 1 (None)

Math: Flash
Ranking: Flash (#29)

THE FIX...
Since we're trying to get out of a month's backlog of updates, I've been trying to avoid any unnecessary deviations. In the case of the return of Barry Allen, this was just too big an event to ignore during a period of week-to-week reviews!

The re-teaming of Geoff Johns and Ethan Van Sciver on a Rebirth title was always going to draw comparisons to their 2005 project of the same name.
It would be clumsy to claim the return of Barry Allen after a twenty-plus year absence isn't a big deal, but for a hero whose death was accepted as such a concrete moment in the canon, there were far fewer questions demanding answers than when the duo resurrected fallen Green Lantern, Hal Jordan.

As icons of the changing guard from Golden to Silver Age; Flash and Green Lantern have come to share a similar meaning to the comics zeitgeist.

When Barry Allen and Hal Jordan redefined superhero identities originally held by Jay Garrick and Alan Scott, they began a tradition that embodied a differentiating philosophy between DC Comics and the House Across the Street. History would observe the 1950's revamps as permission to accept plausible change to a world where characters were free to defy the laws of time. Most recently, you know this as; Kyle Rayner, Conner Kent, Rex Tyler, Courtney Whitmore, or Jaime Reyes.

However creatively profitable the notion of legacy in superheroes has been, we can now see those ideals of succession are about to evolve.

I believe there is a distinct pattern of logic behind this new mentality steering comics, but, before we get to that, it might help to understand a few more details about the larger pieces of puzzle.

Through rumor and supposition, certain "facts" have crystallized within the comics readership.

Ever since Brad Meltzer forced the heroes of the DCU to deal with a harsh case of hyper-realism in his mini-series, Identity Crisis; discussions regarding a lightening of subject matter have come semi-regularly from both sides of the fandom. As DC wheeled out subsequent events [Infinite Crisis, Final Crisis], popular theory supposed conclusions that each story's mysteries would allow various facets of DC's past to be resurrected (such as; a segregated multiverse isolating different characters to their own universes). Considering these lingering, recycled theories have been floating around for the best part of this decade, it puts into perspective how long it's taken to really establish a sense of what any reductions in "darkness" have meant from a DCUniverse perspective.

Barry Allen's return in the pages of Final Crisis [#2], alongside other ideas and characters lost over time, finally gave theorists something tangible to hang their long running theories on. Despite the major return of Hal Jordan, Sinestro, and the Green Lanterns in 2005, it was '08's Final Crisis that provided some of the most overt connections to the already mentioned Silver Age of comics.

The "Silver Age" of comics is chiefly attributed to the post-Comics Code Authority resurgence of superheroes in the 1950s. Chiefly positioned as starting points are popular introductions like the Barry Allen Flash, and the Hal Jordan GL, whose sanitized adventures against evil helped define the period as a singular dimension culminating in the likes of, The Super Friends. Theorists presume the end of this era came with the 1970s revolution of darker, more mature elements of stories, which were channeled through characters like Conan, Morbius, Swamp Thing, and others, eventually ushering in logical conclusions of the shift, popularly defined by The Dark Knight Returns, and Watchmen.

Just as he had been a beacon for it's beginning, Barry Allen took significance at the demolition of Silver Age, famously dying in 1985's rearrangement of the DCU for a modern age, in, Crisis on Infinite Earths.

The 1990s attempt to run furiously from their Silver Age past?Is the Silver Age here again? Yes, and no.

Longtime readers of the Infinite Wars will have read enough entries like this to recognise a weaving net of references that tie works from various eras, to various periods before them. Now, in this modern age of carefully constructed and written comics, we have a great awareness of the history that defined our medium.

It would be utterly naive to say the comics of today, particularly stories like Final Crisis, or Barry Allen's return, aren't informed by the Silver Age of comics. It would be equally naive, however, to say they've turned their back on the modern conventions that have established the very comics that supposedly defy the Silver Age. Every word is as well spoken, every image as well crafted, and every plot as enfused with the intelligence of the modern era as any other.

