CHEETAH versus CATWOMAN
The Long Road Home: Part 1 (DC)
Where: Catwoman #78 When: June 2008
Why: Will Pfeifer How: David López

The Story So Far...
After a spate of especially violent superhuman crimes, the secreted United Nations agency called Checkmate set about plans to 'relocate' the world's super powered criminals on a distant planet called, Salvation.

Amanda Waller leads the initiative with her group of reformed and controlled criminals, the Suicide Squad, in an effort to round-up the powers, and redistribute them with the use of Apokoliptian Boom Tube technology.

Catwoman finds herself among those trapped on the hell planet, which is actually a training ground for the New Gods. Populated by deadly and malicious creatures designed to harden those trained there, Catwoman has much to contend with, not only the wildlife, but also arch enemies like Hammer and Sickle...

Tale of the Tape...
Strength: Cheetah 4 (Enhanced)
Intelligence: Catwoman 3 (Professor)
Speed: Cheetah 4 (Olympian)
Stamina: Draw 4 (Athlete)
Agility: Cheetah 5 (Cat-like)
Fighting Ability: Catwoman 4 (Trained)
Energy Power: Draw 1 (None)


- Dr. Barbara Ann Minerva was an anthropologist who travelled to Africa to seek out the secrets of a tribe whose guardian is said to possess the powers of a cheetah.

When this guardian is killed by marauders, Minerva steps up to the mantle, but details of the mystic process mean the recipient must be a virgin, which she is not. The irregularity means the mystic powers of the Cheetah become a curse, as Minerva finds herself wracked with pain, and bloodthirsty when in the form of a human-cat.

As Cheetah, Minerva possesses strength, speed, agility surpassing any ordinary human, approaching the levels of the creature from which she takes her name. Her senses are also heightened to comparable levels to the animal.

- Selina Kyle lives a life on the streets, coming to be known as a notorious thief. Her escapades garner much attention, and eventually force the burglar to lay low, where she continues her career in crime as a dominatrix extracting information from potential victims.

Kyle gains extensive training in the martial arts, and inspired by the mysterious vigilante called Batman, adopts her own leather mask and catsuit ensemble to become Catwoman.
As Catwoman, she embarks on a career as an ambiguous entity in the Gotham City landscape. Though regularly acting as a professional burglar and occasional mercenary, Catwoman also comes to be known as a protector of Gotham's East End. She is also known to be romantically involved with Batman.

Catwoman is a highly skilled fighter at peak physical condition, with impressive physical strength, agility, and speed. Catwoman also utilizes weapons including a whip, cat o' nine tails variation, and claws contained within her gloves.

History: Catwoman (1-0-0)
The Math: Cheetah Ranking: Catwoman (#21)

What Went Down...
Alone on a planet populated by murderers and madmen, Catwoman finds herself face-to-face with her Russian arch-enemies, Hammer and Sickle. Ever the survivalist, Catwoman convinces them her alliance with Lex Luthor can get them off the planet, but only if she can convince the All-American Luthor to aid the tandem of Russian super-soldiers.

The Russians prove less than invested in their role as Catwoman's super-muscle when Cheetah descends on the trio while they overlook Lex Luthor's camp. Tensions between the feline-themed ladies had built over previous encounters.

Forced to fend for herself; Catwoman finds herself physically overwhelmed by her stronger opponent, who pins her to the ground before slamming her head into the stone underfoot. Cheetah prepares to toss her foe to the villains below, but the incredibly agile Catwoman is able to swing out of the press position, using her momentum to drive Cheetah's arm into a jarring slam.

Suffering a broken wing, Cheetah is too distracted to defend herself from Catwoman's preemptive assault. A rock serves as a makeshift equaliser, Catwoman wielding it as a weapon she breaks across Cheetah's face, before toppling her with a roundhouse kick.

The rush attack hurts Cheetah, making her increasingly desperate.
Catwoman reaches for the whip, wrapping it around Cheetah's head with a violent crack. Unwilling to go down so easy, Cheetah yanks on the whip, flicking Catwoman over the edge of the cliff. The whip drags both women down, but only one of them is in condition enough to maneuver in the air...

Catwoman rides her attacker to the ground, but the impact fails to put an end to Cheetah's vengeful desires. Catwoman paws at her belt, revealing a cigar marked "J" just as the feline villainess launches herself.

"Any of you *koff* guys see the Joker tell him I said thanks for the cigar."

The explosion puts a punctuated end to the latest installment in the growing rivalry between vixens. The war, however, is but beginning, as Luthor and Catwoman look to the night sky to witness a boom tube open...