It's not as if this recognition of the past is the death touch to "now."

After expanding the mantle of some heroes into third (and fourth) generations, the corporate requirement of maintenance has forced a rethink. While the future belongs to isolated tales and alternate realities, intelligent and informed comics have gone back to readdress and reassess decision of the past.

Similar investments are still being made in the iconography of these characters, but instead, now each iteration has proven deserving of distinction, allowing a more total sense of value to be spread amongst them. Geoff Johns is a chief proponent of this tempered approach, and certainly doesn't take any shortcuts in his introductory issue to the Rebirth of the famous Silver Age Flash.

Lapsed time takes on significant meaning for the scarlet speedster who embarks on a mission to acquaint himself with the years he lost during his supposed death. It's still unclear, even to Allen himself, how his sacrifice to save the multiverse from the treacherous Anti-Monitor has remained intact, despite his apparent survival which brought him hurtling into a world on the verge of being dominated by Darkseid and the Anti-Life Equation (in Final Crisis).

Without the burgeoning controversy of a final decline like Hal Jordan's, the Flash return simply doesn't have the loaded premise of his counterpart. It's hardly surprising, then, that the first issue of Flash: Rebirth lacks the same bombastic action of the Green Lantern mini. In place of stoked anticipation, Johns takes a brief tour through references and set-up for the series, framing the reactions of various characters, good and evil, whilst inserting some revisionist history to form context for the following issues.

Barry Allen's return quite clearly is a major element of the story.
Those unfamiliar with the character should remember to understand the plot even if they aren't immediately connecting with the lead protagonist. Circumstances behind the return are unknown to the character himself, which weighs heavily on the speedster who, despite his advanced perception, comes away with a need to squeeze every last moment of it's potential usefulness.

The plot thickens before issue's end when Savitar -- a mid-nineties Wally West villain of questionable fashion sense, and Flash-like speed -- emerges from imprisonment within the Speed Force directly infront of a blazing Barry Allen!

Aware of his nephew's clash with Savitar and his speed cult thanks to a quick dash through the Flash museum, Barry takes immediate chase!

Unconcerned with how the villain escaped, Flash pursues to Savitar's dismay. Crackling with energy Flash reaches out to the shirtless speedster, only to somehow reduce him to a withered corpse that soon fades to ashes.
With his dying breath Savitar delivers a cryptic message, "You... You were the beginning, Allen... and you're the end." Simultaneous to the villain's death is a wild disturbance that resonates throughout the speed force, quivering those touched by it's energies.

If I didn't know better, I almost would've guessed that by escaping death and it's form of the "Black Racer," Barry Allen had somehow inherited the role himself.
Clearly there is a larger plot at work. We know a mysterious figure with long grey hair (who begins the issue recreating the accident that created Flash) is responsible for Allen's return [Prof. Zoom?], and we know a skeletal Black Flash crash landed and turned to dust in field of corn in Iowa. The result of Final Crisis, a larger plot affecting the Speed Force, or perhaps a combination of both?

Apparently I'm not the person to speculate, but damned if I'm not going to enjoy the ride! As incredibly reluctant as I am about the undoing of one of comics' most significant deaths, I find the quality of story, and craft of DC's overall editorial approach, very difficult to criticise. As meaningless as death has become in pop superheroes, DC have made great use of their corporate obstinacy, finding strong plot-driven reasons to utilize it as a positive, be it through the meta-recognition of resurrections [Final Crisis: Requiem], or dramatic resurrection [Blackest Night].

As to apparent inconsistencies in the character's history -- are these the makings of harsh retcons akin to those used by Geoff Johns in revamps of lesser heroes and villains, or are there in-fiction forces at work? Other characters were given a second chance at life through the universal reboot of Crisis on Infinite Earths. Is it possible in our universe Barry Allen has lived another life? Could time travel have altered his past? I think answering these questions will be a lot of fun.

The Fight: 4 The Issue: 4
Winner: Flash

Flash: Rebirth is a five issue mini-series from DC Comics. While soft and hardcover collections will no doubt be announced soon, the series still has a long way to go. Keep your eye on shipping list updates for more information on issues, and be sure to find the single issues on shelves as they come. If you're hungry for some trade reading, you'll find Green Lantern: Rebirth, Flash editions, and other issues reviewed in the Secret Archives via our online Amazon Store. Using purchase links provided helps sponsor future entries, so may the Speed Force be with you!

Friday, April 03, 2009

SUB-MARINER versus IRON MAN
World's Most Wanted Part 5: The High-End
Technology of Ultramodern Destruction (Marvel)
Where:
Invincible Iron Man #12 When: June 2009
Why: Matt Fraction How: Salvador Larroca

The Story So Far...
When the superhero community was split by a controversial act to force them into official government registration, it was Tony Stark who championed the bill. His dogged pursuit of illegal unsanctioned superheroics allowed him to maneuver into more encompassing roles, including his appointment as Director of SHIELD after Nick Fury's disappearance into the underground.

Just as the fickle nature of emotional politics had allowed Stark's rise, so too did it fascilitate his fall. When a secretive plot hatched by super-powered Skrulls was revealed to be a full scale invasion, both registered and unregistered Avengers were forced to pool their efforts to thwart the alien incursion. With suspicions and fears renewed within the public, Norman Osborn was there to capitalize.

Disgraced as an impotent coward who was unable to anticipate and prevent mass corruption within his agency, Tony Stark becomes that which he had hunted. With SHIELD disbanded in favour of Osborn's own HAMMER intelligence agency, Stark finds himself alone in the world, forced to seek out obselete technologies to use against the overwhelming forces that now oppose him. In an effort to protect the secret informations he gathered, Stark embarks on a one-man mission to erase all of his accumulated data, but in doing so, provokes Osborn's most potent forces. Now, deep beneath the ocean, a former ally hunts the Iron Man...

Tale of the Tape...
Strength: Sub-Mariner 6 (Invincible)
Intelligence: Iron Man 5 (Professor)
Speed: Sub-Mariner 4 (Olympian)
Stamina: Iron Man 6 (Generator)
Agility: Sub-Mariner 3 (Acrobat)
Fighting: Sub-Mariner 6 (Warrior)
Energy Power: Iron Man 5 (Lasers)


- The union of an American sea captain and Atlantean Emperor's daughter brought into the world one of the most potent mutants it would ever see. Prince Namor was an oddity in the kingdom of Atlantis, not just for his pale skin, but for his uncanny strength, durability, and ability to breath and fly above the oceans, that made him a worthy heir to the throne.

During the Second World War, Namor's surface adventures led him to prominence as the powerful Sub-Mariner, whose unique talents were lent to the war effort of the Allied Nations. Joining Captain America and Human Torch, he and the heroes of the Invaders and All-Winners Squad supressed the tyrannical efforts of the Nazi Party and their many superhuman agents. Despite this association, Namor's relationship with the surface world remains one of uncertainty, and when common enemies of WWII disappear, so too does the traditional anti-hero.

When a modern age of heroes emerge, the Sub-Mariner returns to induct them, discovered living on the surface as an amnesiac vagrant by Johnny Storm. With the fate of Atlantis more uncertain than ever, Namor resumes his adventures, forming early rivalries with the Fantastic Four, Hulk, and Brotherhood.
Despite baring an antagonistic relationship with the polluting modern world, Namor once again rises as one of the world's greatest champions, forming new associations with the Defenders, Avengers, Illuminati, and several other groups, including less savory elements, such as Dr. Doom and the counter-active Cabal formed by Norman Osborn. As stubborn as he is mighty, Namor always serves a noble end, seeking only a greater good for he and the people of Atlantis.