The Hammer...
Ladies and gentlemen, Catwoman officially smoked Cheetah. Oh, come on! What would victory-by-Joker cigar be without a bad joke to close the deal? Ah, to hell with you guys!...

Needless to say, it wasn't the pun that delayed yet another entry in the Infinite Wars. Suffice to say my time's been pretty well booked lately, but I was too excited about the prospect of getting another entry from 2008 up on the Wars, that I just had to push on! What a trooper.

Earlier in the year we featured a previous encounter between these two characters; from the Loeb/Sale mini, Catwoman: When in Rome; as a direct response to the release of this issue that caused a minor stir. It's nice to be able to follow up, because the issue delivers exactly the kind of whip cracking throwdown I had hoped for.

For those who missed it; it was the salacious reception of the Adam Hughes coverart that had many interpreting the lip-biting cover as the latest in a long line of covers that are gratuitous.
While I would accept Hughes has a reputation for provocative artwork, and Catwoman covers have certainly pushed that line; I felt, and feel, this was more fantasy than fact when describing the feral ferociousness of this cover. Suffice to say, it proves an accurate representative of internal materials now detailed.

That's not to say I'm stupid or blind, mind you.
My threshold for embarassment and arousal might be a bit more relaxed than our friends from the United States, but my thoughts did turn to the Comics Fairplay regular feature when spying what is to be the second-to-last cover for this series of the book [Catwoman #81].


Top 25 Ladies#1 Invisible Woman (Marvel)
#2 Catwoman (DC)
#3 Storm (Marvel)
#4 Rogue (Marvel)
#5 Wonder Woman (DC)
#6 Wasp (Marvel)
#7 Zatanna (DC)
#8 Elektra (Marvel)
#9 Kitty Pryde (Marvel)
#10 Hawkgirl (DC)
#11 Tara (Marvel)
#12 Spitfire (Marvel)
#13 Hellcat (Marvel)
#14 R. Mika (Capcom)
#15 Phoenix (Marvel)
#16 Black Cat (Marvel)
#17 Black Canary (DC)
#18 Black Widow (Marvel)
#19 Lyja (Marvel)
#20 Tabitha Stevens (Marvel)
#21 She-Thing (Marvel)
#22 Powergirl (DC)
#23 Stargirl (DC)
#24 Sayd (DC)
#25 Sakura (Capcom)I'm no wowser, but if a scene depicting the catsuit clad heroine bent over infront of spotlights isn't gratuitous, I do not know what is! Yeesh!

Food for thought, though that may be, it's actually the impending cancellation of the title that's the real talking point. Upcoming issues bring Selina Kyle back to her stomping grounds of Gotham, but it looks like her return from Salvation will only bring her into conflict with the villains of Gotham, and former-flame, Batman.

Admittedly, between being busy and distracted by other sources, I'm a bit out of the loop, but I just don't know what to expect from the coming months at DC!

Final Crisis has thrown all kinds of theories at the wall! The final chapter of the so-called "Crisis Trilogy" has me feeling everything I've mocked others for. After scoffing notions that Identity or Infinite Crisis were building to a line-wide reboot or fragmented multiverse; I find myself dreading the potential of exactly that.

Catwoman has been confirmed for post-cancellation appearances in Detective Comics, but for a title that's held such a consistent standard for over eighty issues, it seems like a bitter consolation for Will Pfeifer, David Lopez, and fans of the series. It also begs the question of what the future holds for the character.

I have to admit, thoughone of Wonder Woman's few readily identifiable adversaries, I liked the notion of seeing Cheetah and Catwoman continue their acquaintance as rivals. As a supporting character herself, that might be a little too much to ask for, but the baggage Catwoman has accumulated in her solo adventures may yet find it's way to pages inhabited by the Dark Knight, which could make for some very interesting material.

Continuing the theme that seems to have trumped Invincible Iron Month; Cheetah and Catwoman are also prime examples of characters it might be nice to see in the upcoming Mortal Kombat versus DC Universe. The modern Cheetah certainly has qualities sure to appease certain expectations of MK fans.
I'd love to elaborate, but I'm absolutely zonked, so I'll take my leave satisfied with just getting an entry done! Make sure you stay tuned for the various things going on around the site, and keep rocking! More soon!

The Fight: 4.5 The Issue: 5

You'll have to wait a while before preordering the collected edition of this Catwoman story, but there's plenty of other Catwoman goodness on offer in the Infinite Wars: Amazonian Gift Shoppe! Titles reviewed, and recommended, are all available at low prices thanks to Amazon, and by using purchase links provided, you help sponsor future entries in the Infinite Wars! Show your support, check out the many titles on offer, including the series, Salvation Run! Be sure to also check out the urban adventures of the White Ghost in our very own, The Kirby Martin Inquest. At the special price of $1.99 for twenty-two pages of full-size story, it's the perfect time to show your support for resident fledgling (and exhausted) talent, Mike Haseloff!

QUICK FIX DOUBLE FEATURE: Out of the Bag
HAMMER versus CAPTAIN COLD
The One You Love Conclusion (DC)
Where: Catwoman #49 When: January 2006
Why: Will Pfeifer How: Pete Woods

Quick Fix...
So, we dared to touch upon the nasty subject of Amazons Attack [Wander Woman], a series that has done absolutely nothing for the otherwise rising star of writer, Will Pfeifer.

In light of that, I thought it was probably worth zooming in to check out some of Pfeifer's much better work, namely picking up the slack on Catwoman after fan favourite writers Darwyn Cooke and Ed Brubaker left the title reinvigorated. Tag neglecters might also like to backtrack to the only other entry from Pfeifer's catalogue, the first issue of Captain Atom: Armageddon, reviewed earlier in the year.

But back to Catwoman. For those not terribly interested in the character or the title, it's probably hard to appreciate the situation Pfeifer was put in. The pressure almost certainly didn't come from the company, as this was among several maneuvers that really positioned Pfeifer as one of the up-and-comers at DC, but for fans and an industry, this was potentially a recipe for disaster!

The title had languished in a decade of reality-defying purple bodysuits, and equally unfathomable boobs, the result of Frank Miller's Year One contribution decaying as it passed through filter, to filter. Such a prominent character was undeniably calling out for a revamp. Fortunately for all concerned, it was masters Darwyn Cooke and Ed Brubaker who ultimately answered in a series of short back-ups in the pages of Detective Comics.

The duo were able to steer Catwoman back to the light with a sexy and smart approach to the characterization, that was achieved through Cooke's fun, chic pencils, and an overall intelligent script. Likewise, fleshing the supporting cast out to include golden age Detective Comics character, Slam Bradley, was a stroke of genius, and the finishing touch to sustaining Catwoman as a property.

Cooke left the book, but Brubaker continued to enjoy success with the visually similar collaborations that followed, most prominently stories with Cameron Stewart. Fill-in writers and artists would follow, while the book ebbed and flowed after suffering War Games crossovers, marking the end of Brubaker's run (#37).
With Brubaker presumably fatigued, and Marvel-bound, the time had finally come to find a replacement on the sleeper-hit of the decade.

Enter: Will Pfeifer and Pete Woods.
Stand-ins filled the void, but it was with issue #45 that the next chapter in the renewed Catwoman's saga began. Pete Woods' visuals departed totally from the cartoony approach initiated by Cooke. Pfeifer represented a slightly less radical shift in the writing, but still delivered what could be described as a less cute, stylized approach to the character, opening her up more to the urban sprawl of Gotham's moving parts, and the super-elements of the Infinite Crisis Society.

It wasn't all about Catwoman, though, and Pfeifer did well to borrow and continue elements established by the previous creative teams.
In issue forty-nine, occasional Catwoman co-hort, Captain Cold, is perturbed to learn of Catwoman's apparent demise at the hands of Angle Man.

The Society quartet of Hammer, Angle Man, Hugo Strange and Cold see to the body's dismemberment, scattering it across Gotham City so as to reduce trace evidence. They are of course, completely unaware of Catwoman's gambit involving the calling in of a favour from a shape-shifter.

Content with a less brutal way of crime, Captain Cold opts out of maintaining his association with the villains, considering Catwoman's murder "unnecessary."
Displeased with Cold's dated consideration of the criminal fraternity, Strange sets his Russian super-solder on him.

Though far out of his weight-class, the seasoned Cold proves more than enough brain for the brawny Hammer. Reaching quickly for his ice-blasting gun, the Captain fires off a massive blast that encases Hammer from the waist-down, in solid ice.

Cold presses his seniority, taunting the super-powered Russian with the information that he chose to use the gun only on medium -- not enough to be lethal. The show of strength not only immobilizes the deadly Hammer, but punctuates a point that he is not a man to be meddled with.