- While on a field tour to observe the effects of weaponry designed by his corporation for the United States military; billionaire industrialist, Tony Stark, soon finds himself face-to-face with the bold consequences of his actions.Caught in a rebel booby trap, Stark suffers a near fatal wound that lodges a piece of shrapnel inches from his heart. The rebels take Stark hostage to demand he apply his genius to the design and construction of weapons built from their limited resources. In doing so, they provide Stark the means to construct a suit of armor that preserves his heart, and turns him into an invincible Iron Man!

Stark's mastery over technology allows him to bring his designs home, where the availability of rapidly upgrading technologies allow him to continue to refine the build to become increasingly mobile and efficient. Stark soon dons the Iron Man armor on a regular basis, not only as insurance against his life threatening injuries, but as an opportunity to atone for the wanton destruction delt by his weapons of death. Stark protects his secrets through the duality of a secret identity, projecting to the world the image of Iron Man as a hi-tech bodyguard.

Advancements in Stark's arsenal have advanced to a point where he has now undergone cybernetic synthesis on a genetic level. The armor now not only provides him with superhuman strength and an array of offensive weapons, but also gives Stark full wireless control over the armor and other peripheral devices, as well as access to information databases, including SHIELD resources under his control as Director of SHIELD. Iron Man remains a staple of the Avengers roster.

Math: Iron Man Ranking: Iron Man (#3)

What Went Down...
Deep beneath the Red Sea, Tony Stark works feverishly within one of his many laboratory stations to upgrade an old suit of armor. Knowing full well that the forces of HAMMER are closing in, Stark scrambles to don the upgraded suit. The lab hull gives way to the pounding might of the Sub-Mariner who tears through the structure with his bare hands.

Stark ignores his former ally's call for a surrender, firing repulsor rays at the deepsea monarch and his Atlantean warriors. The blasts distract as Iron Man makes an attempt to flee, flying just above the flooding waters. The Sub-Mariner borrows one of his warrior's spear weapons and tosses it with superhuman strength, enough so to interrupt Iron Man's flight and open another channel for the ocean depths to invade the once airtight facility.

Namor's guards pursue their target, only to suffer a barrage of micromunitions fired from the suit's rear. Adding insult to injury, Stark blasts away a portion of the floor to leave the unconscious bodies tumbling to the lower depths, a diversionary tactic for the fleeing strategist.

Namor fails to bite the bait, suffering the full onslaught of Iron Man's offensive energy projectiles. The ultra-powerful Sub-Mariner, perhaps fuelled further by his recent dip in the deep, marches through the oncoming blasts to deliver an energy attack of his own -- a single superhuman knock-out blow that sends IM hurtling!

The blow delivers a concussion to the man inside the invincible armor, and creates another breach of integrity for the laboratory exterior. Unafraid by the crushing depths of the sea, Namor gloats over his foe's pending defeat. It is the insult to the injury as the monarch's fists do his talking for him, once more.

With every blow, the Sub-Mariner comes closer to breaking open the metallic shell that seperates Tony Stark from his lethal force. In a desperation move Iron Man raises his gauntlets and releases high impact repulsor rays. Rays effortlessly deflected by the Sub-Mariner's heaving chest. Rays that further threaten the ensured destruction of the external glass his suit had cracked.

Recognising his physical inferiority, Iron Man seeks a strategic solution to his predicament. Noting facility waste pipes, he evades one of Namor's blows, and blasts the sewage. The gunk flows into the surrounding waters which grow ever higher with Namor's stray punch penetrating the glass behind.

Playing upon Prince Namor's aversion to aquatic pollution, Iron Man takes full advantage of the distraction with a mighty leap!

He buries Namor's head beneath the murky waters, forces him to inhale the sickening much through open gills. With the water rising around him, Iron Man holds steady until finally the Atlantean passes out.