With this first storyarc, the relatively untested Pfeifer quickly established himself as a man more than suitable for the job. Though broadly different from the more isolated adventures of the first twenty-five critically acclaimed issues, Pfeifer continued Catwoman's legacy appropriately, meeting the editorial requirements of a DC Universe becoming increasingly interconnected.

Woods maintained a visual style that complimented everything established previously, like the revamped Catsuit, while paying a respect to reality that also served characters like the villainous duo, Hammer and Sickle.
It would be the two Russian characters, who first appeared in Outsiders in 1986, that would continue to plague Catwoman in later issues, establishing the book as a conscious, on-going story in the same vein as projects such as Judd Winick's run on Batman, oft discussed here on the Secret Earth.

The Fix: 4.5 The Issue: 5.5
Winner: Captain Cold

[The existence of supporting characters, regular and cameo, continues to prove to be crucial to the on-going success of Catwoman as a series. Pfeifer does well here, highlighting his ability to handle just such a task. Not as isolated or stylistic as previous portions of the run, but still a very honorable continuation.]

---

TRIPLE THREAT versus CATWOMAN
Paperweight Part 1 (DC)
Where: Catwoman #63 When: March 2007
Why: Will Pfeifer How: David López

Quick Fix...
So, as you may have gathered, Will Pfeifer has remained on the book, continuing his run to now and beyond. Next week issue #71 hits stands, so if you're reading now and are getting jazzed up for Catwoman, rest assured that a familiar product is readily available. We are celebrating the better side of Pfeifer, but I'd also recommend the Brubaker/Cooke/Stewart trades, if you're in the market.

So, Pete Woods departs after the first chunk, paving the way for David López to step in. Like Stewart to Cooke, or Allred, the shfit between Woods and López is minimal, making for a smooth reading experience as Pfeifer continues his story across the issues.

It's probably worth noting the fantastic covers the series has enjoyed post the minimalist approach of the earlier issues. Adam Hughes' efforts on covers have ranged everywhere from action packed stills, insinuative story previews, and super-sexy pin-ups that just scream Catwoman.

Among my favourites would have to be the recent red-background simple cover to #70; the panda-eyes of #51; and the sheer menace of #45, complete with Deathstroke, the character who was believed to have killed Catwoman by the end of her previous series, disguised as on-again-off-again love interest, Batman!

Of particular note on these covers, Catwoman's voluptuous figure, that represents the sexy, sassy confidence of the character, but also manages to portray her as something resembling a real woman. Absent are, dare I quote myself, 'the defiant hips of a fifteen year old,' regularly showcased on inhumanly busty characters suched as everyone's favourite, Powergirl.

One Year Later, life is beginning to crunch on Selina Kyle, who has taken a most unlikely path over the missing year. Now a mother; Kyle's young protégé has represented the mantle of Catwoman while the original take time to recover.
Unfortunately, things get hairy for this young Catwoman as she becomes wanted for a murder commited by her predecessor, and gets caught-up in the pressure of increasing unrest in the unified criminal underworld.
Back in action, Kyle tackles these problems head-on.

Hoping to protect herself and her ward, Catwoman reaches out to The Calculator, the brilliant hacker crucial in facilitating the unification of villainous efforts. She opts for his services in erasing police data, rather than enlist the aid of former Batgirl, Oracle, in an effort to avoid revealing her part in a murder to Batman.

The Calculator, apparently displeased over Catwoman's wavering allegiance, offers her up to a trio of young criminals hoping to put their new genetic enhancements to the test in the name of bigger fish. He diabolically pits the Triple Threat against an unsuspecting Catwoman, as a test of initiation.

The trio catch Catwoman unawares as she swings toward the Calculator's digs on the assumption he will help her with her problem.

The team-leader snatches Catwoman up and uses his powers of flight to take her airborne with the presumed intent of dropping her from a great height - but things go south, quickly.

Resorting to a less than graceful out, Catwoman throws her leg up, striking the unprotected crotch sufficiently enough to send them earth-bound. She offers some friendly costume advice, recommending padding.

Landing in the snowy ground with the agility of a cat; Selina is again taken by surprise by the super-strong member of the trio. He wraps her up in a sleeper hold, proposing they test her reflexes to see if they're as quick as her wit, holding her for his fellow who sparks with electrical energy.

Once again the Catwoman's feet do the majority of talking for her.
She uses the hold to swing both her feet up, knocking the electrically charged villain's hands up to narrowly avoid being blasted with raw electricity.

Tired of the amateur assault, Catwoman opts to pull out all the stops.
She snags the lightning-shooting threatster's hand in a scissor lock, again using the leverage afforded by the hold of the other villain, to lift her entire body into snapping the newbie's wrist.

With two of the three down, she makes a confident insinuation, prompting the final of the super-powered upstarts to run for his life.

In light of the message of our last feature [Wander Woman], it's perhaps some kind of irony that Catwoman represents the morally grey area. Unlike a Wonder Woman, Selina Kyle has enjoyed success in the modern age without any real characterization hiccups or restraints. Her status as neither hero nor villain has certainly contributed to this success, but I think overall she's managed to remain an interesting character through the mounting developments made over the years.

I think it's almost fair to say it took until 2001 for the character to finally be honed to perfection. Brubaker and Cooke refined the character down to it's strongest parts, which has benefitted many-a story since, including tangential tales like Jeph Loeb's Hush. A clearer definition of the character in contemporary continuity made for a thoroughly interesting and successful affair between long-time rivals, Catwoman and Batman.

I think it's fair to say Pfeifer's work on the character has waned slightly in more recent stories. Such may be the nature of the project as it becomes something of a Daredevil style book, to the DC Universe. I'd like to think even at it's lowest points, Pfeifer has earned his place among the "young" guns of comics writers.

Before we wrap this one up, I have to shoot-out a thank you to the ever-so relevant When Fangirls Attack, who have again included one of our features in their regular reference lists. Theirs is a support that is always greatly welcomed, and I hope those of you visiting the site for the first time might get something out of it, and continue to return for more of our fist-shaking antics.

Lots of stuff going on, but we'll be back for the usual Friday hits, with a little bit of a twist for the break while Bahlactus takes a couple of weeks off. Be here!

The Fix: 4.5 The Issue: 4
Winner: Catwoman

[Despite the questionable efforts of Amazons Attack, Pfeifer continues his run on Catwoman with relative success. Characters Hammer and Sickle continue to be of relevance as he builds on the reality of Gotham's East End through the tried-and-true method of continuing stories, and recurring themes and characters.]

MONTHLY PUNCH-UP #15 (March 2007)
SLAM BRADLEY versus BATMAN
Wild Ride: Meanwhile (DC)
Where: Catwoman #22 When: August 2003
Why: Ed Brubaker How: Nick Derington & Cameron Stewart

Quick Fix...
Another big month for the site, and here we are at another opportunity to reveal just how full of shite I really am.
Batman returns with a vengeance to the site with yet another appearance, a mere month or two after I said it might be lights out for the dark knight. I bow!

Wanted to get some DC action up here for the Quick Fix at the very least, and where better was there to go for a quick tussle than Ed Brubaker's revolutionary work on the revamped Catwoman title? Actually, it was a nice opportunity to visit this series for the first time at Secret Earths, perhaps largely due to the fact it was driven by more than fisticuffs.

Ed Brubaker's come up a few times recently, mostly through his Daredevil work, but his status as darling of Marvel comics was preceded by some very solid work as one-half of the writing team of the critically acclaimed Gotham Central, and of course, as writer here on Catwoman.

I have to admit, a lot of what made this such an attractive read is the visual style, which owes a lot to Darwyn Cooke's role in kicking off this new approach to the character, but is followed through well by a team comprised of Cameron Stewart, Guy Davis, Nick Derington, Matt Hollingsworth and apparently a slew of others, whose significance blurs amongst all the issues.

The minimalist style popularized by DC through their animation, and embraced likewise in the comic books, plays superbly here to a fun, sassy and exciting read, without ever getting silly. In fact, for all it's simple charms, Selina Kyle is as sexy as ever, and the action hits just as hard in what was probably one of the strongest titles being published pre-Infinite Crisis.

This storyarc, Wild Ride, features various guests (such as the JSA's Wildcat and Captain Cold), with the throughline of a fun, road trip story. Various hijinks occur, delivering strong characterizations in all the featured roles in unison with tight-knit, quirky story telling.

Our bash-up brings us to a B-story featuring Slam Bradley, who finds himself on the questioning end of Batman, his rival as romantic interest for Selina Kyle aka; Catwoman.

Tensions between the two build, and Batman makes reference to a tawdy night spent between Bradley and Kyle -- and it's on!

Bradley charges furiously at the Batman, making the assumption that he'd surprised him, simply because he actually lands his punch square in the Bat's mouth. Not that he doesn't quickly find himself on the tread end of Batman's reflexes, getting a boot for his troubles.

The Bat warns the grizzled detective off of any further attack, but the testosterone probably makes the decision for him. Bradley rolls his sleeves up, and moves in with his dukes ready to do the talking.