Satisfied with a strategic victory, Stark makes use of the fleeting airspace, retrieving the aquatic armor he'd been upgrading, before initiation a self-destruct sequence in the lab. The destruction buys him valuable time for an escape.

The Hammer...
Y'know, there are a few things to consider when you look at the method of victory Mr. Tony Stark employed here. This was a science laboratory. There were a few pipes on hand. Maybe some of them were suitable pollutants, maybe they weren't. Regardless, Iron Man's blasts punctured the sewage of a facility that had been quite probably abandoned for some time. Disturbing, or highly improbable? That's for you to decide, true believers.

Well, it took some time, but finally we've overlapped with some of the pseudo-seventieth anniversary celebrations for Marvel Comics. That, and the omni-present marketting stamped "status quo" shift that is Dark Reign.
Both seem to have fully resurrected the relevance of Marvel's Golden Age icons, namely Sub-Mariner. The surly undersea mutant seems to have found a new zest for anti-hero guest appearances, sponsored largely by his tenure with "The Cabal" (aka; Dark Illuminati), who have dominated the Marvel Universe as the new ruling class via Norman Osborn. Not that Marvel's first mutant has ever truly faded to obscurity since his 1962 return in Fantastic Four #4. Consider it a resurrection of a career in the same way The Wrestler revived Mickey Rourke.

If for some reason the Sub-Mariner has alluded your reading career, you might like to familiarize yourself with the character through the Infinite Wars, and various other information sources. Why? Because in a strange way Sub-Mariner is the father of not only Marvel Comics superheroes, but also the tradition of "continuity" as it came to be known via examples like Thor's many overhead flights (and various famous guest appearances).

Marvel Top 25 Playlist
(With Year of Debut)
#1 Spider-man (1962)
#2 Iron Man (1963)
#3 Hulk (1962)
#4 Wolverine (1974)
#5 Capt. America (1941)
#6 Mr. Fantastic (1961)
#7 Daredevil (1964)
#8 Thing (1961)
#9 Invisible Woman (1961)
#10 Human Torch (1961)
#11 Luke Cage (1972)
#12 Sub-Mariner (1939)
#13 Venom (1984)
#14 Thor (1962)
#15 Silver Surfer (1966)
#16 Storm (1975)
#17 Beast (1963)
#18 Iron Fist (1974)
#19 Rogue (1981)
#20 Deadpool (1991)
#21 Tara (2004)
#22 Capt. America (1941)
#23 Union Jack (1980)
#24 Spitfire (1976)
#25 Wonder Man (1964)
Before the beginning of the Marvel Age, Marvel Comics was a series first published in 1939 by Timely.
The inaugral issue featured the first appearances of Human Torch, the Angel, and Sub-Mariner, who featured in an expanded reprint of an unpublished story. The trio of heroes have all since returned, most notably the former and latter heroes, while Angel joined many other four colour heroes to fade to obscurity come the 60's reboot.

The emergence of Stan Lee as a creative force saw the introduction of a new line of costumed heroes in the early sixties, which resulted in Marvel Comics. The success of lasting icons like; Fantastic Four, Spider-man, Iron Man, Hulk, Thor, and Dr. Strange; the prospect of a universe quickly emerged by a simple logic of business sense.

Despite boasting these unique new creations, Lee's sense of history as a reader, and fan, wasn't lost. In an Editorial role, he influenced the name of the company in homage to the classic superhero series, and also revived Golden Age concepts as part of his new emerging universe.

The Sub-Mariner's stature as an exciting anti-hero from the WWII era was well represented through a succession of appearances in; Fantastic Four, X-Men [#6], Avengers, Daredevil, and in a regular feature, Tales to Astonish.