Batman's superior fighting skills see him slipping from the jab with ease, delivering his own blunt force with a closed fist.

Slam continues his jealous rage. Batman strikes a pressure point, taking one of Bradley's arms away, before following it with a swinging kick to the back of the head. It sends Bradley slamming into a pigeon avery on the rooftop.

"Are we about done now, Bradley...?," Batman asks.
Slam responds with a bloody grin, "... Why...? You gettin'... gettin' tired...?"

The Batman lets Bradley take more of his medicine, but as the match-up continues to be more and more one-sided, Bradley's continuing to get up probably makes it's point. Batman laughs.

Batman gives Bradley credit due for his sheer determination, and leaves him to enjoy a cigarette on amicable terms.

I happened upon a review of this issue that described it as writing Batman better than he was in his own books. Personally, this isn't what I consider Batman to be, but that said, I enjoy the luxury afforded by this type of title to give the character that spin. A spin that allows him to knock around with an old detective and indulge in a laugh at the end of it.

I don't know if it's the fun nature of the title, or the blinding glory of the graphic presentation, or perhaps the luxury of following in Darwyn Cooke's mighty footsteps, but Brubaker shines here in a way I haven't seen.
The writing has that familiar compacted quality to it, working a lot of economy into the scripted page, as I would hope an urban superhero book would. However, it somehow feels much less laboured than the likes of Captain America, Daredevil or even the joint effort on Gotham Central.

Here the story unfolds with a relaxed whimsy that allows it a sense of fluidity, and natural flow that makes it a breeze to open, and a disappointment to close.

The Fix: 6 The Issue: 7
Winner: Batman

The Top Five...
Two months into a brand new top five system for 2007 doesn't leave a lot of room for change, and you could perhaps begin doubting the logic of abandoning the cumulative rankings. If you can be patient enough to read on to The Hammer, we'll talk a little bit about implementing changes to that, and hey... The overall top five isn't doing much either!

#1 Spider-man (+1) (7) (Marvel)
Class: [Meta] Last Opponent: [Magneto]
Win Percentage: [77.78%] Features: [9]

A tie with Magneto doesn't do much for Spidey's win percentage, but it's enough in these early stages to lift him to the top of the monthly top five! Yaaay!

I've got to be honest -- I'm on a realy Spidey high right now. What's weird is maybe that it has very little to do with the Spider-man 3 movie, or even the Back in Black promotional event in the comics. I'm just really enthusiastic about the Spider-man villains, and how well they seem to be being represented in the comics right now! It's a reneissance for villains that may have slipped into the B-list.

I got a stack of new comics, there's a handful of Spidey stories in there I want to get up on the site, there's a handful already on my to-do list. Secret Earths is liking Spidey a whole lot right now! Put your money here, kids!*

#2 Moon Knight (-1) (2) (Marvel)
Class: [Champion] Last Opponent: [Taskmaster]
Win Percentage: [100%] Features: [1]

Moon Knight remains in the top five, and honestly, at number two I can feel a whole lot less guilty about the whole affair.
Moon Knight is a great character, and akin to those so-called B-list villains I mentioned just moments ago, but he isn't a number one. Not based on that one quick fix against Taskmaster, at least... Let's be honest.

I wouldn't expect to see this guy sticking around on the top for too much longer. The Moon Knight title, for all it's positives, just seems to be dragging it's heels so poorly that even if there is going to be a fight -- chances are it's going nowhere.

Lord knows I was thoroughly disappointed by the 'Casualties of [Civil] War' issue, which features maybe four pages of the web-slinger, including the cover.
I'd love to invest in the Captain America guest-issue, but honestly, I'm not expecting much more than a similar cameo there. As far as I know, Moon Knight has been content to remain neutral, and with some assemblence of a story simmering in the background, these gratuitous guest-spots are meaningless.

#3 Red Hood (-) (2) (DC)
Class: [Meta] Last Opponent: [Brick]
Win Percentage: [100%] Features: [2]

Among the purists visiting, I imagine this is the most embarassing feature in the top five. Of the two returning sidekicks-gone-bad, I imagine the split falls more in the favour of Winter Soldier/Bucky, rather than Red Hood/Robin, but you know what? I'm not too fussed.

Though I didn't pick up the follow up to the battle with Brick, I feel the character has at least earned the circumstances by which he finds himself on our top five.