With his role as an atagonist well established during the early years of the Marvel Age, it's little wonder that today Sub-Mariner has formed an alliance with the sinister powers of The Cabal. The secretive organization and it's precursive counterpart - the short lived Illuminati, to which Namor also held membership - sort of encapsulate this erratic relationship Namor has held with the rest of the Marvel Universe. In fact, the series reunites Sub-Mariner with his Supervillain Team-Up co-star, Dr. Doom, to whom he has been nemesis, and ally.

The reprisal of a slightly modified version of Namor's 70s outfit in Salvador Larroca's pencils presents a subtle adaptation of the character. Traditional superheroics and politicized intrigue collide in Invincible Iron Man; the secondary series starring the title character's run from the current administration, who deposed Stark, and recast him in the public eye as a coward and traitor.

The demotion appears to be part of a process to make amends for the character's antagonistic role in Civil War, which proved unpopular with many fans. One wonders if the abrupt shift isn't borne of a conscious concern for any crossmedia exposure the character might benefit from, namely the immensely popular film franchise initiated by director, Jon Favreau, and star, Robert Downey Jr.
Downey will reprise the role in May of 2010, giving a pretty good picture of when we might expect Tony Stark's nobility to finally have him in good stead with the heroes he alienated during the registration battle. (Just in time for the launch of a brand new Avengers film!)

Iron Man's deviation into fisticuffs is well balanced this issue with B-plots involving an armored Pepper Potts, and former Agent of SHIELD, Maria Hill, struggling with a brand new menace posed by a Matrix-lite revamp for The Controller who now possesses a zombie-like horde of jakked minions.

Larocca's pencils, colored by Frank D'Armata, dance a curious line between Adi Granov's heavily rendered humanoids, and CP Smith's distinctive characters. Consistency is lacking in the details of his work, but the action works, and like Granov's sometimes cold pages, the armor stands out well.

Revisiting previous suits in a time when Norman Osborn is wearing the most recent generation, (as Iron Patriot), is a fun prospect, but a kitschy piece of a puzzle that isn't quite cut to fit. The title, "The High-End Technology of Ultramodern Destruction," which is shockingly actually spoken in dialogue, telegraphs the slightly ambitious wankery that Fraction attempts to undertake.

It's a weird clash between classic superhero deviations (ie; a fist fight), sci-fi high concept, and modernist dramatic indulgence, that clash with average results. It feels like the type of formula a Grant Morrison could implement, but the balance of this particular issue just lacks the enthusiastic finesse of the Scot.
Likewise, characters and dialogue are fairly underwhelming, too unremarkable to offend standard accepted characterizations, but not distinct enough to inspire.

The rapid rise of inductees into Marvel's boysclub might inspire some degree of suspicion when it comes to the uniformity of approach. As names like Fraction or Aaron are thrown at prominent titles through association with Brubakers and Bendis', there's a feeling that the product ultimately defies the role.
Is this a fair criticism of an issue? Ultimately, the material speaks for itself, and while this issue doesn't sparkle in isolation, it's non-commital trivialities through the fight probably aren't as disappointing when viewed in the context of the arc.

Also worthy of praise is the logic of the fight.
Despite the nature of our reviews, so often we fail to elaborate any further than the cumbersome text summaries you read in the What Went Down section. Here, Fraction commands the fight in a way we always appreciate - with an awareness for circumstances and settings. Though obviously contrived, the use of the locale as a factor in the battle is a nice effort to utilize the tools presented by the tale. If the story is going to stay close to a checklist of objectives, this is a good effort to make some justifiable use of it.

As one of the many anniversary appearances of Namor, the issue also deserves credit for a well motivated appearance.
Like many of the stories featured previously on the Infinite Wars, it's an immensly interesting instalment to be included in the more significant canon of a character. The kind of story that the Infinite Wars are founded upon, regardless of any larger critiques. Part of a winding seventy year history!