While the character has suffered under the barrage of crossover fever, he has managed to avoid languishing, and I think that's great!
It's just a shame that to keep the character afloat, Winick had to drag him over into a pretty cheesy villain team-up in Green Arrow. I guess that's what you get for being the chief proponent for his return.

#4 The Punisher (-) (2) (Marvel)
Class: [Champion] Last Opponent: [Rhino]
Win Percentage: [100%] Features: [1]

The Punisher lingers as a character we're only just seeing return to the superhero fight scene. Good to have him on board, and while I don't have a large stock to draw upon for the character, you can probably make a safe bet that he'll be popping up on the site again soon.

A great character who has thrived in his own corner, you couldn't knock his position, but it seems a little unlikely, at least in this world, that he'll survive slipping off the bottom of the pile.

#5 Beast (-) (2) (Marvel)
Class: [Meta] Last Opponent: [The Lizard]
Win Percentage: [50%] Features: [4]

Once more we finish up our top five examination with the intelligent, gentlemanly, and ever powerful - Beast!

It occurs to me that other than Wolverine breaking into his own home to fight Sabretooth, I don't have a whole lot of an idea what's going on in the X-corner of the Marvel Universe.
Brubaker, for all the positives highlighted in Catwoman, is taking the X-Men on a retro journey that is the exact opposite of what I'm interested in. Astonishing X-Men remains, in my opinion, a disgustingly overrated piece of derivative tot. And everything else is a bit below my radar, I suppose.

It may be sad, but at the number five spot, we'll almost certainly be saying goodbye to the mighty Beast.

Super Stock...
1. Batman (-) (DC)
2. Spider-man (-) (M)
3. Wolverine (+1) (M)
4. Iron Man (-1) (M)
14. Robin (+10) (DC)
16. Red Hood (-1) (DC)
18. Steel (-1) (DC)
19. Deadpool (+26) (M)
20. Beast (-2) (M)
27. Wasp (-) (M)**
28. Nightwing (-2) (DC)**
54. Catwoman (-) (DC)
69. She-Hulk (-) (M)
100. Bucky (Heroes Reborn) (-) (M)
193. Space Phantom (+1) (M)
194. Rhino (+1) (M)
195. Lizard (+1) (M)
196. The Joker (new) (DC)
198. Blade (new) (M)
200. Metallo (-2) (DC)
203. Taskmaster (-1) (M)
204. Magneto (-3) (M)
205. Brick (-3) (DC)


#22 The Sub-Mariner
Class: [Meta] Last Opponent: [The X-Men]
Win Percentage: [40%] Features: [5]

I try to do a lot of things through this humble blog o mine.
One of those things is to try to include some sort of perspective of where the written aspect of the story might come from. Granted, that isn't the chief exercise here, but I figure if I'm going to tote myself as a writer, I could at least try to exhibit some understanding of the process, and exploit it to my advantage.

If you noticed the inclusion of the Brother Eye satellite in the banner, it's purely for the inclusion of this section. This spotlight is an opportunity to type up the stats of a character perhaps not in the top five, and talk a bit more about my fabled Sub-Mariner pitch, which has been pepper referenced for quite some time.

So as a spine to this section, I'll be featuring the characters that are wrapped up in this sordid little pitch. Of course, I hope to reserve at least some of my secrets, in the vein hope that one day they may actually find themselves canonized.

Moving on, the crux of the idea is a four issue mini-series that would lead in to an on-going series, or at the very least a title that would last a year.
Much of the concept rests on, as tired a phrase as it is, changing the status quo of the Namor character, and realigning him in the Marvel Universe as a newly relevent, but readjusted character.

I began writing and conceiving this idea QUITE some time ago now, so it predates many of the developments seen in Civil War and other Marvel titles, although, as with all good ideas, it's reasonably malleable to move with those circumstances.

Opening this four issue mini-series, Sub-Mariner: Underworld, is the premise that young Atlantean women have been disappearing. The numbers of missing girls have grown to such that the crimes are brought before the Prince himself - Namor.

What surrounds this initial development is an opportunity for Atlanteans to debate topics as base as teen sub-culture, and the parental gap. This has actually become rather topical where I live, where a girl died recently and clues have been sought on her MySpace page, which is decked out in a gothic motiff with a few 'racey' pictures of the young teen.

As most of us net-savvy folk would know, this is not at all unusual to MySpace sub-culture, but it's amusing to hear of it spoken in such misunderstood terms in news bulletins. So, in that respect, some of the 'impetuous youth' angle bares immediate relevence, at least here. It is, of course, a fairly universal theme.

The idea is that, like human youths, some of the Atlantean teens and young women have been a bit rebellious. One of the dangers for Atlanteans is the attraction of the surface world, which raises other debats among the concerned groups, particularly the Sub-Mariner's own lengthy association with the surface.
As a Prince, you would have to imagine his status as a role model would certainly come under fire, and that's something that would be raised here, even though traditionally Atlanteans cannot naturally sustain themselves on the surface.

Ultimately Namor is spurred to return to the surface, following the few clues he has to New York City's seed urban side. A side of Marvel that the character isn't necessarily associated with, but is none the less aware of, be it through casual visits, or even 'the lost years', when Namor wandered the streets as a transient hobo without a memory.

A lot of the ideas draw on established pieces of fiction in the character's history, including much of the 'corporate Namor' era built by John Byrne.
It's my interpretation that Namor still retains many corporate and industrial interests on the surface world, and he would immediately make use of a room in an apartment tower. One of many surface homes he could potentially own.

The Civil War, prior to his involvement, but even now, helps guide the original idea that he would be steering away from the 'super' side of the Marvel universe.
His sense of royal responsibility and logic is that this isn't really something that he would involve the Fantastic Four with, for instance.

At a later date his relationship with the FF was to arise again, as he becomes needing of scientific advice, and opts for an unlikely source, rather than Reed Richards. Who, of course, is conveniently now characterized as being someone Namor would be less than likely to turn to.

I see Namor as a chivalrous kind of hero, and the kinds of urban struggles that go on in Hell's Kitchen and similar seedy sides of the Marvel urban underworld would present him with distractions. This was also to bring him into conflict with Daredevil, a character he battled in DD's early sixties adventures.

As a mini-series it would be nice if it could stand on it's own feet and date itself prior to Matt Murdock's incarceration, particularly as I had mind to use Iron Fist later on, and actually think his role as substitute-Daredevil fits quite neatly.
Never the less, a theme that would be picked up again in the on-going series would be Namor's difficulty in coming to terms with the way in which the surface world works.

In Atlantis his justice is swift and absolute, but Daredevil quickly informs him that he can't simply plow a would-be rapist spine-first into a brick wall.
The Sub-Mariner in urban New York becomes quite literally an allagory for the fish out of water. The on-going series would feature more of how he tackles this in a unique way, and actually draws largely on Matt Murdock's incarceration.

In the mini-series it's driven more by the story at hand, and it takes a turn as other characters inflict themselves on the Sub-Mariner's path.
And with that, I'll hopefully pick up next month and tell you more about where I would like to go with this story, that attempts much, but in a tight space.

The hammer...
Speaking of attempting much, 5000 hits was passed a week and a half ago, which is huge! This has been the biggest month yet for Secret Wars on Infinite Earths, and I want to send out a huge thanks to everybody checking the place out! Hopefully you're enjoying it, and those of you I see coming back, will keep doing so!

I was thinking about celebrating with some extra updates, and then I went out and picked up Marvel: Ultimate Alliance, which kicked me in a whole different direction.

I've had some developments on the personal front with a sick relative, so it might be a bit much to chew, but I'm going to attempt three updates a week. That's right -- three! Just to sustain that interest!

So the schedule reads something like this, for March Madness:
- Marvel Ultimate Alliance Mondays
Featuring villains from the video game that utilizes the largest assembly of Marvel Comics characters all in the one game. With Civil War being all about the heroes, it seemed like a great opportunity to take a look at the villains.
Even though the villains are the spotlight, expect the heroes fighting them to be characters from the game, just for that extra authenticity!

- What if Wednesdays
This was my original consideration, and hey, after we tipped 5000, why not?
Wednesdays will be all about alternate realities, including not just stories from the Marvel Universe, as the name implies; but also multiverse madness from the DCU. Not that I've got a whole lot of that, mind you...

- Friday Fight Nights
All these bonus updates will, of course, not be at the sacrifice of our usual random fun every Friday. We'll continue to feature patternless battles between characters from the Marvel and DC Universes, and maybe some place else, too.

Anyway, that's the plan guys, but as I said. I've got some personal things going on, so there may be some delays. We'll see how it plays out.

Hope everyone's having a great time, and stay tuned next month because I imagine with a fifth week special in there, we're going to have plenty of movement on the top five rankings!

All the best guys!

February Hit Count: 5208 (+1261)

* Secret Wars on Infinite Earths does not, in anyway, encourage or condone underage gambling. We believe in mocking those who undertake in such activities, and such was our intention. Stay in school.

** Result of a statistical anomaly that was rectified.