The Fight: 4.5 The Issue: 4
Winner: Iron Man

If you want to get ahead of the curve on World's Most Wanted and find out the context of the issue, you can preorder the trade from Amazon! By using links provided on the site, you benefit from Amazon's service and price, while also helping sponsor future entries in the Infinite Wars! Other stories from the Secret Archives, including those featuring the invincible Iron Man, are also available in the Gift Shoppe.

Wednesday, April 01, 2009

SHIPPING LIST: APRIL 01, 2009
You can probably find complete shipping list updates on most major comics sites. Consider this an opportunity to either do all your info-shopping in the one place, or get a speculative perspective on what might be worth checking out. These are untested reads. Secret Wars on Infinite Earths can offer no guarantee or endorsement of quality. These are simply titles that may be of potential interest. Some items may ship late.

The Infinite Wars now has a gift shop!
Now you'll find Amazon purchase links to hardcovers, trade paperbacks, and other collections, not only on regular entries -- but also new releases at the bottom of the Shipping List, and now a whole catalogue of potential purchases via the Infinite Wars: Amazonian Gift Shop. [Men are also welcome!] By shopping with Amazon via our purchase links, you not only find yourself a great deal, but also sponsor future entries on the Infinite Wars.

Advertise here! Contact for more!

The Independents...
JAN094403 2000 AD #1625 $4.50
JAN094404 2000 AD #1626 $4.50
JAN092390 ASTOUNDING WOLF-MAN #14 $2.99
JAN092414 BOMB QUEEN TP VOL 05 BOMBASTIC $16.99
FEB094199 BOYS #29 (MR) $2.99
NOV084206 BUCKAROO BANZAI ORIGINS #1 $3.99
FEB092422 JERSEY GODS #3 $3.50
FEB092403 OVERMAN TP $16.99
JAN092402 SAVAGE DRAGON #146 $3.50
FEB094040 SUPER HUMAN RESOURCES #3 (OF 4) $3.50
NOV084059 SUPERMEN FIRST WAVE OF HEROES (1939-41) GN $24.99

The Corporates...
FEB092485 AMAZING SPIDER-MAN #590 $2.99
JAN092497 AVENGERS INVADERS #9 (OF 12) $2.99
FEB090253 BANG TANGO #3 (OF 6) (MR) $2.99
FEB090157 BATMAN BATTLE FOR THE COWL MAN BAT #1 $2.99
FEB092585 CABLE #13 XMW $2.99
FEB092460 CAPTAIN AMERICA COMICS 70TH ANNIV SPECIAL #1 $3.99
FEB090238 MIRRORS EDGE #6 (OF 6) $3.99
FEB092556 OFFICIAL INDEX TO MARVEL UNIVERSE #4 $3.99
JAN098012 PREACHER # 1 SPECIAL EDITION $1.00
JAN090195 SUPERMAN BATMAN #57 $2.99
JAN090218 TEEN TITANS #69 $2.99
FEB090189 TEEN TITANS ANNUAL 2009 #1 $4.99
FEB092565 WAR OF KINGS #2 (OF 6) $3.99

The Spotlight...
- DEC080169 BILLY BATSON AND THE MAGIC OF SHAZAM #4 (RES) $2.50
Possessing an innocence and charm suitable to the "Shazam" brand, but unfortunately rare, it's a shame this hasn't been a more stable title. DC currently have no future summaries on their website, leading me to wonder if this might not be the end for the big red cheese and his bendy cartoon adventures. If it is the end, hey, at least they're going out with a bang! The Captain clashes with arch-rival, Black Adam, in what will surely be an exciting battle!

[Update: Executive Editor, Dan Didio, recently revealed that the series will go on brief hiatus in order to give writer/artist, Mike Kunkel, a chance to get back up to speed. So fret not! The Magic of Shazam is far from faded!]

- FEB092593 DESTROYER #1 (OF 5) (MR) $3.99
Y'know, if this were a more accessible title, I might've thought Robert Kirkman was fluffing his mainstream profile to further his world domination plans as an appointed Image Founder. Instead, the team that brought you Invincible, (Kirkman & Cory Walker), deliver an energetic revamp of a Golden Age classic perfectly timed to coincide with a contrived 70th anniversary. Unfortunately this is not the same Destroyer who appeared in New Invaders, but considering his predicament that promises imminent death for the aging WWII hero, that might be a good thing. This one's the kind of tale that takes a traditional superhero and spins it a little off centre, making good use of the MAX imprint to indulge in a bloody quest for the dying hero to erase any enemies who might bedevil his family when he's gone. Actually, the gnarly action isn't dissimilar to what you'll find in Invincible, so in that respect, consider it an advertisement. Otherwise, this is a very fun deviation from the norm from a publisher that's sometimes a little too cautious.

- FEB090172 FLASH REBIRTH #1 (OF 5) $3.99
I think we've seen enough over the past decade to know that the return of Barry Allen isn't about to sully the legend of that particular character. Geoff Johns proved the Rebirth formula in 2004 with Hal Jordan; a character who is arguably now hero #4 behind the franchise trinity. As we've often noted, the project can surely only benefit the languishing brand of Wally West, but I just can't help but feel deflated. Call be stubborn, but reversing death at the best of times leaves me miffed, but to alter such a significant point in DC history? I can start to empathise with those who feel it's all an exercise in futility.

- FEB092516 INVINCIBLE IRON MAN #12 DKR $2.99
Since defecting to the "Dark Illuminati" it seems the Sub-Mariner has been showing up all over the place. It probably doesn't hurt that Marvel's "original" mutant is turning seventy and is right at the centre of their (pretend) seventieth anniversary celebration! This time around he's on the hunt for former-ally, Iron Man! With any luck it should be an exciting sequel to the grudge match seen in the New Avengers: Illuminati special from a couple of years ago! This one has all the makings of a classic battle, but as a fugitive on the run, does Tony Stark really stand a chance?!

- JAN090206 JUSTICE SOCIETY OF AMERICA #25 $2.99
Geoff Johns wraps up his epic run on the Justice Society of America with one last liason with a character he's nurtured over the best part of the decade. Yes, Black Adam is on the scene once more, but while his attempts to grab power might be of particular interest, it's the continuation of Mary Marvel's plight in Final Crisis (and Countdown) that really makes this a fantastic sleeper hit. The burning embers of the controversial apocalyptic mega-event might have died down somewhat, but the significance of the story makes this disappointingly quiet follow-up all the more intriguing!

- FEB092553 MARVEL ASSISTANT SIZE SPECTACULAR #1 (OF 2) $3.99
By now, you've probably already had a small army of people regale you with stories of the good old days when Assistant Editor's month meant wacky hijinx aplenty. In the ultra-serious world of modern superhero comics, I actually think this is a great idea. Unfortunately, I'm not sure if I'm really expecting an investment in anything of consequence or genius. As I chip away at the frivilous weekly comics fund, you're going to hear me complain more often about the price. At $3.99, I'm not sure this one's going to be worth the price. Probably fun, but bare that in mind.

READ THE PREVIEW - VISIT THE SITE - BUY THE COMIC

Know Your Trade...
DEC080152 BATMAN THE HEART OF HUSH HC $19.99
JAN092414 BOMB QUEEN TP VOL 05 BOMBASTIC $16.99
FEB092641 DEADPOOL CLASSIC TP VOL 02 $29.99
JAN090231 JSA TP VOL 02 THY KINGDOM COME PART 01 $14.99
FEB092403 OVERMAN TP $16.99
JAN090266 RESIDENT EVIL FIRE AND ICE TP (MR) $24.99
NOV084059 SUPERMEN FIRST WAVE OF HEROES (1939-41) GN $24.99
FEB092648 WHAT IF TP SECRET WARS $19.99
DEC082419 WOLVERINE OMNIBUS HC VOL 01 MILLER CVR $99.99